Postmodern Spain examines the cultural transformation experienced by Spanish society during the late 1980s and 1990s. By looking at specific aspects of culture, the representation of the human subject, the past, and the transformation of the city this book critically re-assesses the validity of postmodernism in Spain. Focusing on the novels written by Juan Goytisolo during this period this book examines the representation and development of the human subject and its identification with the marginalized 'other(s)'. It further analyses various representations of the Spanish Civil War, challenging the prevalent view of post-Franco Spain as suffering from amnesia, and thereby vindicates postmodern historical representations as a valid dialogue with the past. The third chapter examines Barcelona's urban redevelopment, analysing the transformation effected in some of its popular sites as a postmodern re-formulation of the city as a fluid, flexible public space. Finally it brings its previous findings to bear on an analysis of the Barcelona 1992 Olympic Games. It argues that these celebrations constituted a performance of Spain's 'new' cultural identity designed for global, national and local consumption. Thus, these cultural celebrations corroborated the emergence of postmodernism as a cultural dominant which has exceeded modern and pre-modern cultural practices while, paradoxically, containing and enhancing both.

The author examines the role of comedy in the novels of four key postmodern Spanish-American writers: Gustavo Sainz, Alfredo Bryce Echenique, Jaime Bayly and Fernando Vallejo.

Hispanic Studies; Literature; Latin American Studies.

Spanishness in the Spanish Novel and Cinema of the 20th-21st Century is an exploration of the general concept of “Spanishness” as all things related to Spain, specifically as the multiple meanings of “Spanishness” and the different ways of being Spanish are depicted in 20th-21st century literary and cinematic fiction of Spain. This book also represents a call for a re-evaluation of what being Spanish means not just in post-Franco Spain but also in the Spain of the new millennium. The reader will find treatments of some of the crucial themes in Spanish culture such as immigration, nationalisms, and affiliation with the European Union as well as many others of contemporary relevance such as time, memory, and women studies that defy exclusivist and clear-cut single notions of Spanishness. These explorations will help contextualize what it means to be Spanish in present day Spain and in the light of globalization while also dissipating stereotypical notions of Spain and Spanishness.

This book demonstrates the vast range of philosophical approaches, regional issues and problems, perspectives, and historical and theoretical frameworks that together constitute feminist philosophy in Latin America and Spain.This is important while feminist philosophy was long dominated by Anglo-American authors. It makes available recent feminist thought in Latin America and Spain to facilitate dialogue among Latin American, North American, and European thinkers.

The modern world was in part born as a reaction against Aristotelianism. However, the image of Aristotle to which modern philosophers reacted was partial, to say the least. Paradoxical though it may seem, today, more than twenty-three centuries on, we may now be in the most advantageous position for understanding the Stagirite’s philosophy and applying it to contemporary problems. The present book contributes to the forming of an idea of Post-modern reason inspired by a constellation of Aristotelian concepts, such as prudence (phronesis), practical truth (aletheia praktike), science in act (episteme en energeiai), metaphor (metaphora), similarity (homoiosis) and the imitation-creation pair (mimesis-poiesis). They all form an interconnected network and together they make up an idea of reason that may prove suitable for the present. These concepts offer the most promising basis for undertaking a series of urgent reconciliations: of facts and values, of means and ends, of theoretical and practical reason, of intelligence and emotion. Aristotle’s notions could help solve many dualisms of modern times. He offers a third way between identity and difference in ontology and politics, between algorithm and anarchism in methodology, between naïve realism and plain relativism in epistemology, between equivocity and univocity in language, between Enlightenment and Romanticism in culture… On the way, this shift facilitates the relationships between science, arts and ethics – the three parts of the sphere of culture which Modernity had separated – as well as the integration of the sphere of culture itself with the world of life.

Exposes the cultural roots of Spanish fascism.

A Choice Magazine Outstanding Academic Book Spanish American novels of the Boom period (1962-1967) attracted a world readership to Latin American literature, but Latin American writers had already been engaging in the modernist experiments of their North American and European counterparts since the turn of the twentieth century. Indeed, the desire to be "modern" is a constant preoccupation in twentieth-century Spanish American literature and thus a very useful lens through which to view the century's novels. In this pathfinding study, Raymond L. Williams offers the first complete analytical and critical overview of the Spanish American novel throughout the entire twentieth century. Using the desire to be modern as his organizing principle, he divides the century's novels into five periods and discusses the differing forms that "the modern" took in each era. For each period, Williams begins with a broad overview of many novels, literary contexts, and some cultural debates, followed by new readings of both canonical and significant non-canonical novels. A special feature of this book is its emphasis on women writers and other previously ignored and/or marginalized authors, including experimental and gay writers. Williams also clarifies the legacy of the Boom, the Postboom, and the Postmodern as he introduces new writers and new novelistic trends of the 1990s.