Dive into the pages of 'Post-Human Evolution: Merging with Technology for Enhanced Consciousness'—an exploration that transcends the boundaries of conventional thought. This groundbreaking book navigates the uncharted waters of post-humanism, unraveling the intricacies of merging human consciousness with cutting-edge technologies. From the dawn of post-human evolution to the speculative landscapes of the future, this narrative delves into the controversial and transformative journey that could redefine what it means to be human. In twenty compelling chapters, the reader is guided through a labyrinth of ideas, from the ethical considerations of technological enhancement to the development of neurointerfaces and the integration of augmented reality into our everyday lives. The rise of cyborgs, the implications of genetic modification, and the quest for immortality are dissected with both empathy and scrutiny. The book contemplates the impact on societal structures, family dynamics, and the emergence of post-human subcultures, painting a vivid picture of a world where humanity is on the brink of profound change. The narrative extends beyond Earth, speculating on the potential cosmic exploration by post-humans and the ethical considerations that accompany such endeavors. This isn't just a book; it's a journey—an intellectual and emotional exploration into the possibilities and dilemmas that arise when humanity merges with technology. As the reader turns each page, they are invited to reflect on their own beliefs, fears, and aspirations for a future where the boundaries between human and machine blur. 'Post-Human Evolution' isn't just about the future; it's about the present and the choices we make today that will shape the trajectory of our species. It's a tapestry woven with philosophical depth, ethical inquiry, and a compassionate understanding of the human experience. Join us on this thought-provoking voyage, where the pages of the book are a gateway to a future that beckons us all.

Technology is one of the dominant forces shaping the emerging postmodern world. Indeed the very fabric of daily life is dependent upon various information, communication, and transportation technologies. With anticipated advances in biotechnology, artificial intelligence, and robotics, that dependence will increase. Yet this growing dependence is accompanied with a deep ambivalence. For many technology symbolises the faith of the postmodern world, but it is an ambivalent faith encapsulating both our hopes and fears for the future. This book examines the religious foundations underlying this troubled faith in technology, as well as critically and constructively engaging particular technological developments from a theological perspective.

Technology is one of the dominant forces shaping the emerging postmodern world. Indeed the very fabric of daily life is dependent upon various information, communication, and transportation technologies. With anticipated advances in biotechnology, artificial intelligence, and robotics, that dependence will increase. Yet this growing dependence is accompanied with a deep ambivalence. For many technology symbolises the faith of the postmodern world, but it is an ambivalent faith encapsulating both our hopes and fears for the future. This book examines the religious foundations underlying this troubled faith in technology, as well as critically and constructively engaging particular technological developments from a theological perspective.

This book examines the concepts of Post/Humanism and Transhumanism as depicted in superhero comics. Recent decades have seen mainstream audiences embrace the comic book Superhuman. Meanwhile there has been increasing concern surrounding human enhancement technologies, with the techno-scientific movement of Transhumanism arguing that it is time humans took active control of their evolution. Utilising Deleuze and Guattari’s notion of the rhizome as a non-hierarchical system of knowledge to conceptualize the superhero narrative in terms of its political, social and aesthetic relations to the history of human technological enhancement, this book draws upon a diverse range of texts to explore the way in which the posthuman has been represented in superhero comics, while simultaneously highlighting its shared historical development with Post/Humanist critical theory and the material techno-scientific practices of Transhumanism.

From AI to climate change, recent technological, ecological, cultural, and social transformations have unsettled established assumptions about the relationship between the human and the more-than-human world. Screening the Posthuman addresses a heterogenous body of twenty-first century films that turn to the figure of the "posthuman" as a means of exploring this development. Through close analyses of films as diverse as Kûki ningyô [Air Doll] (dir. Hirokazu Koreeda 2009), Testrol és lélekrol[On Body and Soul] (dir. Ildiko Enyedi 2017) and Nomadland (dir. Chloé Zhao 2020), this wide-ranging volume shows that, while often identified as the remit of science fiction, the "posthuman on screen" crosses filmic genres, national contexts, and industrial settings. In the process, posthuman cinema emphasizes humanity's entanglement in broader biological, technological, and social worlds and exposes new models of subjectivity, politics, community, relationality and desire. In advancing these arguments, Screening the Posthuman draws on scholarship associated with critical posthumanist theory-an ongoing project unified by a decentering of the "human". As the first systematic, full-length application of this body of scholarship to cinema, Screening the Posthuman advocates for a rigorous posthumanist critique that avoids both humanist nostalgia and transhumanist fantasy in its attention to the excitements and anxieties of posthuman existence.

