Reading Russian Sources is an accessible and comprehensive guide that introduces students to the wide range of sources that can be used to engage with Russian history from the early medieval to the late Soviet periods. Divided into two parts, the book begins by considering approaches that can be taken towards the study of Russian history using primary sources. It then moves on to assess both textual and visual sources, including memoirs, autobiographies, journals, newspapers, art, maps, film and TV, enabling the reader to engage with and make sense of the burgeoning number of different sources and the ways they are used. Contributors illuminate key issues in the study of different areas of Russia’s history through their analysis of source materials, exploring some of the major issues in using different source types and reflecting recent discoveries that are changing the field. In so doing, the book orientates students within the broader methodological and conceptual debates that are defining the field and shaping the way Russian history is studied. Chronologically wide-ranging and supported by further reading, along with suggestions to help students guide their own enquiries, Reading Russian Sources is the ideal resource for any student undertaking research on Russian history.

Identifies collections held by public and university libraries, historical societies, and other institutions, as well as private collections, with material relating to any subject and historical period, and to the widest geographical area under imperial or Soviet rule. Includes movements for example

This volume details Sir Jerome Horsey’s account of his experiences in Russia and other countries. Horsey, who spent the better part of seventeen years in the country until leaving in 1591, was an employee of the Muscovy Company, but also operated as an unofficial ambassador for both the English and Russian governments. He was personally acquainted with such people as Ivan the Terrible, Tsar Fyodor I and Boris Godunov, and gives lively and interesting accounts of his interactions with them, as well as with many other prominent people, both Russian and English. Horsey has been accused of exaggeration, chicanery and self-advertisement, but his account is by far the most readable and enjoyable of the many books written by English people sojourning in Russia. It has been published only twice, both times in conjunction with Giles Fletcher’s contemporary and more “professional” account of the Russian state; this edition, with a full introduction and extensive notes, is the first to present Horsey’s book on its own. It is a travel-book, an adventure story and an autobiography of a controversial and significant figure.

The term "tandem" was used to describe the Putin-Medvedev combination which ruled Russia from 2008 to 2012, when Medvedev was president and Putin prime minister. Many people saw Putin as the real wielder of power, with Medvedev as his puppet. Others, however, saw Medvedev as a visionary, someone who envisioned large scale schemes - even though these schemes have not yet come to fruition. At the same time, many in the West regarded Medvedev favourably, and gave him credit for raising expectations among both the elite and the middle classes in Russia in such a way as to make it difficult for the Russian state to return to its old ways. This book presents a comprehensive survey of the Medvedev presidency, covering all areas including politics, the economy, international relations and social developments. The author concludes that it is still too early to assess Medvedev's achievements definitively.

This volume, the fourth of five planned in Joseph Frank's widely acclaimed biography of Dostoevsky, covers the six most remarkably productive years in the novelist's entire career. It was in this short span of time that Dostoevsky produced three of his greatest novels--Crime and Punishment, The Idiot, and The Devils--and two of his best novellas, The Gambler and The Eternal Husband. All these masterpieces were written in the midst of harrowing practical and economic circumstances, as Dostoevsky moved from place to place, frequently giving way to his passion for roulette. Having remarried and fled from Russia to escape importuning creditors and grasping dependents, he could not return for fear of being thrown into debtor's prison. He and his young bride, who twice made him a father, lived obscurely and penuriously in Switzerland, Germany, and Italy, as he toiled away at his writing, their only source of income. All the while, he worried that his recurrent epileptic attacks were impairing his literary capacities. His enforced exile intensified not only his love for his native land but also his abhorrence of the doctrines of Russian Nihilism--which he saw as an alien European importation infecting the Russian psyche. Two novels of this period were thus an attempt to conjure this looming spectre of moral-social disintegration, while The Idiot offered an image of Dostoevsky's conception of the Russian Christian ideal that he hoped would take its place.