This is an introductory guide to the ways Jesus is depicted in the New Testament. Both college students and the general reader will find here a variety of New Testament understandings of Jesus that are rooted in critical reading of the four gospels and Pauline letters. This new edition adds historical context to the portraits of Jesus as each document is somewhat shaped by historical factors. This work presumes neither religious faith nor lack of faith; its aim is to inform and to stimulate some fundamental questions as well as to give the readers portraits as synthetic balance to the vital work of analysis.

This book provides a learning-by-doing approach to the study of the Gospels. It allows students to uncover literary patterns, theological issues, and interpretive problems through close readings of primary sources. Questions are asked along the way that help readers understand the shape of the narrative, and the themes important to each Gospel writer.

In his Gospel, John presented Jesus as the Son of God by painting portraits, pictures, of him. The author of this volume displays twenty-nine of these portraits for us to look at and even study. The reader who observes these portraits carefully will come to know the Lord Jesus Christ in new and deeper ways. After each portrait is examined, there are applications for daily living and simple study questions drawn from the portrait. This book is all about Jesus the Living Word set forth in the Written Word and is intended for individual and group use.

John's Gospel is best known for its presentation of Jesus as the Word of God made flesh. But as the narrative unfolds, readers discover that the identity of Jesus is surprisingly complex. He is depicted as a teacher, a healer, a prophet, and Messiah. He is Jewish and Galilean, a human being who is Son of Man and Son of God. Portraits of Jesus in the Gospel of John considers each of these roles in detail, showing how each makes a distinctive contribution to the Gospel's rich mosaic of images for Jesus. John's multifaceted portrait of Jesus draws on a broad spectrum of early Christian traditions, and the contributors to this collection of essays explore the ways in which these traditions are both preserved and transformed in the Fourth Gospel. The writers draw us more deeply into the questions of the way in which traditions about Jesus developed in the early church and how the Gospel of John might contribute to our understanding of that dynamic process.

"Four Portraits of Jesus is a Bible study guide based on the four distinctive portraits of Jesus in the four Gospels. Each chapter begins with a passage relating to a key theme for each particular Gospel and then addresses a series of questions designed to acquaint readers with important issues related to that Gospel and its audience. The all-in-one volume incorporates detailed lesson plans for the teacher or study leader, course reading material and worksheets for the participant, and biblical background information for both."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

This treasury sings with 120 masterful paintings of famous New Testament scenes. Rich, full-color renderings by the finest artists from the Middle Ages through the 20th century include masterpieces by Raphael, Vermeer, El Greco, Giotto, Fra Angelico, and other renowned artists. The paintings can be printed at poster size and you can play a stunning slideshow of the images on your TV or computer.

" ... A biography of the person and ministry of Christ, as revealed by 100 names and titles ascribed to Him in Scripture."--Preface.

Comprehensive and contemporary exploration of the role of Jesus in both Islam and Christianity and issues of dialogue in Christian-Muslim relations.

The Monk - The Artist - The Aunt - The Essayist - The Woman - The Jesuit - The Mother - Self-Portrait Berrigan's Portraits is his first completely biographical work, and it is perhaps his most intimate book. Here he speaks candidly of some of the people he has known and admired, people of fame and people who will probably never be memorialized or even remembered outside these pages. Here are Thomas Merton, Dorothy Day, Peter Maurin--guides to the vision that has inspired Berrigan's own witness to Christian peace. Here is an unknown woman painter, dying of cancer but gifted with uncanny powers of insight. Here are members of Berrigan's own family: a tough-minded aunt, who found in the currently outmoded pieties of the past a remedy for the terrible day-in-and-day-out of the religious life; his own mother, providential, foreseeing, compassionate. Lastly there is a self-portrait--not in a convex mirror, not a picture at an exhibition--of what has been the meaning of these various people and of their influence on him and his work.