The present volume originates from "The Fourth Asian Translation Traditions Conference" held in Hong Kong in December 2010. The conference generated stimulating discussions relating to the richness and diversity of nonWestern discourses and practices of translation, focusing on translational exchanges between nonWestern languages,and the change and continuity in Asian translation traditions. Translation and Global Asia shows a rich diversification of historical and geographical interests, and covers a broad array of topics, ranging from ninthcentury Buddhist translation in Tibet to twentyfirstcentury political translation in Malaysia. This collection is strikingly rich. Its authors deal with a wide range of topics in geographically diverse locations from India, Thailand, Japan, Korea, and the Philippines to different parts of China. They evoke different linguistic and historical contexts from ancient times right up to the contemporary period, and take a variety of approaches, strongly supported by current theories in translation and cultural studies. Presenting vital case studies, this essential volume illustrates the importance of examining translation from a historical perspective, of taking account of power relations, and of studying the unique role of translators in initiating change and transmitting new ideas.

The first scholarly monograph on Buddhist maṇḍalas in China, this book examines the Maṇḍala of Eight Great Bodhisattvas. This iconographic template, in which a central Buddha is flanked by eight attendants, flourished during the Tibetan (786–848) and post-Tibetan Guiyijun (848–1036) periods at Dunhuang. A rare motif that appears in only four cave shrines at the Mogao and Yulin sites, the maṇḍala bore associations with political authority and received patronage from local rulers. Attending to the historical and cultural contexts surrounding this iconography, this book demonstrates that transcultural communication over the Silk Routes during this period, and the religious dialogue between the Chinese and Tibetan communities, were defining characteristics of the visual language of Buddhist maṇḍalas at Dunhuang.

This book explores trans-cultural and cross-border transmission and transformation of Esoteric Buddhism in East Asia, focusing on its manuscript culture and the transborder transmission of Esoteric Buddhist texts. In East Asia, Esoteric Buddhism’s influences can be seen across all levels of society: not only in that it achieved a recognizable sectarian identity, but also because elements of esoteric teachings were absorbed by other religious schools, influencing their philosophical tenets and everyday practices. The influence was not confined to the religious sphere: scholars have been paying more and more attention to the significance of Tang Esoteric Buddhism in relation to material culture and the dissemination of Esoteric Buddhist technologies in South, Central, and East Asia. No matter how one looks at a maṇḍala—an integral feature of esoteric practice—or the uncannily expressive statues of Buddhas, Bodhisattvas or Yidam that come in all shapes and sizes, or the murals that depict the variegated, mysterious themes of the esoteric tradition, one can always recognise the profound connection between art and Esoteric Buddhism. Esoteric Iifluences also abound in East Asian literature across different genres, displaying its unique characters both in poetry and prose. Likewise, in architecture, one can readily make out the enigmatic, colorful and distinctive elements characteristic of the esoteric tradition. Monks initiated into the esoteric lineages not only brought Buddhist classics and practices to China but also advanced knowledge in astronomy, calendarial calculations and mathematical theories. The chapters in this volume focus on two major aspects of textual Esoteric Buddhism—its manuscript culture and transborder transmission. This book will be beneficial to advanced students and researchers interested in Religious Studies, History and Buddhist studies. It was originally published as a special issue of Studies in Chinese Religions.

Among Asian languages, Tibetan is second only to Chinese in the depth of its historical record, with texts dating back as far as the eighth and ninth centuries, written in an alphabetic script that preserves the contemporaneous phonological features of the language. The Classical Tibetan Language is the first comprehensive description of the Tibetan language and is distinctive in that it treats the classical Tibetan language on its own terms rather than by means of descriptive categories appropriate to other languages, as has traditionally been the case. Beyer presents the language as a medium of literary expression with great range, power, subtlety, and humor, not as an abstract object. He also deals comprehensively with a wide variety of linguistic phenomena as they are actually encountered in the classical texts, with numerous examples of idioms, common locutions, translation devices, neologisms, and dialectal variations.

Ritual manuals are among the most common and most personal forms of Buddhist literature. Since at least the late fifth century, individual practitioners—including monks, nuns, teachers, disciples, and laypeople—have kept texts describing how to perform the daily rites. These manuals represent an intimate counterpart to the canonical sutras and the tantras, speaking to the lived experience of Buddhist practice. Conjuring the Buddha offers a history of early tantric Buddhist ritual through the lens of the Tibetan manuscripts discovered near Dunhuang on the ancient Silk Road. Jacob P. Dalton argues that the spread of ritual manuals offered Buddhists an extracanonical literary form through which to engage with their tradition in new and locally specific ways. He suggests that ritual manuals were the literary precursors to the tantras, crucial to the emergence of esoteric Buddhism. Examining a series of ninth- and tenth-century tantric manuals from Dunhuang, Dalton uncovers lost moments in the development of rituals such as consecration, possession, sexual yoga, the Great Perfection, and the subtle body practices of the winds and channels. He also traces the use of poetic language in ritual manuals, showing how at pivotal moments, metaphor, simile, rhythm, and rhyme were deployed to evoke carefully sculpted affective experiences. Offering an unprecedented glimpse into the personal practice of early tantric Buddhists, Conjuring the Buddha provides new insight into the origins and development of the tantric tradition.

