As the United States' prison population has exploded over the past 30 years, a rich, provocative and ever-increasing body of literature has emerged, written either by prisoners or by those who have come in close contact with them. Unlike earlier prison writings, contemporary literature moves in directions that are neither uniformly ideological nor uniformly political. It has become increasingly personal, and the obsessive subject is the way identity is shaped, compromised, altered, or obliterated by incarceration. The 14 essays in this work examine the last 30 years of prison literature from a wide variety of perspectives. The first four essays examine race and ethnicity, the social categories most evident in U.S. prisons. The three essays in the next section explore gender, a prominent subject of prison literature highlighted by the absolute separation of male and female inmates. Section three provides three essays focused on the part ideology plays in prison writings. The four essays in section four consider how aesthetics and language are used, seeking to define the qualities of the literature and to determine some of the reasons it exists.

Piers Anthony's 37th adventure in Xanth changes the Mood to one of Doom! Kody woke up in a hospital bed, not knowing how he got there. Before his questions could be answered, he was told that he was about to undergo surgery, and that there could be some side effects.... And then he woke up again, this time in Xanth. Kody is the only person in Xanth who has not been affected by a dreadful spell that reverses how people see each other. What was adorable is now loathsome. What was ugly is now beautiful. What was loved is now hated. Kody has clearly arrived just in time! Only he has any hope of reversing the spell, turning Esrever Doom into Reverse Mood. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In a time of ancient gods, warlords and kings, a Land in turmoil cried out for a hero. She was XENA, a mighty princess forged in the heat of battle. Xena: Warrior Princess. Gabrielle: Bard of Poteidaia. Theirs was a life of adventure. A life of romance. A life of great deeds and great battles against the forces of evil. A life of good and bad gods, of deep and lasting friendships. In their travels, Gabrielle, Xena's bosom companion, learned much from the princess. When to keep your sword sharp and your wit sharper. When the size of Your staff does make a difference. In return, Gabrielle taught Xena the secrets of warmth, kindness, and joy. Now, in her own recently discovered words, the Bard of Poteidaia talks of what she got from Xena and what Xena gave her, lessons about life that will ease the path for those of us battling on through the modern world.

Prison Writing and the Literary World tackles international prison writing and writing about imprisonment in relation to questions of literary representation and formal aesthetics, the “value” or “values” of literature, textual censorship and circulation, institutional networks and literary-critical methodologies. It offers scholarly essays exploring prison writing in relation to wartime internment, political imprisonment, resistance and independence creation, regimes of terror, and personal narratives of development and awakening that grapple with race, class and gender. Cutting across geospatial divides while drawing on nation- and region-specific expertise, it asks readers to connect the questions, examples and challenges arising from prison writing and writing about imprisonment within the UK and the USA, but also across continental Europe, Stalinist Russia, the Americas, Africa and the Middle East. It also includes critical reflection pieces from authors, editors, educators and theatre practitioners with experience of the fraught, testing and potentially inspiring links between prison and the literary world.

An essential handbook featuring never-before-published writing exercises from the acclaimed screenwriters of Raging Bull, Ali, Terminator 2, Fame, Groundhog Day, Cape Fear, "Lost", "True Blood", "The Shield", and many other hit films and television shows. Now Write! Screenwriting-the latest addition to the Now Write! writing guide series-brings together the acclaimed screenwriters of films like the Oscar-winning Raging Bull, Oscar- nominated Ali, era-defining blockbuster Terminator 2, musical classic Fame, hit series "Lost" "True Blood" and "The Shield," Groundhog Day, Cape Fear, Chicken Run, Reversal of Fortune, Before Sunrise, Mystic Pizza, Indecent Proposal, and many more, to teach the art of the story. *Learn about why it is sometimes best to write what you don't know from Christina Kim ('Lost') *Find out how Stephen Rivele (Ali, Nixon) reduces his screenplay ideas down to their most basic elements, and uses that as a writing guide *Learn why you should focus on your character, not your plot, when digging yourself out of a plot home from Danny Rubin (Groundhog Day) *Take tips from Karey Kirkpatrick (Chicken Run, The Spiderwick Chronicles) on how to give an inanimate object intense emotional significance *Let Kim Krizan (Before Sunrise, Before Sunset) teach you how to stop your internal critic dead in his tracks This lively and easy-to-read guide will motivate both aspiring and experienced screenwriters. No other screenwriting book offers advice and exercises from this many writers of successful, iconic films.

A teeming mosaic of provocative one-liners and chewy ruminations on the art and practice of poetry.

The story of us - without hesitation, repetition or deviation. Join national treasure and Just a Minute regular Gyles Brandreth on a hilariously addictive romp through British history. This isn't just another history book - there's a catch! From Stonehenge and Boudicca to Megxit and Brexit, each topic is written in 60-second installments, without hesitation, repetition, or deviation. A History of Britain in Just a Minute celebrates key moments, people and places from our past: kings and queens, heroes and villains, triumphs and disasters, inventions and events, battles and bonnets, art, science, literature, entertainment, sport, gossip, and more. Some entries are uninterrupted minutes, while others feature challenges for repetition and even, er...hesitation. You'll even find other Just a Minute panellists occasionally grabbing the pen to regale us with their witty takes on history. You've never heard the history of Britain told quite like this. You'll enjoy every uproarious minute of it.

This volume is the first of a two-part work that evaluates the teaching of justification by faith from the early church to modern times in light of the Scriptures and the ministry of Watchman Nee and Witness Lee. Part 1 begins with a thorough presentation of the evaluative standard by which the authors will measure the teachings of the various Christian traditions. Then, following a historical overview of justification by faith in the major traditions, they proceed to give a detailed assessment of the doctrine as taught in the patristic era, in the medieval era, and by Martin Luther at the inception of the Protestant Reformation. The volume aims to point out the shortcomings and contributions of the first 1,500 years of the church’s teaching on justification by faith and to offer a fresh understanding of this foundational truth of the Christian faith.