Long before the hydrogen bomb indelibly associated radioactivity with death, many chemists, physicists, botanists, and geneticists were excited thinking that radium held the key to the secret of life. Luis Campos examines the many and varied connections between early radioactivity research and understandings of vitality, both scientific and popular, in the first half of the twentieth century. As some physicists and chemists early on described the wondrous new element and its radioactive brethren in lifelike terms ( decay, half-life, and frequent reference to the natural selection and evolution of the elements), many biologists of the period eagerly sought to bring radium into the biological fold. They did so with experiments aimed at elucidating some of the most basic phenomena of life, including metabolism and mutation, and often saw in these phenomena properties that in turn reminded them of the new element. These initially provocative links between radium and life proved remarkably productive in experimental terms and ultimately led to key biological insights into the origin of life, the nature of mutation, and the structure of the gene. "Radium and the Secret of Life" traces the half-life of this connection between the living and the radioactive, while also exploring the approach to history that emerges when one follows a trail of associations that, asymptotically, never quite disappears."

The discovery of radium by Marie and Pierre Curie in 1898 eventually led to a craze for radium products in the 1920s until their widespread use proved lethal for consumers, patients, and medical practitioners alike. Radium infiltrated American culture, Maria Rentetzi reveals, not only because of its potential to treat cancer but because it was transformed from a scientific object into a familiar, desirable commodity. She explores how Standard Chemical Company in Canonsburg, Pennsylvania—the first successful commercial producer of radium in the United States—aggressively promoted the benefits of radium therapy and its curative properties as part of a lucrative business strategy. Over-the-counter products, from fertilizers to paints and cosmetics to tonics and suppositories, inspired the same level of trust in consumers as a revolutionary pharmaceutical. The radium industry in the United States marketed commodities like Liquid Sunshine and Elixir of Youth at a time when using this new chemical element in the laboratory, in the hospital, in private clinics, and in commercial settings remained largely free of regulation. Rentetzi shows us how marketing campaigns targeted individually to men and women affected not only how they consumed these products of science but also how that science was understood and how it contributed to the formation of ideas about gender. Seduced by Radium ultimately reveals how innovative advertising techniques and seductive, state-of-the-art packaging made radium a routine part of American life, shaping scientific knowledge about it and the identities of those who consumed it.

A collection of science fiction stories from the early twentieth century by authors ranging from Arthur Conan Doyle to W. E. B. Du Bois. This collection of science fiction stories from the early twentieth century features work by the famous (Arthur Conan Doyle, creator of Sherlock Holmes), the no-longer famous (“weird fiction" pioneer William Hope Hodgson), and the should-be-more famous (Bengali feminist Rokeya Sakhawat Hossain). It offers stories by writers known for concerns other than science fiction (W. E. B. Du Bois, author of The Souls of Black Folk) and by writers known only for pulp science fiction (the prolific Neil R. Jones). These stories represent what volume and series editor Joshua Glenn has dubbed “the Radium Age”—the period when science fiction as we know it emerged as a genre. The collection shows that nascent science fiction from this era was prescient, provocative, and well written. Readers will discover, among other delights, a feminist utopia predating Charlotte Perkins Gilman’s Herland by a decade in Hossain’s story, “Sultana’s Dream”; a world in which the human population has retreated underground, in E. M. Forster’s “The Machine Stops”; an early entry in the Afrofuturist subgenre in Du Bois’s last-man-on-Earth tale, “The Comet”; and the first appearance of Jones’s cryopreserved Professor Jameson, who despairs at Earth’s wreckage but perseveres—in a metal body—to appear in thirty-odd more stories.

After a tsunami destroyed the cooling system at Japan's Fukushima Nuclear Power Plant, triggering a meltdown, protesters around the world challenged the use of nuclear power. Germany announced it would close its plants by 2022. Although the ills of fossil fuels are better understood than ever, the threat of climate change has never aroused the same visceral dread or swift action. Spencer Weart dissects this paradox, demonstrating that a powerful web of images surrounding nuclear energy holds us captive, allowing fear, rather than facts, to drive our thinking and public policy.Building on his classic, Nuclear Fear, Weart follows nuclear imagery from its origins in the symbolism of medieval alchemy to its appearance in film and fiction. Long before nuclear fission was discovered, fantasies of the destroyed planet, the transforming ray, and the white city of the future took root in the popular imagination. At the turn of the twentieth century when limited facts about radioactivity became known, they produced a blurred picture upon which scientists and the public projected their hopes and fears. These fears were magnified during the Cold War, when mushroom clouds no longer needed to be imagined; they appeared on the evening news. Weart examines nuclear anxiety in sources as diverse as Alain Resnais's film Hiroshima Mon Amour, Cormac McCarthy's novel The Road, and the television show The Simpsons.Recognizing how much we remain in thrall to these setpieces of the imagination, Weart hopes, will help us resist manipulation from both sides of the nuclear debate.

J.H.Clarke is not unfamiliar in the Homoeopathic World. He has rendered immense service to the mankind by following the fundamental principles laid down by the MASTER in ORGANON

' Half Lives shines a light on the shocking history of the world's toxic love affair with a deadly substance, radium. Unnerving, fascinating, informative and truly frightening.' Hallie Rubenhold, author of The Five 'The story of this supposed cure-all in everyday 20th century life is fascinating and well told.' Brian Maye, Irish Times Lucy Jane Santos presents the surprising history of radium in everyday life. Of all the radioactive elements discovered at the end of the 19th century, it was radium that became the focus of both public fascination and entrepreneurial zeal. Half Lives tells the fascinating, curious, sometimes macabre story of the element through its ascendance as a desirable item - a present for a queen, a prize in a treasure hunt, a glow-in- the-dark dance costume - to its role as a supposed cure-all in everyday 20th-century life, when medical practitioners and business people (reputable and otherwise) devised ingenious ways of commodifying the new wonder element, and enthusiastic customers welcomed their radioactive wares into their homes. Historian Lucy Jane Santos - herself the proud owner of a formidable collection of radium beauty treatments - delves into the stories of these products and details the gradual downfall and discredit of the radium industry through the eyes of the people who bought, sold and eventually came to fear the once-fetishized substance. She reveals a new history of radium, one in which the stories of those previously dismissed as quacks and fools are brought to life, as part of a unique examination of the interplay between science and popular culture.

It’s 1941 and the Earth has been plunged into a global conflict by a tyrannical, fantastic megalomaniac known as The Dictator – and only one man, Flash Gordon, can save the day. However, marooned on the planet Mongo, Flash, Dale Arden, and Dr. Hans Zarkov will first have to escape Ming the Merciless’s seemingly endless supply of rocket ships and troops. In order to make it back to Earth, Flash must also battle carnivorous dinosaurs, cannibalistic ape-men, unite two warring tribes, find a hidden kingdom, and fend off two lovelorn princesses and the jealous rage of his girlfriend, Dale. ‘Radium Mines of Electra’ reprints the first two years of Austin Briggs’ four-year run on Flash Gordon from May 1940 to September 1942.

Every element has character, be it volatile, aloof, gregarious or enigmatic. They also have incredible stories of how they came to be, how they were discovered and how their qualities have been harnessed to make everything we have in the world. The Secret Life of the Periodic Table gives a fascinating insight into the discovery and use of all 118 elements. It uncovers incredible stories of how Mendeleev's table was formulated and the individual elements found, as well as explaining the fundamentals of atomic science and each element's place in the table and our universe.