This book explores the queer history of the easternmost provinces of the German Reich—regions that used to be German, but which now mostly belong to Poland—in the first third of the twentieth century, a period roughly corresponding to the duration of Germany's first queer movement (1897-1933). While the amount of queer historical studies examining entire towns and cities in the German Reich has grown to an impressive size since the 1990s, most of that research concerns, firstly, the usual, large metropoles such as Berlin, Hamburg or Cologne, and, secondly, municipalities located in Germany 'proper'; that is, within its modern borders, not those of the German state in the first half of the twentieth century. Smaller cities (not to mention rural areas) in particular have received very little scholarly attention. This book is therefore one of the first to examine queer history—that of spaces, culture, sociability and political groups specifically—from this geographical perspective.

German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film form. The book traces the central role of cinema in the nation’s turbulent history from the Wilhelmine Empire to the Berlin Republic, with special attention paid to the competing demands of film as art, entertainment, and propaganda. Hake also explores the centrality of genre films and the star system to the development of a filmic imaginary. This fully revised and updated new edition will be required reading for everyone interested in German film and the history of modern Germany.

In this, the first book-length study of the cultural and political geography of squatting in Berlin, Alexander Vasudevan links the everyday practices of squatters in the city to wider and enduring questions about the relationship between space, culture, and protest. Focuses on the everyday and makeshift practices of squatters in their attempt to exist beyond dominant power relations and redefine what it means to live in the city Offers a fresh critical perspective that builds on recent debates about the “right to the city” and the role of grassroots activism in the making of alternative urbanisms Examines the implications of urban squatting for how we think, research and inhabit the city as a site of radical social transformation Challenges existing scholarship on the New Left in Germany by developing a critical geographical reading of the anti-authoritarian revolt and the complex geographies of connection and solidarity that emerged in its wake Draws on extensive field work conducted in Berlin and elsewhere in Germany