'Even if you don't find yourself booking a one-way Eurostar ticket to the capital like Marissa, this book might just be the key to finally nailing that elusive Parisian je ne sais quoi.' Penny Goldstone, Fashion Editor, Marie Claire 'A delightful, down-to-earth guide . . . complete with insider fashion tips, beauty tricks and dating advice from Marissa's own personal experience, plus interviews with many modern iterations of the ever-elusive Parisienne herself.' Monica de La Villardière, journalist and co-founder of the Fashion No Filter podcast To be Parisian is to have a certain attitude and outlook on life. In Practicing Parisienne, British journalist and blogger Marissa Cox decodes this seemingly nebulous je ne sais quoi, explaining what she has learned since moving to France eight years ago, and how and why the reader can and should adopt a more Parisian lifestyle. She reveals how she learnt to live her best life in this iconic city, what it means to be Parisian and in turn inspire you to make positive changes in your own lives, however big or small. Covering everything from style, fashion, beauty and wellbeing to chic interiors and food and wine, as well as advice about dating and friendship, each section also contains interviews with well-known Parisians and Francophiles who inspire us to live better. Because, as we know, Paris is ALWAYS a good idea. 'Practising Parisienne is a celebration of the City of Lights and an ode to the pleasures in life. Marissa Cox effortlessly mixes practical tips, personal stories and inspiring conversations in this charming guide to living well the Parisian way.' Miranda York, author of At the Table and The Food Almanac 'With appreciation, honesty, a deep understanding and access to leading figures, Practising Parisienne reads like a who's who and what's what when it comes to everything Parisian.' Hannah Almassi, Editor in Chief, Who What Wear UK

When does a work of art achieve aesthetic resolution? Artists, collectors, and theorists since the Renaissance have been intrigued by this question in their attempt to understand the artistic endeavour. Prints claim a special place in this history. The Unfinished Print investigates the changing taste for prints that reveal the traces of their making, a subject never before considered across its full historical sweep, from the fifteenth to the early twentieth century.An artist working on a print will usually take 'proof impressions' to check the progress of the plate, allowing us to trace the rethinking that attends the making of any work of art. Yet, unlike other media, proofs establish an exact record of discrete stages in the history of an image. Amplified by experiments with variant states and impressions, printmakers generated a creative interest in process and stages of completion, a phenomenon with complex implications for the history of art.Locating the issue of finish in printmaking within a broad intellectual and cultural context, this book examines the evolving concern with artistic process and aesthetic self-sufficiency in the work of Rembrandt, the rococo taste for proof states in the wake of Watteau, the fractured architectural visions of Piranesi, the romantic fascination with the artistic fragment, and the complex investigations of technical experiment that dominated printmaking in late-nineteenth century Paris.

Includes section "Book reviews."