This book introduces readers to a little-known place and time in world history – early modern Russia, from its beginnings as Muscovy, in the fourteenth century, through the reign of Peter I (1689-1725) – by portraying the lives of representative individuals from the major levels of the society of that era. The portraits, written by professional historians, are imaginative reconstructions or composites of individual lives, rather than biographies. The portraits are arranged into socio-political categories, and include members of ruling families, government servitors, clerks, military personnel, church prelates, monks, provincial landowners, townspeople and artisans, Siberian explorers and traders, free peasants, serfs, slaves and holy fools. Using these portraits, the book brings old Russian society to life in an interesting way.

First Published in 2015. Routledge is an imprint of Taylor & Francis, an Informa company.

Vasilii Kandinsky, whom many consider to be the father of abstract painting, was also a trained ethnographer with an abiding interest in the folklore of Old Russia. In this provocative book, Peg Weiss provides an entirely new interpretation of Kandinsky's art by examining for the first time how this commitment to his ethnic Russian heritage influenced the painter's work throughout his career.

The Czarist era through the revolution and civil war. Many portraits, fashion photos, scenes of everyday life from all areas of Russia as well as the Imperial family and the upper class. 212 pages; 199 b&w photographs; 9.5 x 11.5 inches.

Over 300 photographs of Russia from 1894 to 1994, most of them previously unpublished, and very few seen before in the West, have been culled from dozens of archives, museums, private collections and previously closed files. Together they provide a portrait of Russia from the Tsarists to Chernobyl, from a costume ball in old St Petersburg to a stripper at a modern Moscow nightclub, from the Revolution to the Great Terror, from the Cold War to the grim state of contemporary Russia, and from haunting landscapes to portraits of Yuri Gagarin, Pasternak, Solzhenitzyn and Shostakovich.

What can Russian images and objects—a tsar’s crown, a provincial watercolor album, the Soviet Pioneer Palace—tell us about the Russian people and their culture? This wide-ranging book is the first to explore the visual culture of Russia over the entire span of Russian history, from ancient Kiev to contemporary, post-Soviet society. Illustrated with more than one hundred diverse and fascinating images, the book examines the ways that Russians have represented themselves visually, understood their visual environment, and used visual images in social and political contexts. Expert contributors discuss images and objects from all over the Russian/Soviet empire, including consumer goods, architectural monuments, religious icons, portraits, news and art photography, popular prints, films, folk art, and more. Each of the concise and accessible essays in the volume offers a fresh interpretation of Russian cultural history. Putting visuality itself in focus as never before, Picturing Russia adds an entirely new dimension to the study of Russian literature, history, art, and culture. The book enriches our understanding of visual documents and shows the variety of ways they serve as far more than mere illustration.

With the collapse of the Soviet system, the long-neglected history of the early capitalists is being recovered and rewritten. Once regarded as the "losers" in the Russian Revolution, these merchants can now be seen as early pioneers in Russia's transformation to a free market economy. This book is the first joint Russian-American collaborative project on the history of Russian entrepreneurship. Merchant Moscow puts a human face on early Russian capitalism. It presents thematic groupings of historic photographs paired with commentaries by contemporary Russian and American historians. The pictures provide a stunning, wide-ranging visual portrait of Imperial Russia's most influential entrepreneurial elite, the Moscow merchantry, while the accompanying articles interpret the photographs and place them in the larger cultural context of prerevolutionary Russia. Here is a surprising new view of the bourgeoisie during the Silver Age, revealed for the first time in this fascinating volume. The fourteen contributing historians selected and ordered photographs that best illustrate their specialized knowledge of the period. They have framed their topics in a variety of ways. Some have chosen to pursue traditional topics, such as collective biography, institutional history, or the history of business practices. Others have approached the photographs in more experimental ways, emphasizing the semiotics of dress, discourses of identity, or the history of daily life. Together they offer fresh perspectives on the successes and failures of Russia's first experiment with entrepreneurial capitalism. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.