From May 31, 2012, to June 3, 2012, the Paradise Bird Festival took place at the small castle Weitersroda, near the county town of Hildburghausen. Today, this singer-songwriter gathering is a fixed institution in southern Thuringia. However, this wasn't always the case: From 2008 to 2012, local Nazis attempted to prevent this event. The brown wolves didn't limit themselves to verbal attacks on social media but, as in previous years, they took action again – setting fire to a participating musician's car in the castle courtyard. Subsequently, singer-songwriter Konstantin Wecker called for solidarity with the organizers of the Paradise Bird Festival. Heinz Michael Vilsmeier heeded Konstantin Wecker's appeal and went to Weitersroda to join the Paradise Birds, where he conducted the following interview with Florian Kirner, also known as Prince Chaos II.

The world is divided by dangerous and shifting faultlines the global order is suffering a period of dislocation. Since the onset of the 21st century, the world is embroiled into a war with itself. The democracy is receding in the era of rising populism, and nonagenarian like Kissinger are hearing the drums of the Third World War. Donald Trump, in his four years presidency, shook the foundations of the United States of America and leaving the White House in tatters in January 2021. President Erdogan is pampering the ambition of restoration of the Ottoman empire while reigning in the Kemalist forces. Muhammad Bin Salman is riding his ruthless aspirations to lead Arabs against the Iranian regime. President Xi Jinping’s China struts the global stage with newfound confidence and economic prowess. Pakistan is finding itself again between a rock and a hard place with instability at its heart and a saphronised India on its doorsteps. Worst of all, the conflict-ridden world is threatened by a pandemic that has caused an economic bloodbath from Wall Street to Tokyo with millions of lives lost and billions at risk to fall prey to a virus that is changing faster than its cure. T H Hassan analyses a grandly messed up world and proposes solutions to resolve the undergoing crises and conflicts. T M Hassan analyses the world at conflict while drawing upon the ancient enmities and imminent collisions that define the struggle for power and control in the twenty-first century. Region by region, it delayers the causes, contexts, actors and likely outcomes of globally significant violent struggle now underway. This book is an imperative read to make sense of the fractured and perilous world around us and find an exit from the ongoing chaos.

Haiti is a failing state. The country is still unable to provide basic needs such as employment, food, housing, healthcare and education to a majority of its inhabitants in over two centuries after its revolution and Independence of 1804. Relatively incompetent, both the nation’s government and its opposition ignore moral politics, and instead, focus on corruption and fighting each other. Though free from French rule, the country remains tied to its slave past and violent history. It seems like a socioeconomic and urban consensus cannot be achieved in order to carry out sustainable solutions for the people. This book, From Revolution to Chaos in Haiti, 1804-2019: Urban Problems and Redevelopment Straregies, is an attempt to analyze this situation from a historical perspective. First, the Haitian Revolution of 1804 is displayed to show the violent and bloody struggles of outstanding leaders and warriors against colonial powers for the making of a great political and independent nation. Second, Haiti’s decline is analyzed starting from the assassination of its first leader, Jean-Jacques Dessalines, in 1806 to the country’s bottom rank in the global stratification during the 2010’s along with the impact of the catastrophic 2010 earthquake. The main factors noted within this decline are linguistic, agricultural, urban and (HIV, AIDS, TB) healthcare issues and undercapitalization along with ideological confusions (capitalism, neoliberalism, socialism, social democracy) and political instability.

What if you were a loner? What if allies were forced upon you? What if your decisions determined the fate of a town? It was a quarter of an hour before the pale man stopped at the fountain in the village square. He looked about as he touched one of the stones. "Come." Silas recognized the voice from his earlier venture upon the rooftops near the healer woman's house. A few minutes later, the soft clicking warned of the giant fenri's approach. Six terrible lupine forms trotted from the southern end of the town, their heavy muscles causing their black fur to ripple with each bounce. The creatures came before the pale man and sat on their haunches obediently. The pale man moved toward the fountain and placed his hand upon an oblong stone. A grating sound announced a passageway opening. He began his descent and then stopped. Stillness filled the night. There were no sounds from nature, not even the chirp of a cricket. The man turned to the fenri, and they shrank back. Silas heard an ethereal voice. "Kill the watcher," and the fenri bounded in Silas' direction as the pale man disappeared within the fountain.

