Scholarship has traditionally characterized elegy as a Eurocentric tradition – a genealogy spanning from ancient Greek pastoral poems via the “English elegy” to English and Anglo-American Modernist contemporary poets. Perry examines how these genealogical constructions operate as a means of framing which guides interpretation. This book argues that they reflect a necropoetics – a system of principles, precepts and techniques which serve to establish and maintain ideas about whose lives are worthy of being mourned publicly and whose losses matter. Examining elegies that challenge questions of whose deaths may be grieved; elegies which articulate the various ways in which certain lives are made precarious and disposable; and elegies which interrogate colonial violence, structures of white power, militarized forms of policing, prison-industrial and military-industrial complexes, Perry explores possibilities for radical new ways of understanding elegy beyond established genealogical frames. This study retheorizes some basic terms of analysis of contemporary US poetry and poetics, critical race and ethnic studies, racial capitalism and contemporary theories of comparative and relational racialization.

The elegiac aspect of Ted Hughes' poetry has been frequently overlooked, an oversight which this book sets out to rectify. Encompassing a broad range of themes, from the decline of nature and local industry to the national grief caused by the First World War, this book is a comprehensive addition to the study of Hughes' poetry.

The relationship between the genres of elegy and epigram has been much debated and from a dizzying variety of angles. The contributors to this volume explore the impact of Hellenistic Greek epigram on Latin erotic elegy in the light of the recent discovery and publication of papyrus book-rolls, especially those containing Hellenistic Greek epigram collections. Individual chapters approach the interrelations of Greek epigram and Latin elegy through the theoretical frameworks of intermediality (the contamination of the two different media of stone inscription and book roll) and textual criticism (applying to the Latin elegist Propertius the editorial lessons learned from the papyrus collections of Greek epigrams). Some chapters focus on the reception of specific Greek epigrams, particularly those of Meleager and Philodemus, in particular elegies of Propertius and Ovid, while others take the Latin elegists as their focus and examine their appropriation of both the thematic motifs of Greek epigram and the organizational structures of Hellenistic epigram books. All bear witness to the importance of Hellenistic Greek epigram to the authors of Latin erotic elegy, consolidate our understanding of the formal relations between the two genres in the Hellenistic and Roman worlds, and deepen our appreciation of individual Greek epigrams and Latin elegies.

Lively, original and highly readable, An Introduction to Literature, Criticism and Theory is the essential guide to literary studies. Starting at ‘The Beginning’ and concluding with ‘The End’, chapters range from the familiar, such as ‘Character’, ‘Narrative’ and ‘The Author’, to the more unusual, such as ‘Secrets’, ‘Pleasure’ and ‘Ghosts’. Now in its sixth edition, Bennett and Royle’s classic textbook successfully illuminates complex ideas by engaging directly with literary works, so that a reading of Jane Eyre opens up ways of thinking about racial difference, for example, while Chaucer, Monty Python and Hilary Mantel are all invoked in a discussion of literature and laughter. The sixth edition has been revised and updated throughout. In addition, four new chapters – ‘Literature’, ‘Loss’, ‘Human’ and ‘Migrant’ – engage with exciting recent developments in literary studies. As well as fully up-to-date further reading sections at the end of each chapter, the book contains a comprehensive bibliography and an invaluable glossary of key literary terms. A breath of fresh air in a field that can often seem dry and dauntingly theoretical, this book will open the reader’s eyes to the exhilarating possibilities of reading and studying literature.

A collection of specially commissioned essays providing an overview of the life, works and contexts of this important modernist poet.

Examining three literary traditions – post-1960 Asian American, Asian Canadian and Black experimental poetry – this book reframes contemporary scholarly accounts of post-war North American comparative racial group formation, demonstrating how such poetry investigates contemporary Black-Asian relations and maps the complex co-constitution of race and capitalism at different spatial scales. Offering extended close readings of contemporary Black, Asian American and Asian Canadian experimental poets such as Myung Mi Kim, Erica Hunt, Larissa Lai and Ed Roberson, this book argues that these writers redefine race as a changing and politically contested form of constraint and possibility powerfully shaped by economic history and capitalist globalization. This study retheorizes some basic terms of analysis of contemporary US poetry and poetics, critical race and ethnic studies, racial capitalism and contemporary theories of comparative and relational racialization.

The library owned by Samuel Jeake of Rye, nonconformist and local activist, was one of the most remarkable of its time. It is of particular importance in that relatively little information has hitherto been available about the ownership of books in the English provinces, or the reading habits of intellectuals who -- like Jeake --were outside London and university circles from which most surviving libraries have come down to us. The collection of some 1500 volumes includes an extraordinary assemblage of radical pamphlets from the English Revolution alongside works of theology, literature, scholarship and science. Other books reflect astrological and magical interests, and the collection also includes a medical library. Jeake's library catalogue, published here, gives much information about titles that are now lost, about the penetration of foreign books into provincial England, and about book prices. The introduction places Jeake's collection in context, and makes a significant contribution to the history of the book in the early modern period; appendices list surviving volumes from the library and give a complete list of the Jeake manuscripts now in Rye Museum.MICHAEL HUNTER is Professor of History at Birkbeck College, University of London; GILES MANDELBROTE is a Curator, British Collections 1501-1800, at the British Library; RICHARD OVENDEN is Deputy Head, Rare Books Division of the National Library of Scotland; NIGEL SMITH is Reader in English at the University of Oxford.

Overviews of writers and works from the ancient Greeks through the 20th century, written by subject experts. Each author entry provides a detailed overview of the writer's life and works. Work entries cover a particular piece of world literature in detail.

Analyzing Romantic conservative critiques of modernity found in literature, philosophy, natural history, and agricultural periodicals, this book finds a common theme in the 'intergenerational imagination.' This impels an environmental ethic in which obligations to past and future generations shape decisions about inherited culture and land.

Dennis Lee's Civil Elegies remains one of the most potent long poems devoted to the nature of Canadian identity. Lee wanted us to realize that the cadence of our speaking and reading is politically charged. However, the rational problems that he raised also drove him crazy. Civil Elegies stands as one of the most disturbed and manic poems about Canada ever written. Its narrator is completely falling apart. The Cadence of Civil Elegies marks the launch of the Cormorant monograph series, which brings unique perspectives to Canadian literary works from the country's leading academics, writers, and critical thinkers.