Comprising mostly original essays, this book offers challenging reassessments of some of the most important and controversial themes in Polish history from 1900 until the present. In analysing Poland's triumphs and tribulations with an informed and searching eye, the author achieves a high level of intellectual coherence and nuanced historical perspectives. The overall result is a major contribution to a field of study which has gained even more significance and scholarly impetus since the collapse of Communism in Poland in 1989/90.

Throughout the twentieth century in Poland various ideologies attempted to keep queer voices silent—whether those ideologies were fascist, communist, Catholic, or neo-liberal. Despite these pressures, there existed a vibrant, transgressive trend within Polish literature that subverted such silencing. This book provides in-depth textual analyses of several of those texts, covering nearly every decade of the last century, and includes authors such as Witold Gombrowicz, Marian Pankowski, and Olga Tokarczuk, winner of the 2018 Nobel Prize in Literature. Jack J. B. Hutchens demonstrates the subversive power of each work, showing that through their transgressions they help to undermine nationalist and homophobic ideologies that are still at play in Poland today. Hutchens argues that the transgressive reading of Polish literature can challenge the many binaries on which conservative, heteronormative ideology depends in order to maintain its cultural hegemony.

Serves as an introduction to contemporary Polish literature, developed through critical discussion of key problems and representative writers. It includes poetry, fiction and drama. Some essays are devoted to individual writers including, Milosz, Herbert, Gombrowicz, Schulz, Konwicki and Mrozek.

The Polish Orthodox Church in the Twentieth Century and Beyond: Prisoner of History shows the adaptability of an Orthodox community whose members are a religious and ethnic minority in a predominantly Roman Catholic country populated by ethnic Poles. It features a triangular relationship among the Orthodox and Catholic hierarchies and the secular state of Poland throughout the changes of government. A secondary interrelationship involves the tense relationship between ethnic Poles on one hand, and minority Ukrainians and Belarusans on the other. As a “prisoner” of its own history and strangers in its own land, the Polish Orthodox Church faces a constant struggle for survival.

"[This book] charts the transformation of one of the world's great religions during an age marked by world wars, genocide, nationalism, decolonization, and powerful ideological currents, many of them hostile to Christianity"--Amazon.com.

Bringing together scholars from the fields of musicology and international history, this book investigates the significance of music to foreign relations, and how it affected the interaction of nations since the late 19th century. For more than a century, both state and non-state actors have sought to employ sound and harmony to influence allies and enemies, resolve conflicts, and export their own culture around the world. This book asks how we can understand music as an instrument of power and influence, and how the cultural encounters fostered by music changes our ideas about international history.

Drawing on newly accessible archives as well as memoirs and other sources, this biographical dictionary documents the lives of some two thousand notable figures in twentieth-century Central and Eastern Europe. A unique compendium of information that is not currently available in any other single resource, the dictionary provides concise profiles of the region's most important historical and cultural actors, from Ivo Andric to King Zog. Coverage includes Albania, Belarus, the Czech and Slovak Republics, Hungary, Estonia, Latvia, Lithuania, Poland, Romania and Moldova, Ukraine, and the countries that made up Yugoslavia.

The definitive biographical guide to poetry throughout the world in the twentieth century and the only book of its kind to look at non-English language poets in such detail. Written in lively prose, with over 900 entries by over 75 international contributors, it brings a uniquely global perspective to bear on modern verse, encapsulating the lives and works of a vast array of poets in precise, compact detail alongside expert critical comment. Who's Who in Twentieth Century World Poetry is a scholarly and hugely enjoyable guide through the diverse arena of modern international poetry.

This collection explores how Christian individuals and institutions – whether Churches, church-related organisations, clergy, or lay thinkers – combined the topics of faith and national identity in twentieth-century Europe. "National identity" is understood in a broad sense that includes discourses of citizenship, narratives of cultural or linguistic belonging, or attributions of distinct, "national" characteristics. The collection addresses Catholic, Protestant, and Orthodox perspectives, considers various geographical contexts, and takes into account processes of cross-national exchange and transfer. It shows how national and denominational identities were often mutually constitutive, at times leading to a strongly exclusionary stance against "other" national or religious groups. In different circumstances, religiously minded thinkers critiqued nationalism, emphasising the universalist strains of their faith, with varying degrees of success. Moreover, throughout the century, and especially since 1945, both church officials and lay Christians have had to come to terms with the relationship between their national and "European" identities and have sought to position themselves within the processes of Europeanisation. Various contexts for the negotiation of faith and nation are addressed: media debates, domestic and international political arenas, inner-denominational and ecumenical movements, church organisations, cosmopolitan intellectual networks and the ideas of individual thinkers.