An investigation of identity formation in children's literature, this book brings together children’s literature and recent critical concerns with posthuman identity to argue that children’s fiction offers sophisticated interventions into debates about what it means to be human, and in particular about humanity’s relationship to animals and the natural world. In complicating questions of human identity, ecology, gender, and technology, Jaques engages with a multifaceted posthumanism to understand how philosophy can emerge from children's fantasy, disclosing how such fantasy can build upon earlier traditions to represent complex issues of humanness to younger audiences. Interrogating the place of the human through the non-human (whether animal or mechanical) leads this book to have interpretations that radically depart from the critical tradition, which, in its concerns with the socialization and representation of the child, has ignored larger epistemologies of humanness. The book considers canonical texts of children's literature alongside recent bestsellers and films, locating texts such as Gulliver’s Travels (1726), Pinocchio (1883) and the Alice books (1865, 1871) as important works in the evolution of posthuman ideas. This study provides radical new readings of children’s literature and demonstrates that the genre offers sophisticated interventions into the nature, boundaries and dominion of humanity.

This book examines the contributions of the transhumanism approach to technology, in particular the contributed chapters are wary of the implications of this popular idea. The volume is organized into four parts concerning philosophical, military, technological and sociological aspects of transhumanism, but the reader is free to choose various reading patterns. Topics discussed include gene editing, the singularity, ethical machines, metaphors in AI, mind uploading, and the philosophy of art, and some perspectives taken or discussed examine transhumanism within the context of the philosophy of technology, transhumanism as a derailed anthropology, and critical sociological aspects that consider transhumanism in the context of topical concerns such as whiteness, maleness, and masculinity. The book will be of value to researchers engaged with artificial intelligence, and the ethical, societal, and philosophical impacts of science and technology.

Can a monkey own a selfie? Can a chimp use habeas corpus to sue for freedom? Can androids be citizens? Increasingly, such difficult questions have moved from the realm of science fiction into the realm of everyday life, and scholars and laypeople alike are struggling to find ways to grasp new notions of personhood. Posthuman Folklore is the first work of its kind: both an overview of posthumanism as it applies to folklore studies and an investigation of “vernacular posthumanisms”—the ways in which people are increasingly performing the posthuman. Posthumanism calls for a close investigation of what is meant by the term “human” and a rethinking of this, our most basic ontological category. What, exactly, is human? What, exactly, am I? There are two main threads of posthumanism: the first dealing with the increasingly slippery slope between “human” and “animal,” and the second dealing with artificial intelligences and the growing cyborg quality of human culture. This work deals with both these threads, seeking to understand the cultural roles of this shifting notion of “human” by centering its investigation into the performances of everyday life. From funerals for AIBOs, to furries, to ghost stories told by Alexa, people are increasingly engaging with the posthuman in myriad everyday practices, setting the stage for a wholesale rethinking of our humanity. In Posthuman Folklore, author Tok Thompson traces both the philosophies behind these shifts, and the ways in which people increasingly are enacting such ideas to better understand the posthuman experience of contemporary life.

Why was D.H. Lawrence preoccupied with the enigma of the human as thinking matter? This first sustained study of Lawrence and science shows how 'posthuman' conceptions of a material kinship between humans, animals and machines can transform our understanding of Lawrence's work and of its complex relationship with scientific epistemologies. Through detailed readings of evolutionary philosophy, and of the 'new Bergsonism' of Deleuze and others, Wallace provides a radical reappraisal of Lawrence in terms of an 'antihumanist (or posthumanist) humanism' (Hardt and Negri).