Richard Matheson (1926–2013) was a prolific author and screenwriter whose career helped shape the horror and fantasy genres in literature, film, and television for over sixty years. Matheson authored more than ninety short stories and dozens of novels, many of which—including I Am Legend, A Stir of Echoes, What Dreams May Come, The Shrinking Man, Hell House, and Bid Time Return—have been adapted into feature films. Despite his extensive body of work and influence, however, Matheson has remained largely outside the scope of academic scrutiny. The essays in Reading Richard Matheson: A Critical Survey provide the first critical overview of Matheson’s texts, covering seven of Matheson’s novels, a sampling of short stories, and several adaptations for both film and television. The essays are arranged thematically and address the sociopolitical anxieties reflected in Matheson’s oeuvre; consider his precursors and successors; and situate him within narrative traditions of mythology, cinema, genre, and memory studies. By providing an overview of his career, Reading Richard Matheson illustrates how a commercial writer can contribute to academic discourses of literature and film. Though the essays use a variety of theoretical frameworks, the crossover nature of the collection reflects the broad range of Matheson’s output. As such, this volume will appeal to fans of Matheson’s work in general as well as scholars of literature, film studies, cultural studies, genre studies, media studies, memory studies, and popular culture.

The twentieth century saw an unprecedented spike in the study of altered states of consciousness. New ASCs, such as those associated with LSD and psilocybin mushrooms, were cultivated and studied, while older ASCs were given new classifications: out-of-body experiences, near-death experiences, psychokinesis, extrasensory perception. Altered Consciousness in the Twentieth Century analyses these different approaches and methodologies, and includes exciting new research into neglected areas. This volume investigates the representation of ASCs in the culture of the twentieth century and examines the theoretical models that attempt to explain them. The international contributors critically examine a variety of ASCs, including precognition, near-death experiences, telepathy, New Age ‘channelling’, contact with aliens and UFOs, the use of alcohol and entheogens, analysing both the impact of ASCs on the culture and how cultural and technological changes influenced ASCs. The contributors are drawn from the fields of English and American literature, religious studies, Western esotericism, film studies, sociology and history of art, and bring to bear on ASCs their own disciplinary and conceptual perspectives, as well as a broader interdisciplinary knowledge of the subject. The collection represents a vital contribution to the growing body of work on both ASCs and the wider academic engagement with millennialism, entheogens, occulture and the paranormal.

The definitive collection of terrifying stories by "one of the greatest writers of the 20th century" (Ray Bradbury), edited by award-winning author Victor LaValle Among the greats of 20th-century horror and fantasy, few names stand above Richard Matheson. Though known by many for novels like I Am Legend and his sixteen Twilight Zone episodes, Matheson truly shines in his chilling, masterful short stories. Since his first story appeared in 1950, virtually every major writer of science fiction, horror, and fantasy has fallen under his influence, including Stephen King, Neil Gaiman, Peter Straub, and Joe Hill, as well as filmmakers like Stephen Spielberg and J.J. Abrams. Matheson revolutionized horror by taking it out of Gothic castles and strange cosmos and setting it in the darkened streets and suburbs we recognize as our own. He infused tales of the fantastic and supernormal with dark explorations of human nature, delving deep into the universal dread of feeling alone and threatened in a dangerous world. The Best of Richard Matheson brings together his greatest hits as chosen by Victor LaValle, an expert on horror fiction and one of its brightest talents, marking the first major overview of Matheson's legendary career. "[Matheson is] the author who influenced me most as a writer." -Stephen King "Richard Matheson's ironic and iconic imagination created seminal science-fiction stories . . . For me, he is in the same category as Bradbury and Asimov." -Steven Spielberg "He was a giant, and YOU KNOW HIS STORIES, even if you think you don't." -Neil Gaiman For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A Richard Matheson Collection discounted ebundle includes: Hell House, Somewhere in Time, What Dreams May Come A collection of three novels by New York Time bestselling author Richard Matheson, who Stephen King called "[t]he author who influenced me the most as a writer." Hell House: Rolf Rudolph Deutsch is going die. But when Deutsch, a wealthy magazine and newspaper publisher, starts thinking seriously about his impending death, he offers to pay a physicist and two mediums, one physical and one mental, $100,000 each to establish the facts of life after death. Dr. Lionel Barrett, the physicist, accompanied by the mediums, travel to the Belasco House in Maine, which has been abandoned and sealed since 1949 after a decade of drug addiction, alcoholism, and debauchery. For one night, Barrett and his colleagues investigate the Belasco House and learn exactly why the townfolks refer to it as the Hell House. Somewhere in Time: A powerful story of a love that transcends time and space, written by one of the Grand Masters of modern fantasy. Matheson's classic novel tells the moving, romantic story of a modern man whose love for a woman he has never met draws him back in time to a luxury hotel in San Diego in 1896, where he finds his soul mate in the form of a celebrated actress of the previous century. Somewhere in Time won the World Fantasy Award for Best Novel, and the 1979 movie version, starring Christopher Reeve and Jane Seymour, remains a cult classic. What Dreams May Come: What happens to us after we die? Chris Nielsen had no idea, until an unexpected accident cut his life short, separating him from his beloved wife, Annie. Now Chris must discover the true nature of life after death. But even Heaven is not complete without Annie, and when tragedy threatens to divide them forever, Chris risks his very soul to save Annie from an eternity of despair. Matheson's powerful tale of life---and love---after death was the basis for the Oscar-winning film starring Robin Williams. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This volume collects twenty original essays on the philosophy of film. It uniquely brings together scholars working across a range of philosophical traditions and academic disciplines to broaden and advance debates on film and philosophy. The book includes contributions from a number of prominent philosophers of film including Noël Carroll, Chris Falzon, Deborah Knight, Paisley Livingston, Robert Sinnerbrink, Malcolm Turvey, and Thomas Wartenberg. While the topics explored by the contributors are diverse, there are a number of thematic threads that connect them. Overall, the book seeks to bridge analytic and continental approaches to philosophy of film in fruitful ways. Moving to the individual essays, the first two sections offer novel takes on the philosophical value and the nature of film. The next section focuses on the film-as-philosophy debate. Section IV covers cinematic experience, while Section V includes interpretations of individual films that touch on questions of artificial intelligence, race and film, and cinema’s biopolitical potential. Finally, the last section proposes new avenues for future research on the moving image beyond film. This book will appeal to a broad range of scholars working in film studies, theory, and philosophy.

