This book pays overdue attention to the British writer Ramsey Campbell, a key figure in the post-1970s boom in Anglo-American horror fiction. Despite a huge output and receiving every accolade within his field over a long career, Campbell has not yet been accorded anything like the wider critical recognition given to his contemporary Stephen King. This study concentrates also on Campbell's neglected novels and novellas, rather than the short stories for which he has been better known. The book Ramsey Campbell establishes the author's unique prose style, denoted by a haunted self-consciousness about the act of writing and role of readership, and his distinctive mediation of the Gothic tradition: religiously agnostic, politically liberal and ethically humane. For the first time, Campbell's works are interpreted in the contexts of trends in postmodernist and posthumanist thought and compared explicitly to King's, and his contribution to both Gothic studies and wider contemporary literature is appraised.

As the author of more than two dozen novels and hundreds of short stories, as well as essays, reviews, and columns, Ramsey Campbell is one of the most prolific writers in the field of horror literature. The consistently high level of quality in his work has resulted in every major award that weird fiction has to offer, including the Grand Master Award of the World Horror Convention, the Lifetime Achievement Award of the Horror Writers Association, and the Living Legend Award of the International Horror Guild. Strangely, though, relatively little criticism has been written about Campbell. In Ramsey Campbell: Critical Essays on the Modern Master of Horror, Gary William Crawford has assembled a collection of articles that examine the work of one of weird fiction’s most revered writers. These essays looks at a number of elements that characterize Campbell’s stories and novels, including comparisons to H.P. Lovecraft, who was an early inspiration; Campbell’s modern variations of Gothic fiction; his concept of evil; religious subtext in his fiction; and how adversities Campbell has faced have shaped his life and his work. In all, these essays pay homage to Campbell’s painstaking craftsmanship and show that there is much to be mined in his fiction. Because Campbell is so important in the genre of horror literature, this book serves as a much needed affirmation of his work. It will be of interest to scholars of supernatural fiction in general, but also to devoted fans of this major figure in weird fiction.

Essays on British writers of fantasy and science fiction discuss the changing attitudes towards this genre, including serious consideration by critics. Covers the publication of science fiction in comic books, limited productions of publications by fan presses, the difference between British and American science fiction, the birth of the New Wave, and the revival of horror fiction as a distinct genre.

The "Scribner Writers Series has set the standard for literary reference for more than 25 years. In addition to addressing the lives and careers of important writers, the articles discuss the themes and a styles of major works and place them in pertinent historical, social and political concerns for today's readers. Novelists, playwrights, essayists, poets, short story writers, and more recently, genre writers in science fiction and mystery, are all expertly discussed in the more than 17 sets comprising this series. To see listings of writers for any volume in this section, go to the "Scribner Writers Series section online at www.gale.com/scribners. J.K. Rowling, Peter Straub, Anne McCaffrey--these are among the many widely-read authors in fantasy and horror genres covered in this addition to Scribner's 1985 two-volume set. Essays written by scholars--yet accessible to the general reader and student--treat both writers who have risen to prominence since the 1985 edition, and those whose careers have continued since original coverage, such as Stephen King, Ursula K. LeGuin, and Harlan Ellison. The index cumulates the index from the first two volumes.

An annotated list of reference works in the fields of science fiction, fantasy, and horror fiction.