A detailed chronicle of Poland’s efforts during World War II from beginning to end, by the author of Narvik and the Allies. The invasion of Poland by German forces (quickly joined by their then-allies the Soviets) ignited the Second World War. Despite determined resistance, Poland was quickly conquered but Poles continued the struggle to the very last day of the war against Germany, resisting the occupier within their homeland and fighting in exile with the Allied forces. Evan McGilvray, drawing on intensive research in Polish sources, gives a comprehensive account of Poland’s war. He reveals the complexities of Poland’s relationship with the Allies (forced to accept their Soviet enemies as allies after 1941, then betrayed to Soviet occupation in the post-war settlement), as well as the divisions between Polish factions that led to civil war even before the defeat of Germany. The author narrates all the fighting involving Polish forces, including such famous actions as the Battle of Britain, Tobruk, Normandy, Arnhem, and the Warsaw Rising, but also lesser known aspects such as Kopinski’s Carpathian Brigade in Italy, Polish troops under Soviet command, and the capture of Wilhelmshaven on the last day of the war.

This book explores the consequences of the latest political shifts in Central Eastern Europe: the rise of right-wing parties and, among other things, politics becoming more invested in history. These phenomena coincide and overlap with the democratisation of history by turning the past into a hot topic, persistently present in the public sphere and often evoking strong emotions. Ethnographic research (conducted in 2012-2016) focusing on how World War II reenactors experience the past serves as the basis to analyse the ways in which the group uses the widespread, often institutionalised interest in history to – on the one hand – become involved in debates on World War II and the remembrance thereof, and – on the other – to authentically experience this past. The volume therefore analyses how physical the process of creating and experiencing grassroots visions of the past is, and how these visions interact with the public discourse about the past. Reenactors’ ability to marry the often-contradictory orders of historical truth, authenticity, and representation is explored. Moreover, Baraniecka-Olszewska analyses how the reenactors overcome various obstacles on their way towards authentic experiences, performing history through their bodies.

This book explores contemporary debates surrounding Poland’s 'war children', that is the young victims, participants and survivors of the Second World War. It focuses on the period after 2001, which saw the emergence of the two main political parties that were to dictate the tone of the politics of memory for more than a decade. The book shows that 2001 marked a caesura in Poland’s post-Communist history, as this was when the past took center stage in Polish political life. It argues that during this period a distinct culture of commemoration emerged in Poland – one that was not only governed by what the electorate wanted to hear and see, but also fueled by emotions.

An accessible history of the Second World War in its global contect for A-level students.

Intermingles an account of Poland's participation in the military effort of World War II with factual human-interest stories.

“This passionate, carefully researched, richly detailed, well-written study” reveals the political motives behind WWII Hollywood’s portrayal of Poles (Choice). During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. Often the characterizations were as black and white as the movies themselves: Americans and their allies were heroes, while everyone else was a villain. The peoples of Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Yet Poland—the first country to be invaded by the Third Reich—was repeatedly represented in a negative light. In this prize-winning study, Polish historian M. B. B. Biskupski explores why. Biskupski presents a close critical study of prewar and wartime films such as To Be or Not to Be, In Our Time, and None Shall Escape. Through memoirs, letters, diaries, and memoranda written by screenwriters, directors, studio heads, and actors, Biskupski examines how the political climate, and especially pro-Soviet sentiment, influenced Hollywood films of the time. Winner of the Oscar Halecki Prize A Choice Outstanding Academic Title

Despite the wealth of historical literature on the Second World War, the subject of religion and churches in occupied Europe has been undervalued – until now. This critical European history is unique in delivering a rich and detailed analysis of churches and religion during the Second World War, looking at the Christian religions of occupied Europe: Catholicism, Lutheranism, Calvinism, and Orthodoxy. The authors engage with key themes such as relations between religious institutions and the occupying forces; religion as a key factor in national identity and resistance; theological answers to the Fascist and National Socialist ideologies, especially in terms of the persecution of the Jews; Christians as bystanders or protectors in the Holocaust; and religious life during the war. Churches and Religion in the Second World War will be of great value to students and scholars of European history, the Second World War and religion and theology.

Victor Rothwell examines the origins of World War II, from the flawed peace settlement in 1919 to the start of the true world war at Pearl Harbor in 1941. He asks many important questions. Why did the cause of peace advance in the 1920s, only to be stopped in its tracks and threatened with reversal by the Great Depression?; what was the nature of Nazi thinking about war, foreign policy, and the policy of appeasement that sought to accommodate the Third Reich without again going to war? He also examines the events in the Far East at the time, and draws a contrast between the role of the US and the Far East throughout the 1930s. Copyright © Libri GmbH. All rights reserved.