Promissory Notes on the Treasury of Merits is a volume of 12 essays by a distinguished team of international scholars dealing with the place of indulgences in the religious life of Europe between roughly 1250 and the outbreak of the Reformation. Some of the articles offer regional analyses, stretching from Spain to the Netherlands, from England to Bohemia and Italy. Others deal with the theology and theological and practical controversies provoked by indulgences, or with thematic issues like the place of indulgences in fifteenth-century crusades, in pilgrimage, and the early exploitation of print in their distribution. The complementary nature of the articles builds into a fuller picture of the central, but hitherto neglected, role which indulgences had in late medieval European religious life.

Using hitherto unconsidered source materials from late antiquity to the early modern period, this volume charts new views about the role of penance in shaping western attitudes and practices for resolving social, political, and spiritual tensions, as penitents and confessors negotiated rituals and expectations for penitential expression.

Essays illuminate a wide range of topics from the Middle Ages, from the seals of an empress to priests' wives and the undead.This volume of the Haskins Society Journal demonstrates the Society's continued engagement with historical and interdisciplinary research from the early to the central Middle Ages on a broad range of topics including militarism, piety, the miraculous and the monstrous. Chapters explore material culture through a mythic eleventh-century papal banner and the seals and coins of the Empress Matilda; offer new insights into Carolingian hagiography and into the undead in the Historia rerum Anglicarum. Further chapters feature new evidence on the role of priests' wives, the tensions of multiple lordships, shifting identities in the Irish Sea world, and the didactic use of royal anger. A fresh examination of Aelred of Rievaulx's Relatio de Standaro and a re-assessment of Flemish documentary practice continue the Haskins Society's commitment to primary source analysis. Two essays on the thirteenth century, including links between Crusade spirituality and lay penitential strategies and an investigation into the economic costs of waging war, round out the volume.Contributors: DAN ARMSTRONG, DAVID S. BACHRACH, DANIEL M. BACHRACH, JILLIAN M. BJERKE, HANNAH BOSTON, MARIAH COOPER, FIONA J. GRIFFITHS, JESSE M. HARRINGTON, JEAN-FRANÇOIS NIEUS, ALICE RIO, CHARITY URBANSKI, PATRICK WADDEN, MEGHAN WOOLLEY, LU ZUOth century, including links between Crusade spirituality and lay penitential strategies and an investigation into the economic costs of waging war, round out the volume.Contributors: DAN ARMSTRONG, DAVID S. BACHRACH, DANIEL M. BACHRACH, JILLIAN M. BJERKE, HANNAH BOSTON, MARIAH COOPER, FIONA J. GRIFFITHS, JESSE M. HARRINGTON, JEAN-FRANÇOIS NIEUS, ALICE RIO, CHARITY URBANSKI, PATRICK WADDEN, MEGHAN WOOLLEY, LU ZUOth century, including links between Crusade spirituality and lay penitential strategies and an investigation into the economic costs of waging war, round out the volume.Contributors: DAN ARMSTRONG, DAVID S. BACHRACH, DANIEL M. BACHRACH, JILLIAN M. BJERKE, HANNAH BOSTON, MARIAH COOPER, FIONA J. GRIFFITHS, JESSE M. HARRINGTON, JEAN-FRANÇOIS NIEUS, ALICE RIO, CHARITY URBANSKI, PATRICK WADDEN, MEGHAN WOOLLEY, LU ZUOth century, including links between Crusade spirituality and lay penitential strategies and an investigation into the economic costs of waging war, round out the volume.Contributors: DAN ARMSTRONG, DAVID S. BACHRACH, DANIEL M. BACHRACH, JILLIAN M. BJERKE, HANNAH BOSTON, MARIAH COOPER, FIONA J. GRIFFITHS, JESSE M. HARRINGTON, JEAN-FRANÇOIS NIEUS, ALICE RIO, CHARITY URBANSKI, PATRICK WADDEN, MEGHAN WOOLLEY, LU ZUO

At the five-hundredth anniversary of Martin Luther’s Ninety-Five Theses and the dawn of the Protestant movement, Indulgences: Luther, Catholicism, and the Imputation of Merit sets forth a revised theological interpretation of the Church’s practice of indulgences. Author Mary C. Moorman argues that Luther’s sola fide theology merely absolutized the very logic of indulgences which he sought to overthrow, while indulgences in their proper context remain an irreducible witness to the Church’s corporate nuptial covenant with Christ, by which penitents are drawn into deeper fellowship with the Church and the Church’s Lord. As Robert W. Shaffern, Professor of Medieval History at the University of Scranton, writes in his foreword to Indulgences, “Mary Moorman’s book joins a number of recent scholarly studies that revise substantially the old convictions about indulgences. She is mostly interested in how theological thinking about indulgences should be done today, with of course the help that patristic, medieval, and early modern authorities might lend. She brings to bear a broad range of primary and secondary sources on the issue of indulgences and constructs an impressive series of covalent images with which to understand the role of indulgences in today’s Christian Church.”

This reader of texts from the influential 19th-century theologian Ferdinand Christian Baur (1792-1860) brings together a selection of texts in English translation from across Baur's wide range of exegetical, historical, philosophical and theological expertise. In these excerpts, including many translated for the first time, readers gain a comprehensive overview of Baur's output and his remarkable role in the shaping of modern scholarly discourse in his fields. Beginning with a full scholarly introduction, and extensively annotated texts, readers are introduced to Baur's bold and controversial historical hypotheses and encounter the variety of intellectual and stylistic registers he used, from the purely scholarly to the sharply polemical. The editors also explore the ways in which Baur was instrumental in some of the most fundamental intellectual paradigm shifts of the 19th-century, including the radical historicization of Christian theology and its interaction with Schelling, Hegel, and the German Idealist tradition.

