Why is horror in film and literature so popular? Why do viewers and readers enjoy feeling fearful? Experts in the fields of sociobiology and evolutionary psychology posit that behaviors from our ancestors that favored survival and adaptation still influence our actions, decisions and thoughts today. The author, with input from a new generation of Darwinists, explores six primal narratives that recur in the horror genre. They are territoriality, tribalism, fear of genetic assimilation, mating rituals, fear of the predator, and distrust or fear of the Other.

This book reconsiders audiovisual culture through a focus on human perception, with recourse to ideas derived from recent neuroscience. It proceeds from the assumption that rather than simply working on a straightforward cognitive level audiovisual culture also functions more fundamentally on a physiological level, directly exploiting precise aspects of human perception. Vision and hearing are unified in a merged signal in the brain through being processed in the same areas. This is illustrated by the startling ‘McGurk Effect’, whereby the perception of spoken sound is changed by its accompanying image, and counterpart effects which demonstrate that what we see is affected by different sounds accompanying sounds. This blending of sound and images into a whole has become a universal aspect of culture, not only evident in films and television but also in video games and short Internet clips. Indeed, this aesthetic formation has become the dominant of this period. The McGurk Universe attends to how audiovisual culture engages with and mediates between physiological and psychological levels.

How did beloved movie dogs become man-killers like Cujo and his cinematic pack-mates? For the first time, here is the fascinating history of canines in horror movies and why our best friends were (and are still) painted as malevolent. Stretching back into Classical mythology, treacherous hounds are found only sporadically in art and literature until the appearance of cinema's first horror dog, Sherlock Holmes' Hound of the Baskervilles. The story intensifies through World War II's K-9 Corps to the 1970s animal horror films, which broke social taboos about the "good dog" on screen and deliberately vilified certain breeds--sometimes even fluffy lapdogs. With behind-the-scenes insights from writers, directors, actors, and dog trainers, here are the flickering hounds of silent films through talkies and Technicolor, to the latest computer-generated brutes--the supernatural, rabid, laboratory-made, alien, feral, and trained killers. "Cave Canem (Beware the Dog)"--or as one seminal film warned, "They're not pets anymore."

Why didn’t Peter Parker stop the burglar who killed Uncle Ben? Are Spider-Man’s foes inherently evil, or are they victims of circumstances beyond their control? What do the many web-slinging superheroes across the Spider-Verse tell us about the choices we make in the world(s) we inhabit? And who really wants to date a superhero, anyway? Especially an underdog like Spider-Man . . . Spider-Man has been ranked among the best-selling superhero characters since the 1960s, often as the best-selling superhero of all time. Much of his popularity lies in his humanity and his status as the poster boy for neurotic superheroes. In Spider-Man Psychology: Untangling Webs, Travis Langley (author of the acclaimed Batman and Psychology and Stranger Things Psychology) is back with his team of expert contributors to plumb the psychological depths of our favorite friendly neighborhood Spider-Man. Drawing examples from comic book stories, motion pictures (including the animated blockbuster Spider-Verse movie series), and a few well-known video games or TV cartoons, Dr. Langley and his team will untangle a variety of sticky psychological issues found throughout the famed web slinger's time-tested saga to help readers better understand psychology.

Why is it that even amidst affluence and power, our culture is plagued by a variety of addiction? In this pioneering book, the author searchers for answers by giving serious attention to our genetic legacy from our hunter-gatherer ancestors as well as to the unique ways we adapt to our environment through the practice of science addiction - including drugs, alcohol, cigarettes, and gambling - suggesting that wilderness exploration, in the arts, myths, and ceremonies, can help us rediscover what it means to be human creatures. Bringing together the insights of philosophy, religion, cultural anthropology, behavioural biology, and the vast socio-medical literature on addiction. The author ingeniously explores the limits of our adaptive capacity and the costs of depleting the natural regenerative functions of the body.

Understanding that video games are a fundamentally human creation, in this volume international scholars, designers, developers, and most importantly gamers, share with us their common connection though video game culture.

In recent decades, the Spanish 'fantastic' has been at the forefront of genre filmmaking. Films such as The Day of the Beast, the Rec trilogy, The Orphanage and Timecrimes have received widespread attention and popularity, arguably rescuing Spanish cinema from its semi-invisibility during the creativity-crushing Franco years. By turns daring, evocative, outrageous, and intense, this new cinema has given voice to a generation, both beholden to and yet breaking away from their historical and cultural roots. Beginning in the 1990s, films from directors such as Alex de la Iglesia, Alejandro Amenabar, and Jaume Balaguero reinvigorated Spanish cinema in the horror, science fiction and fantasy veins as their work proliferated and took centre stage at international festivals such as Sitges, Fantasia International Film Festival and Fantastic Fest. Through an examination of key films and filmmakers, Shelagh Rowan-Legg here investigates the rise of this unique new wave of genre films from Spain, and how they have recycled, reshaped and renewed the stunning visual tropes, wild narratives and imaginative other worlds inherent to an increasingly influential cinematic field.Its emergence is part of a new trend of postnational cinema, led by the fantastic, which approaches the national boundaries of cinema with an exciting sense of fluidity.

Journey through the spine-chilling world of horror with "The 100 Greatest Horror Movies of All Time." This definitive guide takes you deep into the heart of the genre, celebrating the films that have shaped and defined horror for generations. From the psychological terror of Hitchcock’s Psycho to the supernatural horrors of The Exorcist and the modern-day scares of Hereditary, this book covers every corner of the horror landscape. Perfect for horror aficionados, film students, and anyone with a taste for the macabre, this book is your ultimate companion to understanding and appreciating the best of horror cinema. Discover the 100 films that have terrified, thrilled, and captivated audiences, and prepare to be haunted by their enduring legacy.

This cutting-edge collection features original essays by eminent scholars on one of cinema's most dynamic and enduringly popular genres, covering everything from the history of horror movies to the latest critical approaches. Contributors include many of the finest academics working in the field, as well as exciting younger scholars Varied and comprehensive coverage, from the history of horror to broader issues of censorship, gender, and sexuality Covers both English-language and non-English horror film traditions Key topics include horror film aesthetics, theoretical approaches, distribution, art house cinema, ethnographic surrealism, and horror's relation to documentary film practice A thorough treatment of this dynamic film genre suited to scholars and enthusiasts alike

This book covers the phenomenon of stalking in its two major variations, sexual and surveillance, by emphasizing its central relevance to today's social, cultural, and political dilemmas with particular reference to stalking in cyberspace and its inevitable invasions of privacy.