From the moment Captain America punched Hitler in the jaw, comic books have always been political, and whether it is Marvel’s chairman Ike Perlmutter making a campaign contribution to Donald Trump in 2016 or Marvel’s character Howard the Duck running for president during America’s bicentennial in 1976, the politics of comics have overlapped with the politics of campaigns and governance. Pop culture opens avenues for people to declare their participation in a collective project and helps them to shape their understandings of civic responsibility, leadership, communal history, and present concerns. Politics in the Gutters: American Politicians and Elections in Comic Book Media opens with an examination of campaign comic books used by the likes of Herbert Hoover and Harry S. Truman, follows the rise of political counterculture comix of the 1960s, and continues on to the graphic novel version of the 9/11 Report and the cottage industry of Sarah Palin comics. It ends with a consideration of comparisons to Donald Trump as a supervillain and a look at comics connections to the pandemic and protests that marked the 2020 election year. More than just escapist entertainment, comics offer a popular yet complicated vision of the American political tableau. Politics in the Gutters considers the political myths, moments, and mimeses, in comic books—from nonfiction to science fiction, superhero to supernatural, serious to satirical, golden age to present day—to consider how they represent, re-present, underpin, and/or undermine ideas and ideals about American electoral politics.

This handbook offers a unique approach to the question: How do scholars write the future of global politics? Written in futur antérieur style, around the 200-year anniversary of the birth of International Relations (IR) as an academic discipline, the contributions engage in world-building and imagine different futures of IR. Set in a multiverse, 23 chapters draw on a range of possible themes and imaginaries, for instance post-pandemic conditions, the Anthropocene, and not least academic practices and the role of researchers. A concluding chapter anchors these explorations in contemporary discussions. The book mirrors the format and style of existing handbooks, combining outlines and discussions of theories, structures, processes, and core issues in IR with an academic science fiction account of how these might play out over the course of the next century. In doing so, the book challenges IR and provides alternative imaginaries, rather than predicting future conditions for all humanity. The book invites readers to reflect on how thinking about the future has become an increasingly radical, but more than ever necessary act.

The Western and Political Thought: A Fistful of Politics offers a variety of engaging and entertaining answers to the question: What do Westerns have to do with politics? This collection features contributions from scholars in a variety of fields—political science, English, communication studies, and others—that explore the connections between Westerns (prose fiction, films, television series, and more) and politics.

From the Great Purges in the Soviet Union in the late 1930s to the bloody elite purges in Eastern Europe in the late 1940s and early 1950s to the mass terrorism in Cambodia in the middle 1970s, the role of terror and the secret police in Communist politics has been powerful and highly visible. This book reviews the surprisingly sparse literature on the subject and presents new studies of secret-police forces and the political use of terror in the USSR, China, Poland, Hungary, Romania, Czechoslovakia, and Cambodia. The focus of each country study is the nature and extent of internal terror and repression, the range of external intelligence functions, and the effect of secret-police interference in internal policymaking processes. The book ably fills a void in the literature by providing needed case studies as well as a theoretical framework for understanding secret-police activity.

Anglophone Verse Novels as Gutter Texts draws on the notion of the 'gutter' in graphic narratives – the gap between panels that a reader has to imaginatively fill to generate narrative sequence – to analyse the largely overlooked literary form of the verse novel. Marked at all levels by the tense constellation of segment and sequence, and a conspicuously 'gappy' texture, verse novels offer productive alternatives to the dominant prose novel in contemporary fiction, where a similar 'gappiness' has become a hallmark, as illustrated by the loosely interlaced multi-strand plot structures of influential 'world novels' (Bolaño, Mitchell, Powers). The verse novel is a form particularly prolific in the postcolonial world and among diasporic or minoritarian writers in the Global North. This study concentrates on two of the most prominent areas in which verse novels distinguish themselves from the prose novel to read texts by Derek Walcott, Anne Carson, Bernardine Evaristo, Patience Agbabi and others: In 'planetary' verse novels from the Caribbean, Canada, Samoa and Hawai'i, the central trope of the volcano evokes a world in constant un/making; while post-national verse novels, particularly in Britain, modify the established paradigms of imagined communities. Dirk Wiemann's study speculates whether the resurgence of verse novels correlates with the apprehension of inhabiting a world that has become unpredictable and dangerous but also promising: a 'post-prosaic' world.

This is a deconstruction of the published books of poetry of Derek Walcott from 1961 to 1981 to unearth, expose and analyze the discourse and worldview of Walcott of miscegenated being, the Caribbean dystopia and the existential condition of the African and Indian Diasporas in the Caribbean dystopia. Walcott segregates himself from the Caribbean dystopia as he excoriates the African and Indian Diasporas blaming them for constructing the dystopia, they are trapped in. Walcott exempts white supremacist colonial and neo-colonial imperial power relations which condemns us to dependency and underdevelopment at the level of the idea. Which he must do for Walcott insists that what separates him from the Dystopia and enables his freedom from the dystopia, his flight to the North Atlantic is his white grandfather's legacy bequeathed to him by his miscegenated father. At the level of his genome Walcott is special, exceptional in the realm of the Dystopia compelled to prove and affirm this state of being in the North Atlantic. Walcott then frames his poetry on the foundation of the binary, Manichean duality of white North Atlantic discourse. I had a white grandfather and father which makes this deconstruction a personal conversation between two conflicting discourses of miscegenated being and our place in the world.

"For five thousand years the politician and the priest have been in the same business." In this provocative volume, Osho invites us to look through his microscope and examine not only the profound influence of religion and politics in society, but also its influence in our inner world. To the extent we have internalized and adopted as our own the values and belief systems of the “powers that be,” he says, we have boxed ourselves in, imprisoned ourselves, and tragically crippled our vision of what is possible. From Occupy Wall Street to the Arab Spring, from the election of the first Black president in the United States to the appointment of a new pope who promises to use St. Francis of Assisi as a role model (following endless scandals involving child abuse) the roles of priests and politicians in our public life have recently captured the attention of our times, often just initiating another round of hope and subsequent disillusionment. In other words, wittingly or unwittingly, we keep digging ourselves deeper into the mess we are in. A new kind of world is possible — but only if we understand clearly how the old has functioned up to now. And, based on that understanding, take the responsibility and the courage to become a new kind of human being. "You have to be aware who the real criminals are. The problem is that those criminals are thought to be great leaders, sages, saints, mahatmas. So I have to expose all these people because they are the causes. For example, it is easier to understand that perhaps politicians are the causes of many problems: wars, murders, massacres, burning people. It is more difficult when it comes to religious leaders, because nobody has raised his hand against them. They have remained respectable for centuries, and as time goes on their respectability goes on growing. The most difficult job for me is to make you aware that these people — knowingly or unknowingly, that does not matter — have created this world."

Reprint of the original, first published in 1882.