Leppin explores the four "solas" of Reformation theology--Christ, grace, faith, and scripture--as both anchored in the culture of late-medieval devotion and representing new, firmly demarcated formulae. Luther's four pillars became clarion calls in the fight against the medieval church. Leppin helps readers understand, however, that in the journey toward these new theological understandings, continuity and discontinuity were inextricably linked. Luther built upon the foundations of his late-medieval world, even as he articulated the sola Christus, sola gratia, sola fide, and sola scriptura foundations that would change Christianity forever. Along the way, these principles functioned as integrative, continuous ideas and exclusive, demarcating ones at the same time. Luther's world was a new and fundamentally different theological realm, but Sola: Christ, Grace, Faith, and Scripture Alone in Martin Luther's Theology also shows us the ways Luther and his thought were products of the personalities and intellectual origins from which they came.

How did Europe's oldest political institution come to grips with the disruptive new technology of print? Printing thrived after it came to Rome in the 1460s. Renaissance scholars, poets, and pilgrims in the Eternal City formed a ready market for mass-produced books. But Rome was also a capital city—seat of the Renaissance papacy, home to its bureaucracy, and a hub of international diplomacy—and print played a role in these circles, too. In Papal Bull, Margaret Meserve uncovers a critical new dimension of the history of early Italian printing by revealing how the Renaissance popes wielded print as a political tool. Over half a century of war and controversy—from approximately 1470 to 1520—the papacy and its agents deployed printed texts to potent effect, excommunicating enemies, pursuing diplomatic alliances, condemning heretics, publishing indulgences, promoting new traditions, and luring pilgrims and their money to the papal city. Early modern historians have long stressed the innovative press campaigns of the Protestant Reformers, but Meserve shows that the popes were even earlier adopters of the new technology, deploying mass communication many decades before Luther. The papacy astutely exploited the new medium to broadcast ancient claims to authority and underscore the centrality of Rome to Catholic Christendom. Drawing on a vast archive, Papal Bull reveals how the Renaissance popes used print to project an authoritarian vision of their institution and their capital city, even as critics launched blistering attacks in print that foreshadowed the media wars of the coming Reformation. Papal publishing campaigns tested longstanding principles of canon law promulgation, developed new visual and graphic vocabularies, and prompted some of Europe's first printed pamphlet wars. An exciting interdisciplinary study based on new literary, historical, and bibliographical evidence, this book will appeal to students and scholars of the Italian Renaissance, the Reformation, and the history of the book.

Can an outrageously immoral man or a scandalous woman teach morality or lead people to virtue? Does personal fallibility devalue one's words and deeds? Is it possible to separate the private from the public, to segregate individual failing from official function? Chaucer addressed these perennial issues through two problematic authority figures, the Pardoner and the Wife of Bath. The Pardoner dares to assume official roles to which he has no legal claim and for which he is quite unsuited. We are faced with the shocking consequences of the belief, standard for the time, that immorality is not necessarily a bar to effective ministry. Even more subversively, the Wife of Bath, who represents one of the most despised stereotypes in medieval literature, the sexually rapacious widow, dispenses wisdom of the highest order. This innovative book places these "fallible authors" within the full intellectual context that gave them meaning. Alastair Minnis magisterially examines the impact of Aristotelian thought on preaching theory, the controversial practice of granting indulgences, religious and medical categorizations of deviant bodies, theological attempts to rationalize sex within marriage, Wycliffite doctrine that made authority dependent on individual grace and raised the specter of Donatism, and heretical speculation concerning the possibility of female teachers. Chaucer's Pardoner and Wife of Bath are revealed as interconnected aspects of a single radical experiment wherein the relationship between objective authority and subjective fallibility is confronted as never before.

Remembered as the official who failed to keep Luther in the Catholic fold, Tommaso de Vio, Cardinal Cajetan (1469-1534) was a multi-faceted figure whose significance extends beyond those days in Augsburg. In the 1520s, he embarked on a labour of biblical commentary that occupied the final decade of his life, producing over a million words of translation and commentary. Offering an overview of this remarkable body of work, Michael O’Connor argues that Cajetan’s motive was the renewal of Christian living (more ‘Catholic Reform’ than ‘Counter-Reformation’), and that his method was a bold and fresh hybrid of scholasticism and Renaissance humanism, correcting the Vulgate’s errors and expounding the text almost exclusively according to the literal sense.

The Body of the Cross is a study of holy victims in Western Christian history and how the uses of their bodies in Christian thought led to the idea of the cross as a substitutionary sacrifice. Since its first centuries, Christianity has traded on the suffering of victims—martyrs, mystics, and heretics—as substitutes for the Christian social body. These victims secured holiness, either by their own sacred power or by their reprobation and rejection. Just as their bodies were mediated in eucharistic, social, and Christological ways, so too did the flesh of Jesus Christ become one of those holy substitutes. But it was only late in Western history that he took on the function of the exemplary victim. In tracing the story of this embodied development, The Body of the Cross gives special attention to popular spirituality, religious dissent, and the writing of women throughout Christian history. It examines the symbol of the cross as it functions in key moments throughout this history, including the parting of the ways of Judaism and Christianity, the gnostic debates, martyr traditions, and medieval affective devotion and heresy. Finally, in a Reformation era haunted by divine wrath, these themes concentrated in the unique concept that Jesus Christ died on the cross to absorb divine punishment for sin: a holy body and a rejected body in one.