The heroic feats of ring gladiators have taken wrestling fans on an emotional journey—living vicariously through every body slam, dropkick, and piledriver. The investment of the crowd is demonstrated by their roars of excitement, their cheers for their heroes, and their catcalls at nasty ring villains. (Un)Controlled Chaos: Canada’s Remarkable Professional Wrestling Legacy re-lives those unforgettable moments between the ropes. It provides a fascinating snapshot of the world behind the curtain, and a glimpse into the lives of the men and women who have both competed in the ring and served as the very architects of the industry.

Chaos descended upon Island World as the kingdoms strove to reassert themselves. Many saw the opportunity to expand their boundaries at the expense of their neighbors. Strife also arose in the wizard world as the new Order of the Mind Readers sought to dominate the other orders. The resulting Wizard War pitted wizard against wizard in a titanic struggle that would determine the course of Island World. Epic fantasy, fantasy series, high fantasy, wizard series, wizard quest

Contributions by Cassandra D. Chaney, Shannon M. Cochran, Samuel P. Fitzpatrick, Judson L. Jeffries, Zada Johnson, Tony Kiene, Aaron J. Kimble, Jerod Lockhart, Molly Reinhoudt, Paul N. Reinsch, Laurel Westrup, and Sherman M. White Prince (1958–2016) looms large in contemporary music history. Despite universal acclaim for his artistry, few scholars and writers have thoroughly treated the underlying ideas expressed in his work or examined his profound impact on popular culture. The Purple One: Prince, Race, Gender, and Everything in Between positions Prince in his proper cultural, political, and social place in history. Contributors employ a diverse range of approaches to explore the intricate facets of this cultural icon, illuminating the many dimensions of his creative output and legacy. The collection is organized around two central themes that shed light on Prince’s artistry and lasting influence. Moving beyond conventional discussions about Prince and masculinity, part I, “Black Masculinity and Gender Performativity,” delves into less-explored aspects of the artist’s gender-bending persona. Essays in this section cover a slew of fascinating subjects, including Prince’s re-scripting of Black masculinity in the cult classic Under the Cherry Moon and an autoethnographic study of African American father-son relationships in the film Purple Rain. Another essay examines the subversive gender performativity of Prince and frequent collaborator Sheila E. Part II, “Beauty, Race, and Spirituality,” explores a range of topics present in Prince’s oeuvre, from the sociopolitical contours of his work to his overlooked but significant projects and protégés. Contributors in this section examine Prince’s representations of female beauty, his articulations of urban rage and protest, and his commercially successful but critically overlooked Batman soundtrack. This second installment of the ongoing scholarly project, PrincEnlighteNmenT: A Study of Society through Music, continues to center Prince as a focal point in music scholarship and enhance our understanding of his complex life and work.

Prince has cut a singular path through the heart of popular music for more than 30 years. After making some of the most inventive albums of the '80s – including 1999, Purple Rain and Sign of the Times – he turned his attention to redefining his role in the music industry, changing his name to an unpronounceable symbol, declaring war on his record label, Warner Bros., and leading the internet revolution. His subsequent career has had many ups and downs, but he remains a major commercial and artistic force, as evidenced by his ability to sell out the O2 Arena in London for 21 nights in succession in 2007. In 2010 he announced that the internet was “over” and released his latest album, 20Ten, as a free cover-mounted CD with several European publications. Prince: Chaos, Disorder, and Revolution is an authoritative chronicle of one of popular music's true mavericks. Covering every album, every movie, and every tour, it includes profiles of various key collaborators, assesses the artist's various business dealings, and details his many and varied side projects – on stage, on record, on screen, and beyond.