A TLS, TIMES, PROSPECT AND WATERSTONES BOOK OF THE YEAR A groundbreaking examination of how the marriage of Henry VIII and Anne Boleyn sent shockwaves across a continent and changed England forever. 'In many places, where once we had speculation, we now have certainty. This book is at once an education and a joy to read' LITERARY REVIEW 'Combines meticulously researched history and contemporary voices with narrative flair' SUNDAY TIMES 'Anne Boleyn comes alive in this impressive study . . . Moves and informs' THE TIMES 'The most cogent narrative reading of the evidence to date' SPECTATOR The story of Henry VIII and Anne Boleyn is one of the most remarkable in history: a long courtship followed by a shotgun wedding and then a coronation, ending just short of three years later when a husband's passion turned to such hatred that he simply wanted his wife gone. In Hunting the Falcon, John Guy and Julia Fox examine the most recent archival discoveries and peel back layers of historical myth to present Anne and Henry in startlingly new ways. They show how Anne and Henry's relationship was tied almost completely to the major events of international politics at one of the great turning points of European history, and dispel any assumptions that a sixteenth-century woman, even a queen, could exert little influence on the politics and beliefs of a patriarchal society. Anne was in fact a shrewd and ruthless politician in her own right, a woman who steered Henry and his policies - and whom Henry seriously contemplated making joint sovereign. Hunting the Falcon sets the facts and some completely new finds into a wide frame, unearthing the truth about these two extraordinary lives and their tumultuous times. It pays particular attention to the seven 'missing' years that Anne spent in France, and explores how she organised her side of the royal court in novel ways that ultimately sowed the seeds of her own downfall. In this feat of historical research and analysis, Guy and Fox offer a sumptuous retelling of one of the most consequential marriages in history and an exhilarating portrait of love, lust, politics and power. 'Better than Wolf Hall because it's all true' ANDREW ROBERTS 'A sumptuous drama of lust, intrigue and betrayal, underpinned by the harsh reality of politics' AMANDA FOREMAN

"Brings forward the previous catalogue to the end of July, 1871."--Pref.

Uses adaptation and appropriation studies to explore early modern textual and theatrical metamorphoses of OvidApplies contemporary theoretical approaches, such as gender/queer/trans studies, feminist ecostudies, hauntology, rhizomatic adaptation, transmedialityUses adaptation studies in analyzing early modern transformations of OvidFocuses on the appropriations of "e;Ovid"e; (as an umbrella term for "e;all things Ovidian"e;) on the early modern English stageIncludes chapters on Shakespeare and Marlowe as well as other early modern dramatistsDid you know that Ovid was a multifaceted icon of lovesickness, endless change, libertinism, emotional torment and violence in early modern England? This is the first collection to use adaptation studies in connection with other contemporary theoretical approaches in analysing early modern transformations of Ovid. It provides innovative perspectives on the 'Ovids' that haunted the early modern stage, while exploring intersections between adaptation theory and gender/queer/trans studies, ecofeminism, hauntology, transmediality, rhizomatics and more. This book examines the multidimensional, ubiquitous role that Ovid and Ovidian adaptations played in English Renaissance drama and theatrical performance.