This innovative and lively book is quite unlike any other introduction to postcolonialism. Robert Young examines the political, social, and cultural after-effects of decolonization by presenting situations, experiences, and testimony rather than going through the theory at an abstract level. He situates the debate in a wide cultural context, discussing its importance as an historical condition, with examples such as the status of aboriginal people, of those dispossessed from their land, Algerian raï music, postcolonial feminism, and global social and ecological movements. Above all, Young argues, postcolonialism offers a political philosophy of activism that contests the current situation of global inequality, and so in a new way continues the anti-colonial struggles of the past. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

An innovative and lively account of both the history and key debates in postcolonialism. Robert Young situates it in a wide cultural context, discussing its importance as an historical condition, and as a means of changing the way that we think about the world.

Culler offers insights into theories about the nature of language and meaning, looks at whether literature is a form of self-expression or a method of appeal to an audience, and outlines the ideas behind deconstruction and semiotics.

Students of literature, film and cultural studies need to understand key theoretical terms and concepts but often find it hard to get to grips with exactly what they mean. This book provides precise definitions of terms and concepts in literary theory, along with explanations of the major movements and figures in literary and cultural theory and an extensive bibliography. It is designed for the student who needs to know what a particular term means, how it is used, and where it comes from, and enables them to apply the terms and concepts to their own investigations. The three part structure provides clear definitions of key terms and ideas, introductions to major figures including biographical and historical overviews and an annotated guide to important works. This invaluable resource provides readers with an easily accessible and comprehensive reference guide to literary and cultural theory.

Postcolonial Poetics is about how we read postcolonial and world literatures today, and about how the structures of that writing shape our reading. The book’s eight chapters explore the ways in which postcolonial writing in English from various 21st-century contexts, including southern and West Africa, and Black and Asian Britain, interacts with our imaginative understanding of the world. Throughout, the focus is on reading practices, where reading is taken as an inventive, border-traversing activity, one that postcolonial writing with its interests in margins, intersections, subversions, and crossings specifically encourages. This close, sustained focus on reading, reception, and literariness is an outstanding feature of the study, as is its wide generic range, embracing poetry, essays, and life-writing, as well as fiction. The field-defining scholar Elleke Boehmer holds that literature has the capacity to keep reimagining and refreshing how we understand ourselves in relation to the world and to some of the most pressing questions of our time, including resistance, reconciliation, survival after terror, and migration.

Critical Branding: Postcolonial Studies and the Market provides an original answer to what Sarah Brouillette has called postcolonial studies’ ‘longstanding materialist challenge’, illuminating the relationship between what is often broadly called ‘the market’ and the practice and positionality of postcolonial critics and their field, postcolonial studies. After much attention has been paid to the status of literary writers in markets, and after a range of sweeping attacks against the field for its alleged ‘complicity’ with capitalism, this study takes the crucial step of systematically exploring the engagement of postcolonial critics in market practice, substituting an automatic sense of accusation (Dirlik), dread (Westall; Brouillette), rage (Young; Williams), or irony (Huggan; Ponzanesi; Mendes) with a nuanced exploration and critique. Bringing together concepts from business studies, postcolonial studies, queer studies, and literary and cultural studies in an informed way, Critical Branding sets on a thorough theoretical footing a range of categories that, while increasingly current, remain surprisingly obscure, such as the market, market forces, and branding. It also provides new concepts with which to think the market as a dimension of practice, such as brand narratives, brand acts, and brand politics. At a time when the marketisation of the university system and the resulting effects on academics are much on our minds, Critical Branding is a timely contribution that explores how diversely postcolonial studies and the market intersect, for better and for worse.

This collection examines new comic-book cultures, graphic writing, and bande dessinée texts as they relate to postcolonialism in contemporary Anglophone and Francophone settings. The individual chapters are framed within a larger enquiry that considers definitive aspects of the postcolonial condition in twenty-first-century (con)texts. The authors demonstrate that the fields of comic-book production and circulation in various regional histories introduce new postcolonial vocabularies, reconstitute conventional "image-functions" in established social texts and political systems, and present competing narratives of resistance and rights. In this sense, postcolonial comic cultures are of particular significance in the context of a newly global and politically recomposed landscape. This volume introduces a timely intervention within current comic-book-area studies that remain firmly situated within the "U.S.-European and Japanese manga paradigms" and their reading publics. It will be of great interest to a wide variety of disciplines including postcolonial studies, comics-area studies, cultural studies, and gender studies.

The Fruits of Madness: Perspectives on the Prophetic Movements in Judaism, Christianity, Islam, and in Literature brings together selected oral presentations given at the Seminar in Biblical Characters in Three Traditions (Judaism, Christianity, and Islam) and in Literature held at the University of Vienna, Austria, in July 2014 as part of the Annual International Meeting of the Society of Biblical Literature. The contributions include work on life on the fringes between two types of lifestyles; the Hebrew Bible/Old Testament prophetic movement phenomenon from the point of view of ancient concerns about the effectiveness of communication between the human and godly realms; resistance led by prophets in ancient Israelite society; the distinction between priests and prophets in ancient Israelite and early Jewish societies; the Prophet Hosea (and his vicissitudes) in the light of the lyrics of the famous Canadian poet and musician, Leonard Cohen; the apocalyptic movements of the exilic and post-exilic eras within Judaism; the biblical Daniel as located at the point of confluence and an agent of prophecy, wisdom, and apocalyptic; and the reliability of God’s/YHWH’s word as mediated to three persons reputed to have received that word. The reader will intuit the theme of liminality in several of the contributors: it dogs the study of prophecy like a great hound its prey. With these writings, the reader is challenged to view the ancient Israelite and early Jewish concern with prophet and prophecy in a fresh and enjoyable, though thought-provoking way, making this volume a worthwhile read.

This text examines the politics of culture and the culture of politics in Pacific Asia through case studies on the South Pacific, China, South Korea, Thailand and Southeast Asia. The contexts and cultures of the chapters are wide-ranging and Callahan skilfully ties them together with the objective of analyzing the relation between the state’s cultural governance and resistance to it. The themes covered include: governmentality and cultural production popular culture and resistance East/West relations gender, identity and democracy civil society, social movements and democracy national and transnational identity production. Cultural Governance and Resistance in Pacific Asia addresses the dynamics between Asian studies and cultural studies, and the overlap between comparative politics and international relations, and as such will appeal to students and scholars of Asian studies, cultural studies, comparative politics, sociology and anthropology alike.

Colonialism and imperialism continue to impact the personal and social identities of North American preachers and listeners. In Decolonizing Preaching, Sarah Travis argues that sermons have a role in shaping the identity and ethics of listeners by helping them formulate responses to empire and colonization. Travis employs postcolonial theories to provide important insights for the practice of preaching today. She also turns to the social doctrine of the Trinity to offer a vision of the divine/human community that effectively deconstructs colonizing discourse. This book offers preachers and other practical theologians a gentle introduction to colonial history, postcolonial theories, and Social Trinitarian theology, while equipping them with tools to decolonize preaching and strategies for preventing, resisting, and responding to colonizing discourse. Travis effectively casts a vision of a "perichoretic space" in which preacher and listener encounter the living God-in-Trinity and are transformed, reconciled, and sent out to others in the church and beyond.