Queensland’s Frontier Wars is an attempt to document the known confrontations between either white settlers or white and native police and First Nations people where deaths were reported. It is now an accepted premise that these confrontations were wars to gain access to the land, because, if not wars, then it was mass murder. No one in Queensland was charged with the murder of First Nations during these confrontations. The book shows the invasion from New South Wales into southern Queensland and the advances from the sea in central and north Queensland. The ‘dispersement’ of the First Nations people from their land was violent and efficient using far superior weaponry. This book adds significantly to the true and uncomfortable history of Queensland.

The history of Australias Frontier Wars is becoming a hot topic for debate and research. It is now part of our national educational syllabus. However, there are very few books available which explain, in detail, the modes of warfare First Australians applied during the Frontier Wars. How They Fought is written as an introductory guidebook. It is broken into chapters covering organisation, strategies, weaponry, and defences. The book considers both traditional practices and technological and tactical adaptations. To make this complex topic more accessible, How They Fought includes numerous tables, figures and diagrams that illustrate and summarize the contents.

65,000 years ago, modern humans arrived in Australia, having navigated more than 100 km of sea crossing from southeast Asia. Since then, the large continental islands of Australia and New Guinea, together with smaller islands in between, have been connected by land bridges and severed again as sea levels fell and rose. Along with these fluctuations came changes in the terrestrial and marine environments of both land masses. The Oxford Handbook of the Archaeology of Indigenous Australia and New Guinea reviews and assembles the latest findings and ideas on the archaeology of the Australia-New Guinea region, the world's largest island-continent. In 42 new chapters written by 77 contributors, it presents and explores the archaeological evidence to weave stories of colonisation; megafaunal extinctions; Indigenous architecture; long-distance interactions, sometimes across the seas; eel-based aquaculture and the development of techniques for the mass-trapping of fish; occupation of the High Country, deserts, tropical swamplands and other, diverse land and waterscapes; and rock art and symbolic behaviour. Together with established researchers, a new generation of archaeologists present in this Handbook one, authoritative text where Australia-New Guinea archaeology now lies and where it is heading, promising to shape future directions for years to come.

The Story of Australia provides a fresh, engaging and comprehensive introduction to Australia’s history and geography. An island continent with distinct physical features, Australia is home to the most enduring Indigenous cultures on the planet. In the late eighteenth century newcomers from distant worlds brought great change. Since that time, Australia has been shaped by many peoples with competing visions of what the future might hold. This new history of Australia integrates a rich body of scholarship from many disciplines, drawing upon maps, novels, poetry, art, music, diaries and letters, government and scientific reports, newspapers, architecture and the land itself, engaging with Australia in its historical, geographical, national and global contexts. It pays particular attention to women and Indigenous Australians, as well as exploring key themes including invasion/colonisation, land use, urbanisation, war, migration, suburbia and social movements for change. Elegantly written, readers will enjoy Australia’s story from its origins to the present as the nation seeks to resolve tensions between Indigenous dispossession, British tradition and multicultural diversity while finding its place in an Asian region and dealing with global challenges like climate change. It is an ideal text for students, academics and general readers with an interest in Australian history, geography, politics and culture.

Drawing on Australian and comparative case studies, this volume reconceptualises non-metropolitan creative economies through the ‘qualities of place’. This book examines the agricultural and gastronomic cultures surrounding ‘native’ foods, coastal sculpture festivals, universities and regional communities, wine in regional Australia and Canada, the creative systems of the Hunter Valley, musicians in ‘outback’ settings, Fab Labs as alternatives to clusters, cinema and the cultivation of ‘authentic’ landscapes, and tensions between the ‘representational’ and ‘non-representational’ in the cultural economies of the Blue Mountains. What emerges is a picture of rural and regional places as more than the ‘other’ of metropolitan creative cities. Place itself is shown to embody affordances, unique institutional structures and the invisible threads that ‘hold communities together’. If, in the wake of the publication of Florida’s Rise of the Creative Class, creative industries models tended to emphasize ‘big cities’ and the spatial-cum-cultural imaginaries of the ‘Global North’, recent research and policy discourses – especially, in the Australian context – have paid greater attention to ‘small cities’, rural and remote creativity. This collection will be of interest to scholars, students and practitioners in creative industries, urban and regional studies, sociology, geography and cultural planning.

European colonial conquest included many instances of indigenous peoples being exterminated. Cases where invading commercial stock farmers clashed with hunter-gatherers were particularly destructive, often resulting in a degree of dispossession and slaughter that destroyed the ability of these societies to reproduce themselves. The experience of aboriginal peoples in the settler colonies of southern Africa, Australia, North America, and Latin America bears this out. The frequency with which encounters of this kind resulted in the annihilation of forager societies raises the question of whether these conflicts were inherently genocidal, an issue not yet addressed by scholars in a systematic way.

