This collection seeks to place Pudd’nhead Wilson—a neglected, textually fragmented work of Mark Twain’s—in the context of contemporary critical approaches to literary studies. The editors’ introduction argues the virtues of using Pudd’nhead Wilson as a teaching text, a case study in many of the issues presently occupying literary criticism: issues of history and the uses of history, of canon formation, of textual problematics, and finally of race, class, and gender. In a variety of ways the essays build arguments out of, not in spite of, the anomalies, inconsistencies, and dead ends in the text itself. Such wrinkles and gaps, the authors find, are the symptoms of an inconclusive, even evasive, but culturally illuminating struggle to confront and resolve difficult questions bearing on race and sex. Such fresh, intellectually enriching perspectives on the novel arise directly from the broad-based interdisciplinary foundations provided by the participating scholars. Drawing on a wide variety of critical methodologies, the essays place the novel in ways that illuminate the world in which it was produced and that further promise to stimulate further study. Contributors. Michael Cowan, James M. Cox, Susan Gillman, Myra Jehlen, Wilson Carey McWilliams, George E. Marcus, Carolyn Porter, Forrest Robinson, Michael Rogin, John Carlos Rowe, John Schaar, Eric Sundquist

At the Missouri frontier town, on the banks of the Mississippi River, the intrigue revolves around two boys—one, born into slavery, with 1/32 black ancestry; the other, white, born to be the master of the house. The two boys, who look similar, are switched at infancy and each grows into the other's social role.

"Pudd'nhead Wilson (1894) was Mark Twain's last serious work of fiction, and perhaps his only real novel. Written in a more sombre vein than his other Mississippi writings, it reveals the sinister forces that, towards the end of his life, Mark Twain felt to be threatening the American dream. The central plot revolves around the tragedy of 'Roxy', a mulato slave whose attempt to save her son from his fate succeeds only in destroying him. In spite of a storyline that includes child swapping, palmistry, and a pair of Italian twins, this astringent work also raises the serious issue of racial difference."--Page 4 of cover.

The two narratives published together in The Tragedy of Pudd’nhead Wilson and the Comedy Those Extraordinary Twins are overflowing with spectacular events. Twain shows us conjoined twins, babies exchanged in the cradle, acts of cross-dressing and racial masquerade, duels, a lynching, and a murder mystery. Pudd’head Wilson tells the story of babies, one of mixed race and the other white, exchanged in their cradles, while Those Extraordinary Twins is a farcical tale of conjoined twins. Although the stories were long viewed as flawed narratives, their very incongruities offer a fascinating portrait of key issues—race, disability, and immigration—facing the United States in the final decades of the nineteenth century. Hsuan Hsu’s introduction traces the history of literary critics’ response to these works, from the confusion of Twain’s contemporaries to the keen interest of current scholars. Extensive historical appendices provide contemporary materials on race discourse, legal contexts, and the composition and initial reception of the texts.

First published in the year 1894, noted American writer Mark Twain's novel 'The Tragedy of Pudd'nhead Wilson' is set in the fictional Missouri frontier town of Dawson's Landing on the banks of the Mississippi River in the first half of the 19th century.

A person who is ignorant of legal matters is always liable to make mistakes when he tries to photograph a court scene with his pen; and so I was not willing to let the law chapters in this book go to press without first subjecting them to rigid and exhausting revision and correction by a trained barrister-if that is what they are called. These chapters are right, now, in every detail, for they were rewritten under the immediate eye of William Hicks, who studied law part of a while in southwest Missouri thirty-five years ago and then came over here to Florence for his health and is still helping for exercise and board in Macaroni Vermicelli's horse-feed shed, which is up the back alley as you turn around the corner out of the Piazza del Duomo just beyond the house where that stone that Dante used to sit on six hundred years ago is let into the wall when he let on to be watching them build Giotto's campanile and yet always got tired looking as Beatrice passed along on her way to get a chunk of chestnut cake to defend herself with in case of a Ghibelline outbreak before she got to school, at the same old stand where they sell the same old cake to this day and it is just as light and good as it was then, too, and this is not flattery, far from it. He was a little rusty on his law, but he rubbed up for this book, and those two or three legal chapters are right and straight, now. He told me so himself.

This eBook features the unabridged text of ‘Pudd’nhead Wilson’ from the bestselling edition of ‘The Complete Works of Mark Twain’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Twain includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Pudd’nhead Wilson’ * Beautifully illustrated with images related to Twain’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles