Postmodernism and Notions of National Difference examines the critical construction of postmodern fiction raising the question of whether the construction of postmodernism has sufficiently accounted for national difference. Geoffrey Lord argues that current meta-national conceptions of postmodernism need serious reconsideration to take national cultural contexts into account. Through a comparative investigation of the theoretical debate, literary traditions and close textual reading of a number of postmodern texts, Lord makes a persuasive case for his broad claim that national cultural differences are more persistent and powerful than usually allowed by established theories of postmodernity which claim a general collapse of traditional cultural orders and the meta-narratives that justify them.

Postmodernist literature embraces a wide range of forms and perspectives, including texts that are primarily self-reflexive; texts that use pastiche, burlesque, parody, intertextuality and hybrid forms to create textual realities that either run in opposition to or in parallel with an external reality; fabulations that develop both of these strategies; texts that ironize their relationship to reality; works that use the aspects already noted to more fully engage with political or cultural realities; texts that deal with history as a fiction; and texts that elude categorization even within the variety already explored. For example, in fiction, a postmodernist novel might tell a story about a writer struggling with writing (only, perhaps, to find that he is a character in a book by another writer struggling to write a book). The A to Z of Postmodernist Literature and Theater examines the different areas of postmodernist literature and the variety of forms that have been produced. This is accomplished through a chronology, an introductory essay, a bibliography, and several hundred cross-referenced dictionary entries on individual postmodernist writers, the important postmodernist aesthetic practices, significant texts produced throughout the history of postmodernist writing, and important movements and ideas that have created a variety of literary approaches within the form. By placing these concerns within the historical, philosophical, and cultural contexts of postmodernism, this reference explores the frameworks within which postmodernist literature of the late twentieth and early twenty-first century operates.

Social Postmodernism defends a postmodern perspective anchored in the politics of the new social movements. The volume preserves the focus on the politics of the body, race, gender, and sexuality as elaborated in postmodern approaches. But these essays push postmodern analysis in a particular direction: toward a social postmodernism which integrates the micro-social concerns of the new social movements with an institutional and cultural analysis in the service of a transformative political vision.

Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodernity and postmodernism; equal attention to the making and diffusion of postmodernism and the workings of literature in general; and the focus on the text and the reader (i.e., the reader's knowledge, experience, interests, and competence) as crucial factors in text interpretation. This comprehensive study does not expressly focus on American postmodernism, although American interpretations of postmodernism are a major point of reference. The recognition that varying literary and cultural conditions in this world are bound to produce endless varieties of postmodernism made the editors, Hans Bertens and Douwe Fokkema, opt for the title International Postmodernism.

Issues of identity are central to many historical and current debates in Australia. This superb collection of essays represents a significant rethinking of received ideas on identity, and reveals how issues of identity lie at the heart of Australian political thought, and form the foundation of Australian society and culture. It provides a comprehensive introduction to the political discourse surrounding Australian identity through key themes including identity theory, the manipulation of identity for political ends, gender and sexuality, immigration and national identity, citizenship and Aboriginality, and literature and film. The book rejects many of the assumptions underlying contemporary political debates, including the promulgation of a singular national identity in historical fact or as a political goal. This is a thought-provoking study of identity, its links with nationalism, and its potentially divisive effects.

Cities are material and symbolic spaces through which nations define their cultural identities. The great cities that have arisen on the North American continent have stimulated the imaginations of the United States and Canada in very different ways. This first comparative study of North American urban fiction starts out by delineating the sociohistorical and literary contexts in which cities grew into diverging symbolic spaces in American and Canadian culture. After an overview of recent developments in the cultural conception of urban space, the book takes New York and Toronto fiction as exemplary for exploring representations of the urban after postmodernism. It analyzes four twenty-first-century novels: two set in New York - Siri Hustvedt's What I Loved and Paule Marshall's The Fisher King - and two set in Toronto - Carol Shields's Unless and Dionne Brand's What We All Long For. While these texts continue to echo the specific traditions of nation building and canon formation in the United States and Canada, they also share certain features. All of them investigate the affective crossroads of the city while returning to a more realistic mode of representation. Caroline Rosenthal is Professor of American Literature at the Friedrich-Schiller University in Jena, Germany.

Implicit within claims that society itself is in some sense postmodern is an argument about the priority of consumption as a determinant of everyday life. In this view, mass media advertising and market dynamics lead to a constant search for new fashions, new styles, new sensations and experiences. Material goods are consumed as `communicators'; they are valued as signifiers of taste and of lifestyle. This volume examines the viability of this portrait of contemporary society. Mike Featherstone explores the roots of consumer culture, how it is defined and differentiated and the extent to which it represents the arrival of a `postmodern' world. He examines the theories of consumption and postmodernism among contemporary social theorists such as Bourdieu, Baudrillard, Lyotard and Jameson and relates these to the actual nature of contemporary consumer culture.