This book makes the legal and political case for Indigenous constitutional recognition through a constitutionally guaranteed First Nations voice, as advocated by the historic Uluru Statement from the Heart. It argues that a constitutional amendment to empower Indigenous peoples with a fairer say in laws and policies made about them and their rights, is both constitutionally congruent and politically achievable. A First Nations voice is deeply in keeping with the culture, design and philosophy of Australia's federal Constitution, as well as the long history of Indigenous advocacy for greater empowerment and self-determination in their affairs. Morris explores the historical, political, theoretical and international contexts underpinning the contemporary debate, before delving into the constitutional detail to craft a compelling case for change.

For the first time, the First Nations story of Cook’s arrival, and what blackfellas want everyone to know about the coming of Europeans Both 250 years late and extremely timely, this is an account of what First Nations people saw and felt when James Cook navigated their shores in 1770. We know the European story from diaries, journals and letters. For the first time, this is the other side. Who were the people watching the Endeavour sail by? How did they understand their world and what sense did they make of this strange vision? And what was the impact of these first encounters with Europeans? The answers lie in tales passed down from 1770 and in truth-telling of the often more brutal engagements that followed. Darren Rix (a Gunditjmara-GunaiKurnai man, radio reporter and Archie Roach’s nephew) and his co-author Craig Cormick travelled to all the places on the east coast that were renamed by Cook, and listened to people’s stories. With their permission, these stories have been woven together with the European accounts and placed in their deeper context: the places Cook named already had names; the places he ‘discovered’ already had peoples and stories stretching back before time; and although Cook sailed on, the empire he represented impacted the people’s lives and lands immeasurably in the years after. ‘Warra Warra Wai’ was the expression called to Cook and his crew when they tried to make landfall in Botany Bay. It has long been interpreted as ‘Go away’, but is perhaps more accurately translated as ‘You are all dead spirits’. In adding the First Nations version of these first encounters to the story of Australian history, this is a book that will sit on Australian shelves alongside Cook’s Journals, Dark Emu and The Fatal Shore as one of our foundational texts.

Journalist Aaron Smith's new memoir holds up a unique mirror to Australia. What he sees is at once amazing, disturbing and revealing. The Rock explores the failings of our nation's character, its unresolved past and its uncertain future from the vantage point of its most northerly outpost, Thursday Island. Smith was the last editor, fearless journalist and the paperboy of Australia's most northerly newspaper, the Torres News, a small independent regional tabloid that, until it folded in late 2019, was the voice of a predominantly Torres Strait Islander and Aboriginal readership for 63 years across some of the most remote and little understood communities in Australia. The Rock is a story of self-discovery where Smith grapples to understand a national identity marred by its racist underbelly, where he is transplanted from his white-boy privileged suburban life to being a racial and cultural minority, and an outsider. Peppered with his experiences, Smith gradually and sensitively becomes embedded in island life while vividly capturing the endless and often farcical parade of personalities and politicians including Scott Morrison and Tony Abbott. Smith pulls no punches while he reflects on the history of Terra Australis incognita, dissecting what is truly Australia, and its gaping cultural and moral divide. 'A credit to regional journalism, Aaron carried on the fine tradition of the Torres News holding governments to account and telling stories of everyday life in the Straits, never shying away from controversies, lifting all the rocks and even out foxing prime minister Tony Abbott on his visit to Mabo's grave.' — Stefan Armbruster, SBS 'Aaron Smith makes a huge and extremely valuable contribution to journalism in Australia. With insight and committment he brings issues of national and international significance to audiences in Australia and beyond.' — Dr Tess Newton Cain, Griffith Asia Institute 'Aaron's journalism has provided a rare and valuable insight into issues affecting the Torres Strait Islander community. Navigating cultural protocols and geographical challenges, he has given a voice to some of Australia's most marginalised people and shared important stories that would otherwise have gone unheard.' — Ella Archibald-Binge, Sydney Morning Herald

Now available in two volumes for ease of use: Book 1 focuses on the context of midwifery practice Book 2 focuses on midwifery practice New and significantly updated chapters include: man rights in childbirth Midwifery as primary healthcare Birth place and birth space Social and environmental determinants of women’s health Contraception Variations in normal Endorsed by the Australian College of Midwives (ACM) and the New Zealand College of Midwives (NZCOM) NEW to the Evolve resources: a suite of 18 videos featuring interviews with midwifery lecturers and students who share inspirational insights, advice, challenges and opportunities for learning Now includes an eBook with all print purchases