Now thoroughly updated and revised, this new edition of the highly acclaimed dictionary provides an authoritative and accessible guide to modern ideas in the broad interdisciplinary fields of cultural and critical theory Updated to feature over 40 new entries including pieces on Alain Badiou, Ecocriticism, Comparative Racialization , Ordinary Language Philosophy and Criticism, and Graphic Narrative Includes reflective, broad-ranging articles from leading theorists including Julia Kristeva, Stanley Cavell, and Simon Critchley Features a fully updated bibliography Wide-ranging content makes this an invaluable dictionary for students of a diverse range of disciplines

This scholarly work looks at the issue of politics and performance in America today with particular attention paid to performances produced by activists, the NEA Four, and "Miss Saigon".

This book brings together respected international academics and practitioners from citizenship and drama to debate, share their experiences and plan a way forward for academic and professional best practice in drama and citizenship education for a democratic society. Drawing on international contributions, the chapters explore fundamental ideas about theatre and drama from a global perspective with connections made to action and identity. The main section of the book showcases authors from around the world discussing their perspectives of what is happening within particular countries and exploring a range of ideas and issues that relate to vitally important matters including community, socialism, post-colonialism, diversity, inclusion and more. The final section of the book brings together teams of authors from citizenship and drama education, who discuss the essential elements of citizenship education and encourage insight and practical collaboration from drama experts. The book is unique in presenting dynamic interaction between citizenship and drama experts and encouraging academics and professionals to develop their own work in these areas. It will be of great interest to academics, researchers and students in the fields of citizenship education, drama education and all those interested in promoting social justice through education.

Explore affirmation and coping rituals for lesbian singles, couples, and communities! This pioneering book is a multidisciplinary compilation of scholarship addressing lesbians, the rituals in their lives, and the meaning and impact of those rituals for the women involved and the people and communities around them. It offers a diverse range of perspectives on what it means to be a lesbian, what ritual is, what it means to enact a ritual, and how we can understand lesbian ritual experiences. Lesbian Rites: Symbolic Acts and the Power of Community presents five explorations of ritual that bring forth themes of lesbian-centered social change. In Death's Midwife, Sharon Jaffe creates a narrative that illustrates the power of ritual to reconcile straight and gay, Christian and Pagan, in end-of-life situations. Next, Ruth Barrett's exploration of Dianic traditions provides a brief history of the importance of Goddess-worship to radical lesbian feminists, and uses those traditions to create life-course rituals. Marla Brettschneider's Ritual Encounters of the Queer Kind challenges notions of a static lesbian self and instead reworks Judaism and anarchist politics to propose rituals of continuous becoming. Krista McQueeney then analyzes the paradoxes of a lesbian commitment ceremony held within a gay-affirmative African-American congregation in the southern United States. Elizabeth Suter and editor Ramona Faith Oswald use exploratory survey data to examine how lesbian couples may use name changing as a strategy to claim family status. In addition, Lesbian Rites also includes two chapters that examine how lesbians have been compromised, if not harmed, by the ritualization of heterosexism and homophobia. The first is an insightful analysis of the community response to the feminist retreat known as Camp Sister Spirit. In this chapter, Kate Greene uses Mary Daly's seven patterns of sado-ritual syndrome to show how the people opposed to the camp were organized to uphold heterosexual patriarchy through an obsession with purity that defined the camp as a refuge for immorality. The second chapter on this subject reviews the editor's own experiences of being hidden and devalued at heterosexual family weddings.

Written during the 1970s, John McGrath's winding, furious, innovative play tracks the economic history and exploitation of the Scottish Highlands from the post-Rebellion suppression of the clans to the story of the Clearances: in the nineteenth century, aristocratic landowners discovered the profitability of sheep farming, and forced a mass emigration of rural Highlanders, burning their houses in order to make way for the Cheviot sheep. The play follows the thread of capitalist and repressive exploitation through the estates of the stag-hunting landed gentry, to the 1970s rush for profit in the name of North Sea Oil. Described by the playwright as having a “ceilidh” format, The Cheviot, the Stag and the Black, Black Oil draws on historical research alongside Gaelic song and the Scots' love of variety and popular entertainment to tell this epic story. A totally distinctive cultural and theatrical phenomenon, the play championed several new approaches to theatre, raising its profile as a means of political intervention; proposing a collective, democratic, collaborative approach to creating theatre; offering a language of performance accessible to working-class people; producing theatre in non-purpose-built theatre spaces; breaking down the barrier between audience and performers through interaction; and taking theatre to people who otherwise would not access it. The play received its premiere in 1973 by the agit-prop theatre group 7:84, of which John McGrath was founder and Artistic Director, and toured Scotland to great critical and audience acclaim.

Cultural Protest in Journalism, Documentary Films and the Arts: Between Protest and Professionalisation entails a comprehensive account of the history and trajectory of contemporary journalistic, (documentary) film, and arts and cultural actors rooted (partially or wholly) in radical, alternative, community, voluntary, participatory and independent movements primarily in Britain and Germany. It focuses particularly on the examination of production and organisational contexts of selected case studies, some of which date from the countercultural era. The book takes a transnational and interdisciplinary approach encompassing a range of theoretical perspectives – drawn from the political economy of communication tradition; alternative media scholarship; journalism studies; critical sociological and cultural studies of media industries; cultural industries research; and critical and social theory – in conjunction with extensive ethnographic fieldwork. It does so to reveal the obscure nature of media and cultural production and organisation at seventeen media and cultural actors based in Britain and Germany, including South Africa and Nigeria. A particular focus is placed on how such actors balance competing imperatives of a civic/socio-political, professional, artistic and commercial nature as well as various systemic pressures, and on how they navigate the resultant ambivalences, paradoxes and tensions in their day-to-day work. In essence, the book highlights key insights into a changing nature and quality of engagement with social and political realities in protest cultures.

The throngs at Woodstock, Jane Fonda in Hanoi, I Have a Dream, burning draft cards, fire in the streets--these images of the 1960s are still very much alive today. What happened to the people and principles that dominated that decade? Which leaders from those turbulent years had the most lasting effect on our lives today? How well have the principles for which those leaders fought so strongly withstood the test of time? This thought-provoking biographical dictionary allows the reader to study the leaders, both conservative and liberal, their ideals, and their enduring influence. With major sections on racial democracy, peace and freedom, sexuality and gender, the environment, radical culture, and visions of alternative societies, Leaders from the 1960s includes entries on a wide selection of nationally prominent activists of the 1960s. In addition to those who dominated only the sixties, the volume includes earlier activists who came into prominence in the 1960s and activists of the era who came into prominence since the 1960s. Each entry provides a biographical sketch, but the focus of the entries is on the person's basic concepts or the essence of his or her work and the public response it generated. Included are extensive bibliographies on the individuals and the period.

Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies.

How and why are arts and cultural practices meaningful to communities? Highlighting examples from Lebanon, Latin America, China, Ireland, India, Sri Lanka and beyond, this exciting book explores the relationship between the arts, culture and community development. Academics and practitioners from six continents discuss how diverse communities understand, re-imagine or seek to change personal, cultural, social, economic or political conditions while using the arts as their means and spaces of engagement. Investigating the theory and practice of ‘cultural democracy’, this book explores a range of aesthetic forms including song, music, muralism, theatre, dance, and circus arts.