Have you ever been puzzled by contradictions in the Bible? Or wondered why there are four Gospels, three sets of Ten Commandments, or two creation stories at the beginning of Genesis? Beginning with the first pages of Genesis, the Bible tells most of its stories through multiple versions, which contain both similarities and disagreements. The inherent arguments in Scripture did not seem to bother the Jewish faith. A practice called midrash developed in Judaism sometime before the days of Jesus. Rabbis and scholars sparred over opposing passages, developed theological arguments, and filled gaps in biblical stories with their own understandings. This book will use the threefold prayer of St. John of the Cross to allow the divergent voices in Scripture to speak and practice midrash with each other, enabling the reader to join the conversation. The contradictions and arguments have a divine purpose. Not only did they prompt the Bible's evolution over hundreds of years, but have enabled it to remain a living word for thousands of years. This pluralism in the Bible is good news for the faithful living in a multi-cultural, pluralistic age.

Hermann L. Strack and Paul Billerbeck's Commentary on the New Testament from the Talmud and Midrash is an important reference work for illustrating the concepts, theological background, and cultural assumptions of the New Testament. The commentary walks through each New Testament book verse by verse, referencing potentially illuminating passages from the Talmud and Midrash and providing easy access to the rich textual world of rabbinic material. Volume 1 comments on the Gospel of Matthew. Originally published between 1922 and 1928 as Kommentar zum Neuen Testament aus Talmud und Midrasch, Strack and Billerbeck's commentary has been unavailable in English until now.

Proceeding by means of intensive readings of passages from the early midrash on Exodus The Mekilta, Boyarin proposes a new theory of midrash that rests in part on an understanding of the heterogeneity of the biblical text and the constraining force of rabbinic ideology on the production of midrash. In a forceful combination of theory and reading, Boyarin raises profound questions concerning the interplay between history, ideology, and interpretation.

The contributions compiled in this volume comprise studies of Jewish texts - biblical, rabbinic, medieval, and modern - as well as of patristic and medieval Christian texts, and in one case, a passage of the Muslim text par excellence, the Quran. The authors, scholars in the fields of Jewish Studies, Catholic and Protestant Theology, Islamic Studies, German philology etc., invited to reflect on texts of their respective disciplines in context-sensitive interpretations, taking into account the link connecting Midrash, hermeneutics, and narrative, provide illuminating narratological and/or hermeneutical insights into the texts in question. The interdisciplinary dialogue that characterized the conference "Narratology, Hermeneutics, and Midrash" that gave rise to the volume proves to be rich and full of potential for further research in the direction proposed by the Series Poetics, Exegesis and Narrative. Studies in Jewish literature and art.

Pirke de-Rabbi Eliezer represents a late development in “midrash”, or classical rabbinic interpretation, that has enlightened, intrigued and frustrated scholars of Jewish culture for the past two centuries. Pirke de-Rabbi Eliezer’s challenge to scholarship includes such issues as the work’s authorship and authenticity, an asymmetrical literary structure as well as its ambiguous relationship with a variety of rabbinic, Islamic and Hellenistic works of interpretation. This cluster of issues has contributed to the confusion about the work’s structure, origins and identity. Midrash and Multiplicity addresses the problems raised by this equivocal work, and uses Pirke de-Rabbi Eliezer in order to assess the nature of “midrash”, and the renewal of Jewish interpretive culture, during its transition to the medieval era of the early “Geonim”.

This important collection of essays by leading scholars of rabbinics reflects the current methodological approaches to the study of midrash. The volume situates midrash within the broader contexts of hermeneutics, rabbinics and postmodern studies, and thus presents a comprehensive view of the kinds of issues scholars in the field are engaging.

An impressive array of the leading names in the field have together produced a volume that seeks to open a new period in the study of Midrash and its creative role in the formation of culture. With a comprehensive introduction that situates Midrash in its historical and rhetorical setting and provides the context for a detailed consideration of different genres and applications, it should interest all scholars of Jewish studies as well as a wider readership interested in how a classical genre can inspire new creativity.

Brings popular cinema and Jewish religious texts into a meaningful dialogue. Movies and Midrash uses cinema as a springboard to discuss central Jewish texts and matters of belief. A number of books have drawn on films to explicate Christian theology and belief, but Wendy I. Zierler is the first to do so from a Jewish perspective, exploring what Jewish tradition, text, and theology have to say about the lessons and themes arising from influential and compelling films. The book uses the method of “inverted midrash”: while classical rabbinical midrash begins with exegesis of a verse and then introduces a mashal (parable) as a means of further explication, Zierler turns that process around, beginning with the culturally familiar cinematic parable and then analyzing related Jewish texts. Each chapter connects a secular film to a different central theme in classical Jewish sources or modern Jewish thought. Films covered include The Truman Show (truth), Memento (memory), Crimes and Misdemeanors (sin), Magnolia (confession and redemption), The Descendants (birthright), Forrest Gump (cleverness and simplicity), and The Hunger Games (creation of humanity in God’s image), among others. “This is a groundbreaking work of originality, insight, and high quality. It will be of great importance not only for Jewish readers but also for non-Jewish readers who long for a non-Christian perspective on popular film. I loved this book!” — Eric Michael Mazur, editor, Encyclopedia of Religion and Film

In light of the modern-day conditions. a good selection to follow an introductory course on Jewish texts