This volume brings together ten distinguished scholars of history, literature, music, theatre, and art to explore the political and cultural implications of the court's transgressive new character.

The reconstitution of the royal court in 1660 brought with it the restoration of fears that had been associated with earlier Stuart courts: disorder, sexual liberty, popery and arbitrary government. This volume illustrates the ways in which court culture was informed by the heady politics of Britain between 1660 and 1685.

On a cold October afternoon in 1678, the Westminster justice of the peace Sir Edmund Berry Godfrey left his home in Charing Cross and never returned. Within hours of his disappearance, London was abuzz with rumours that the magistrate had been murdered by Catholics in retaliation for his investigation into a supposed 'Popish Plot' against the government. Five days later, speculation morphed into a moral panic after Godfrey's body was discovered in a ditch, impaled on his own sword in an apparent clumsily staged suicide. This book presents an anatomy of a conspiratorial crisis that shook the foundations of late Stuart England, eroding public faith in authority and official sources of information. Speculation about Godfrey's death dovetailed with suspicions about secret diplomacy at the court of Charles II, contributing to the emergence of a partisan press and an oppositional political culture in which the most fantastical claims were not only believable but plausible. Ultimately, conspiracy theories implicating the king's principal minister, his queen and his brother in Godfrey's murder stoked the passions and divisions that would culminate in the Exclusion Crisis, the most serious challenge to the British monarchy since the Civil War.ng the king's principal minister, his queen and his brother in Godfrey's murder stoked the passions and divisions that would culminate in the Exclusion Crisis, the most serious challenge to the British monarchy since the Civil War.ng the king's principal minister, his queen and his brother in Godfrey's murder stoked the passions and divisions that would culminate in the Exclusion Crisis, the most serious challenge to the British monarchy since the Civil War.ng the king's principal minister, his queen and his brother in Godfrey's murder stoked the passions and divisions that would culminate in the Exclusion Crisis, the most serious challenge to the British monarchy since the Civil War.

Explores the political meanings that Italian opera - its composers, agents and institutions - had for audiences in eighteenth-century Britain.

Fashion featured in black-letter broadside ballads over a hundred years before fashion magazines appeared in England. In the seventeenth century, these single-sheet prints contained rhyming song texts and woodcut pictures, accessible to almost everyone in the country. Dress was a popular subject for ballads, as well as being a commodity with close material and cultural connections to them.This book analyses how the distinctive words and images of these ballads made meaning, both in relation to each other on the ballad sheet and in response to contemporary national events, sumptuary legislation, religious practice, economic theory, the visual arts and literature. In this context, Clare Backhouse argues, seventeenth-century ballads increasingly celebrated the proliferation of print and fashionable dress, envisioning new roles for men and women in terms of fashion consumption and its importance to national prosperity. The book demonstrates how the hitherto overlooked but extensive source material that these ballads offer can enrich the histories of dress, art and culture in early modern England.

This monograph examines the most prestigious political paintings created in Britain during the High Baroque age. It investigates a period characterized by numerous social, political, and religious crises, in the years between the restoration of the Stuart monarchy (1660) and the death of the first British monarch from the House of Hanover (1727). On the basis of hitherto unpublished documents, the book elucidates the creation and reception of nine major commissions that involved the court, private aristocratic patrons, and/or civic institutions. The ground-breaking new interpretations of these works focus on strategies of conflict resolution, the creation of shared cultural memories, processes of cultural translation, the performative context of the murals and the interaction of painted images and architectural spaces.

Between 1660 and 1820, Great Britain experienced significant structural transformations in class, politics, economy, print, and writing that produced new and varied spaces and with them, new and reconfigured concepts of gender. In mapping the relationship between gender and space in British literature of the period, this collection defines, charts, and explores new cartographies, both geographic and figurative. The contributors take up a variety of genres and discursive frameworks from this period, including poetry, the early novel, letters, and laboratory notebooks written by authors ranging from Aphra Behn, Hortense Mancini, and Isaac Newton to Frances Burney and Germaine de Staël. Arranged in three groups, Inside, Outside, and Borderlands, the essays conduct targeted literary analysis and explore the changing relationship between gender and different kinds of spaces in the long eighteenth century. In addition, a set of essays on Charlotte Smith’s novels and a set of essays on natural philosophy offer case studies for exploring issues of gender and space within larger fields, such as an author’s oeuvre or a particular discourse. Taken together, the essays demonstrate space’s agency as a complement to historical change as they explore how literature delineates the gendered redefinition, occupation, negotiation, inscription, and creation of new spaces, crucially contributing to the construction of new cartographies in eighteenth- and early nineteenth-century England.

Johan Huizinga’s much-loved and much-contested Autumn of the Middle Ages, first published in 1919, encouraged an image of the Late French Middle Ages as a flamboyant but empty period of decline and nostalgia. Many studies, particularly literary studies, have challenged Huizinga’s perceptions of individual works or genres. Still, the vision of the Late French and Burgundian Middle Ages as a sad transitional phase between the High Middle Ages and the Renaissance persists. Yet, a series of exceptionally significant cultural developments mark the period. The Waxing of the Middle Ages sets out to provide a rich, complex, and diverse study of these developments and to reassert that late medieval France is crucial in its own right. The collection argues for an approach that views the late medieval period not as an afterthought, or a blind spot, but as a period that is key in understanding the fluidity of time, traditions, culture, and history. Each essay explores some “cultural form,” to borrow Huizinga’s expression, to expose the false divide that has dominated modern scholarship.

What did people in Restoration England think the correct relationship between church state should be? And how did this thinking evolve? Based on the author's published essays, revised and updated with a new overarching introduction, this book explores the debates in Restoration England about "godly rule". The book assesses some of the crucial transitions in English history: how the late Reformation gave way to the early Enlightenment; how Royalism became Toryism and Puritanism became Whiggism; how the power of churchmen was challenged by virulent anticlericalism; how the verities of "divine right" theory revived and collapsed. Providing a distinctive account of English thought in the era between the two revolutions of the Stuart century, "Contesting the English Polity, 1660-1688" discusses the ideological foundations of emerging party politics, and the deep intellectual roots of competing visions for the commonwealth, placing the power of religion, and the taming of religion, squarely alongside constitutional battles within secular politics.