Acclaimed novelist/Eisner-winning graphic novelist Joe Hill collaborated with his father, Stephen King, in Throttle, for the first time on a tale that paid tribute to Richard Matheson's classic tale, Duel. Now, IDW is proud to present comic-book tellings of both stories in Road Rage. Adapted by Chris Ryall with art by Nelson Daniel and Rafa Garres.

Richard Matheson's 1954 novel I Am Legend has spawned a series of iconic horror and science fiction films, including The Last Man on Earth (1964), The Omega Man (1971) and I Am Legend (2007). The compelling narrative of the last man on earth, struggling to survive a pandemic that has transformed the rest of humanity into monsters, has become an American myth. While the core story remains intact, filmmakers have transformed the details over time, reflecting changing attitudes about race and masculinity. This reexamination of Matheson's novel situates the tale of one man's conflicted attitude about killing racialized "others" within its original post-World War II context, engaging the question of post-traumatic stress disorder. The author analyzes the several film adaptations, with a focus on the casting and interpretations of protagonist Robert Neville.

Exploring the pedagogical power of the monstrous, this collection of new essays describes innovative teaching strategies that use our cultural fascination with monsters to enhance learning in high school and college courses. The contributors discuss the implications of inviting fearsome creatures into the classroom, showing how they work to create compelling narratives and provide students a framework for analyzing history, culture, and everyday life. Essays explore ways of using the monstrous to teach literature, film, philosophy, theater, art history, religion, foreign language, and other subjects. Some sample syllabi, assignments, and class materials are provided.

Richard Matheson was one of the leading writers of science fiction, fantasy, and horror in the twentieth century. Matheson’s most famous early works, the novels I Am Legend (1954) and The Shrinking Man (1956), both depict traditionally masculine figures thrust into extraordinary situations. Other thought-provoking novels, including Hell House (1971), Bid Time Return (1975), and What Dreams May Come (1978)—as well as short stories and screenplays—convey the ambiguous status of masculinity: how men should behave vis-à-vis women and what role they should occupy in the family dynamic and in society at large. In Richard Matheson’s Monsters: Gender in the Stories, Scripts, Novels and Twilight Zone Episodes, June M. Pulliam and Anthony J. Fonseca examine how this groundbreaking author’s writings shed light on society’s ever-shifting attitudes on masculinity and domesticity. In this first full-length critical study of Matheson’s entire literary output, the authors discuss how I Am Legend, The Shrinking Man, and other works question traditional male roles. The authors examine how Matheson’s scripts for The Twilight Zone represented changing expectations in male behavior with the onset of the sexual and feminist revolutions, industrialization and globalization, and other issues. In a society where gender roles are questioned every day, Matheson’s work is more relevant than ever. Richard Matheson’s Monsters will be of interest to scholars of literature, film, and television, as well those interested in gender and masculinity studies.

Pastiche…sounds like something you might eat…but the official definition is “an artistic work in a style that imitates that of another work, artist, or period.” A pastiche can be respectful or can descend to parody. Over the course of his long career F. Paul Wilson often has been invited to work with the characters and realms created by iconic writers in varied genres. Usually he would decline, but sometimes the temptation to play in a favorite author’s sandbox was too great and he gave in. As a fan of all the chosen authors, he approached the characters and worlds they created with the greatest respect. So in that sense, his pastiches are also homages. H. P. Lovecraft, Mary W. Shelley, Ray Bradbury, Richard Matheson, Edgar Rice Burroughs, Sax Rohmer, Dashiell Hammett, Arthur Conan Doyle…who could say no to working with their creations? You’ll find them all and more in Other Sandboxes: Stories with Characters and Places Shared with Writers Living and Dead by F. Paul Wilson.