This is the first full-length history of early Kashmir locating it beyond its regional context, from pre-history to the thirteenth century. Drawing on a variety of sources—including conventional archaeological and literary sources, as well as non-conventional sources like philology, toponym and surnames—it presents a connected history of early Kashmir over the longue duree. It challenges tendencies towards nationalist historiographies of the region by situating it in the context of the shared histories of humanity. The volume will be of great interest to scholars and researchers of history, archaeology, anthropology and South Asian studies.

This volume is a comparative study of the practice of impagination across different ages and civilizations. By impagination we mean the act of placing and arranging spatially textual and other information onto a material bearer that could be made of a variety of materials (papyrus, bamboo slips, palm leaf, parchment, paper, and the computer screen). This volume investigates three levels of impagination: what is the page or other unit of the material bearer, what is written or printed on it, and how is writing or print placed on it. It also examines the interrelations of two or all three of these levels. Collectively it examines the material and materiality of the page, the variety of imprints, cultural and historical conventions for impagination, interlinguistic encounters, the control of editors, scribes, publishers and readers over the page, inheritance, borrowing and innovation, economics, aesthetics and socialities of imprints and impagination, and the relationship of impagination to philology. This volume supplements studies on mise en page and layout – an important subject of codicology – first by including non-codex writings, second by taking a closer look at the page or other unit than at the codex (or book), and third by its aspiration to adopt a globally comparative approach. This volume brings together for comparison vast geographical realms of learning, including Europe, China, Tibet, Korea, Japan and the Near Eastern and European communities in which the Hebrew Bible was transmitted. This comparison is significant, for Europe, China, and India all developed great traditions of learning which came into intensive contact. The contributions to this volume are firmly rooted in local cultures and together address global, comparative themes that are significant for multiple disciplines, such as intellectual and cultural history of knowledge (both humanistic and scientific), global history, literary and media studies, aesthetics, and studies of material culture, among other fields.

With an annotated English translation and critical analysis of the Orgyan-gling gold manuscript of the short Sukhāvativyūha-sūtra Pure Land Buddhism as a whole has received comparatively little attention in Western studies on Buddhism despite the importance of “buddha-fields” (pure lands) for the growth and expression of Mahāyāna Buddhism. In this first religious history of Tibetan Pure Land literature, Georgios Halkias delves into a rich collection of literary, historical, and archaeological sources to highlight important aspects of this neglected pan-Asian Buddhist tradition. He clarifies many of the misconceptions concerning the interpretation of “other-world” soteriology in Indo-Tibetan Buddhism and provides translations of original Tibetan sources from the ninth century to the present that represent exoteric and esoteric doctrines that continue to be cherished by Tibetan Buddhists for their joyful descriptions of the Buddhist path. The book is informed by interviews with Tibetan scholars and Buddhist practitioners and by Halkias’ own participant-observation in Tibetan Pure Land rituals and teachings conducted in Europe and the Indian subcontinent. Divided into three sections, Luminous Bliss shows that Tibetan Pure Land literature exemplifies a synthesis of Mahāyāna sutra-based conceptions with a Vajrayana world-view that fits progressive and sudden approaches to the realization of Pure Land teachings. Part I covers the origins and development of Pure Land in India and the historical circumstances of its adaptation in Tibet and Central Asia. Part II offers an English translation of the short Sukhāvatīvyūha-sūtra (imported from India during the Tibetan Empire) and contains a survey of original Tibetan Pure Land scriptures and meditative techniques from the dGe-lugs-pa, bKa’-brgyud, rNying-ma, and Sa-skya schools of Tibetan Buddhism. Part III introduces some of the most innovative and popular mortuary cycles and practices related to the Tantric cult of Buddha Amitābha and his Pure Land from the Treasure traditions in the bKa’-brgyud and rNying-ma schools. Luminous Bliss locates Pure Land Buddhism at the core of Tibet’s religious heritage and demonstrates how this tradition constitutes an integral part of both Tibetan and East Asian Buddhism.

Ritual is one of the most pervasive religious phenomena in the Tibetan cultural world. Despite its ubiquity and importance to Tibetan cultural life, however, only in recent years has Tibetan ritual been given the attention it deserves. This is the first scholarly collection to focus on this important subject. Unique in its historical, geographical and disciplinary breadth, this book brings together eleven essays by an international cast of scholars working on ritual texts, institutions and practices in the greater Tibetan cultural world - Tibet, Nepal, Bhutan, and Mongolia. While most of the chapters focus on Buddhism, two deal with ritual in Tibet's indigenous Bon religion. All of the essays are original to this volume. An extensive introduction by the editor provides a broad overview of Tibetan ritual and contextualizes the chapters within the field of Buddhist and Tibetan studies. The book should find use in advanced undergraduate courses and graduate seminars on Tibetan religion. It will also be of interest to students and scholars of ritual generally.