This book demonstrates that the principles of textual criticism—borrowed from the fields of classics and medieval studies—have a valuable application for plagiarism investigations. Plagiarists share key features with medieval scribes who worked in scriptoriums and produced copies of manuscripts. Both kinds of copyists—scribes and plagiarists—engage in similar processes, and they commit distinctive copying errors. When committed by plagiarists, these copying errors have probative value for making determinations that a text is copied, and hence, unoriginal. To show the efficacy of the newly proposed techniques for proving plagiarism, case studies are drawn from philosophy, theology, and canon law.

This edition is once again a new, thoroughly revised version of Christian Ethics II. In some portions the subject matter has been reorganized more organically, and recent theological developments and documents of the magisterium have been integrated. New themes have been added, others further developed, such as deepening the concept and content of mission, as well as ecumenical participation. Also, questions in bioethics have been supplemented, such as the duty to preserve life, topics of prenatal medicine, reproductive and therapeutic cloning, genetic alteration, and euthanasia. Other issues raised concern the discrimination against women, civil marriage of homosexuals, compassion in prison care, the right of asylum, humanitarian interventions, the fostering of peace after conflicts, empowerment of the poor in development projects, and the treatment of animals. The author hopes that this new edition will be a contribution to the ongoing aggiornamento of moral theology and that it will continue to meet the expectations of its readers.

Challenged by the teaching of Vatican II about the "seeds of the Word" in non-Christian religions, this book investigates the sacred character of the Saddharmapuṇḍarika Sūtra and its relation to the fundamental theological category of scriptural inspiration. In applying the methods of modern exegesis, the Sūtra in its ingenious composition is disclosed as a religious drama about the inspirational experience of the Buddha. The draft of a theology of inspiration along the guide lines of the Dogmatic Constitution Dei Verbum of Vatican II elaborates a 'christology of the Word' as its core, which allows an extension of inspiration in analogical manner to non-Biblical scriptures. The contrast of Christ, the "Word incarnate", and Buddha, the "Inspired One", offers a new contribution to an inter- religious dialogue.