A. B. Marx was one of the most important German music theorists of his time. Drawing on idealist aesthetics and the ideology of Bildung, he developed a holistic pedagogical method as well as a theory of musical form that gives pride of place to Beethoven. This volume offers a generous selection of the most salient of his writings, the majority presented here in English for the first time. It features Marx's oft-cited but little understood material on sonata form, his progressive program for compositional pedagogy and his detailed critical analysis of Beethoven's 'Eroica' Symphony. These writings thus deal with issues that fall directly among the concerns of mainstream theory and analysis in the last two centuries: the relation of form and content, the analysis of instrumental music, the role of pedagogy in music theory, and the nature of musical understanding.

Reproduction of the original: A Complete History of Music by W.J Baltzell

Originally published in 1924, and authored by a renowned pianist and musicologist, this book is a comprehensive study of the history and evolution of pianoforte music from its origins in the early 18th century to modern times. The book begins with a discussion of sixteenth-century English composers for the virginal. Special emphasis is given to works of the Romantic period and to national styles of piano music such as those of Chopin and the Polish school, Liszt and Magyar music, and Cesar Franck and music of The Netherlands. The book provides a bibliography and lists of major collective editions, publishers of piano music throughout the world, and journals for pianists.