The 1940s remains an iconic period in world history and retains a fascination for so many. Re-enacting the 40s is becoming increasingly popular but there is little available information explaining how to start in the hobby. This book is the first to offer enthusiasts of the 40s a way to advance their interest whether it be military or civilian. Each chapter deals with a different aspect of re-enacting from civilian roles (including children) to military roles with many different potential impressions explored for each area. Each chapter is lavishly illustrated with many previously unseen color photographs of contemporary re-enactors and events. There are further chapters introducing those people who portray wartime political and military leaders as well as those who bring back to life some of the most iconic musicians and performers of the period. For those choosing to enter the hobby through ownership of a civilian or military vehicle, that is also covered with many examples of some of the most well-known vehicles. Each chapter offers a brief contextual history with detailed notes on where to obtain uniform and equipment, some of the best groups to join as well as links to related sites and recommendations for wider reading. No book can cover every single possible role but this offers an excellent starting point for further research and involvement while stressing the need to always remain respectful of those we seek to commemorate.

1940 was the most significant year in European history this century. For Britain it was 'the finest hour', the beginning of the People's War. Britain and 1940 explores what the year meant for the people of Britain then and now. Covering the pre-history of 1940 in Britain, Malcolm Smith explores the great fear that a second world war would perhaps mean the end of British civilization and charts the development of the myths of Dunkirk, the Battle of Britain and the Blitz, and the great influence they have had on our national consciousness and on attitudes to the outside world. The book presents students of British history with a panorama of the influences that have constructed national consciousness around a crucial moment in British history.

Documentary has never attracted such audiences, never been produced with such ease from so many corners of the globe, never embraced such variety of expression. The very distinctions between the filmed, the filmer and the spectator are being dissolved. The Act of Documenting addresses what this means for documentary's 21st century position as a genus in the “class” cinema; for its foundations as, primarily, a scientistic, eurocentric and patriarchal discourse; for its future in a world where assumptions of photographic image integrity cannot be sustained. Unpacked are distinctions between performance and performativy and between different levels of interaction, linearity and hypertextuality, engagement and impact, ethics and conditions of reception. Winston, Vanstone and Wang Chi explore and celebrate documentary's potentials in the digital age.

Re-Viewing British Cinema, 1900–1992 is a collection of essays on British cinema history and practice. It offers both the casual reader and the film scholar a different view of British filmmaking during the past century. Arranged in chronological order, the book explores those areas of British cinema that have not been fully examined in other works and also offers fresh interpretations of a number of classic films. From the work of Frederic Villiers, the pioneering British newsreel cameraman who at the turn of the century brought home images of battlefield carnage, to essays on the British "B" film and the long-forgotten "Independent Frame" method of film production, to new readings of classics such as The Red Shoes, Passport to Pimlico, and Peeping Tom, the authors offer a look behind the scenes of the British film industry and engage the reader in some of the most compelling interpretational and historical issues of recent film history and critical theory. In addition, the volume contains a number of interviews with such key directors as Stephen Frears, Terence Davies, Wendy Toye, and Lindsay Anderson and also pays particular attention to the work of early twentieth-century British feminist filmmakers whose films have often been ignored by conventional film theory and history. It also offers new material on the British "film noir," the English horror film, and the pioneering gay director Brian Desmond Hurst. Taken as a whole, this book presents an entirely new series of viewpoints on British film practice, theory, and reception and affords a fresh and vibrant view of the British film medium.

Quality of life and older people reviews the way that older people talk about their quality of life and how this differs from the ways that younger people, researchers and scientists, policy makers and professionals discuss it. The book challenges the traditional approaches to the meaning and measurement of quality of life in older people by placing older people's accounts at the centre. It draws on a range of behavioural and social science knowledge to present a new way of thinking and understanding about quality of life and older people.

The story of a turbulent decade for our iconic capital

Why is France so often relegated to the background in studies of international relations? This book seeks to redress this balance, exploring the relationship between the United States, United Kingdom and France, and its wider impact on the theory and practice of international relations.

Covers the news of the decade year by year, including coverage of the war and scientific advances over the ten year period.

Signs of Life: Medicine and Cinema is the first single volume to consider the cinematic representation of medicine, medical science and the medical profession, and explores the political implications of the representations of doctors, nurses, patients, diseases and disabilities. The essays in this collection, from a wide range of film scholars and medical practitioners, also consider how formal qualities of cinema such as empirical observation, mise-en-sc'ne, propaganda and education, melodrama, documentary and narrative construction impact on our understanding of medical procedures and the public image of medicine.

Great Britain is ageing, but doesn’t seem to know it. Despite numerous warnings from official reports, the Government has ignored or neglected the ‘car-crashes’ ahead. Our Health & Social Care services, our pensions system and our housing provision are all in crisis whilst almost every family now faces the dilemma of ageing parents and boomerang children unable to leave home. Yet it doesn’t have to be all doom & grey gloom. In this detailed new book, Martin Slattery seeks to show there is a “silver side” to this Age Revolution; the potential for a New Age manifesto that might propel Ageing up the political agenda, create a new Intergenerational Social Contract and force the government to plan ahead for the 100 Year Life now facing over a third of all children born today. If the Japanese, the Scandinavians and the Bolivians can do it, why not Great Britain? We owe that to our children and to the generations ahead. Welcome to the Ageing World of the 21st Century!