Reading the animal text in the landscape of the damned looks at the diverse texts of our everyday world relating to nonhuman animals and examines the meanings we imbibe from them. It describes ways in which we can explore such artefacts, especially from the perspective of groups and individuals with little or no power. This work understands the oppression of nonhuman animals as being part of a spectrum incorporating sexism, racism, xenophobia, economic exploitation and other forms of oppression. The enquiry includes, physical landscapes, the law, womens rights, history, slavery, language use, economic coercion, farming, animal experimentation and much more. Reading the animal text in the landscape of the damned is an academic work but is accessible, theoretically based but robustly practical and it encourages the reader to take this enquiry further for both themselves and for others.

The Quaker World is an outstanding, comprehensive and lively introduction to this complex Christian denomination. Exploring the global reach of the Quaker community, the book begins with a discussion of the living community, as it is now, in all its diversity and complexity. The book covers well-known areas of Quaker development, such as the formation of Liberal Quakerism in North America, alongside topics which have received much less scholarly attention in the past, such as the history of Quakers in Bolivia and the spread of Quakerism in Western Kenya. It includes over sixty chapters by a distinguished international and interdisciplinary team of contributors and is organised into three clear parts: Global Quakerism Spirituality Embodiment Within these sections, key themes are examined, including global Quaker activity, significant Quaker movements, biographies of key religious figures, important organisations, pacifism, politics, the abolition of slavery, education, industry, human rights, racism, refugees, gender, disability, sexuality and environmentalism. The Quaker World provides an authoritative and accessible source of information on all topics important to Quaker Studies. As such, it is essential reading for students studying world religions, Christianity and comparative religion, and it will also be of interest to those in related fields such as sociology, political science, anthropology and ethics.

When Joanna Wolfarth was pregnant with her first child, she assumed she would breastfeed, as her mother had fed her. Yet she was unprepared for the startling realities of new motherhood. Then, just four weeks after the birth, she found herself back in hospital with an underweight baby, bewildered by inconsistent advice and overcome with feelings of guilt and isolation. Months later, her cultural historian's impulse led her to look to the past for guidance. What she discovered, neglected in the archives, amazed and reassured her. By piecing together cultural debris - from fragments of ancient baby bottles to eighteenth-century breast pumps, from the Palaeolithic Woman of Willendorf figurine to the poignantly inventive work of Louise Bourgeois and from mythical accounts of the creation of the Milky Way to advice found in Victorian medical manuals - Joanna began to understand how feeding our babies can be culturally, economically and physiologically determined as well as deeply personal and emotive. Using the arc of her own experience, Joanna takes us on an intimate journey of discovery beyond mother and baby, asking how the world views caregivers, their bodies, their labour and their communal bonds. By bringing together art, social histories, philosophy, folk wisdom and contemporary interviews with women from across the world, Milk reveals how infant feeding has been represented and repressed, celebrated and censured. In doing so, Joanna charts previously unexplored territory and offers comfort and solace to anyone who has fed or will feed a child.

This title was first published in 2003. This text explores the "dark, pessimistic truth that pervades the pages of modern texts", setting a theme of Dante's "Inferno" against the work of modern authors including Dostoyevsky, Hardy, Conrad, Wharton, Kafka, Camus, Waugh and Flannery O'Connor. The author's thesis is that these writers exhibit a hostility towards the reader, an anger that the reader should continue to be so deludedly happy when the writer has become so mortifyingly enlightened. At its most characteristic, Reilly demonstrates, modern fiction seems to achieve a savage satisfaction in inflicting this pain, to an extent that could be described as sadistic. Reilly traces what he calls this "punitive spirit" to a character in the "Inferno", Vanni Fucci, who suffering himself does his best to make Dante suffer too. Through the study he uses the "Inferno" as a guide to the prevailing attitudes in modern fiction, revealing a parallel between the prohibition of pity within the medieval poem and in the pages of modern texts.

In Building Natures, Julia Daniel establishes the influence of landscape architecture, city planning, and parks management on American poetry to show how modernists engaged with the green worlds and social playgrounds created by these new professions in the early twentieth century. The modern poets who capture these parks in verse explore the aesthetic principles and often failed democratic ideals embedded in the designers’ verdant architectures. The poetry of Carl Sandburg, Wallace Stevens, William Carlos Williams, and Marianne Moore foregrounds the artistry behind our most iconic green spaces. At the same time, it demonstrates how parks framed, rather than ameliorated, civic anxieties about an increasingly diverse population living and working in dense, unhealthy urban centers. Through a combination of ecocriticism, urban studies, and historical geography, Building Natures unveils the neglected urban context for seemingly natural landscapes in several modernist poems, such as Moore’s "An Octopus" and Stevens’s Notes Toward a Supreme Fiction, while contributing to the dismantling of the organic-mechanic divide in modernist studies and ecocriticism.

Examines the works of three Victorian writers, looks at the ways they subverted and affirmed their society, and discusses women's higher education in nineteenth century England.

In the context of Northrop Frye's theories of myth, and in light of the attempts of social critics and early anthologists to define Canada and Canadian literature, McKenzie discusses the ways in which our decidedly fractured sense of literary nationalism has set indigenous culture apart from the mainstream.

The post-Darwinian theory of atavism forecasted obstacles to human progress in the reappearance of throwback physical or cultural traits after several generations of absence. In this original and stimulating work, Dana Seitler explores the ways in which modernity itself is an atavism, shaping a historical and theoretical account of its dramatic rise and impact on Western culture and imagination.

Historia is a series of interlocked observations on the nature of temporality, the human practice of writing its history, and the histories all things accumulate around themselves, as does the author even while discoursing on historia. A number of examples of history writing are provided which support the arguments of the text: five books of history ‘about America and the Americas,’ and some examples from archeological reconstruction, from historical drumming in West Africa, and from the history of a painting by Albrecht Duerer. The book does not reach a conclusion – does not define historia – but views the term from many angles, and will refresh the reader’s sense of what the historical is. And what is it? It is the dimension in which the present takes on cargo and weight. While it is true that the past is instantly devoured by the present, it is also true that the past pervades the present – while being devoured by it. Of course when I switch on the light Edison switches it for me. And it is not just TE. It is industry, commerce, and the electrician around the corner. I can do nothing effectual without the past, but the past has no meaning except through me. Historia rings many changes on this obvious, but endlessly instructive, idea.