In this work, Jansen explores a recurring theme in writing by women: the dream of finding or creating a private and secluded retreat from the world of men. These imagined "women's worlds" may be very small, a single room, for example, but many women writers are much more ambitious, fantasizing about cities, even entire countries, created for and inhabited exclusively by women.

Anne of France (1461-1522), daughter of Louis XI and sister of Charles VIII, was one of the most powerful women of the fifteenth century. She was referred to by her contemporaries as Madame la Grande, and remained an activeand influential figure in France throughout her life. As the fifteenth century drew to a close, Anne composed a series of enseignements, "lessons", for her daughter Suzanne of Bourbon. These instructions represent a distillation of a lifetime's experience, and are presented through the portrait of an ideal princess, thus preparing her daughter to act both circumspectly and politically. Having steered her own course successfully, Anne offers her daughter advice intended to help her negotiate the difficult passage of a woman in the world of politics. This is the first translation into English of Anne of France's Lessons.

This collection focuses on a variety of fictional and non-fictional East European women's migration narratives, multimodal narratives by migrant artists, and cyber narratives (blogs and personal stories posted on forums). The book negotiates the concept of narrative between conventional literary forms, digital discourses, and the social sciences. It brings together new perspectives on strategies of representation, trauma, dislocation, and gender roles. It also claims a place for Eastern Europe on the map of transnational feminism. (Series: Contributions to Transnational Feminism - Vol. 4) [Subject: Sociology, European Studies, Women's Studies, Feminist Studies, Gender Studies, Migration Studies]

Religious Women in Early Carolingian Francia, a groundbreaking study of the intellectual and monastic culture of the Main Valley during the eighth century, looks closely at a group of manuscripts associated with some of the best-known personalities of the European Middle Ages, including Boniface of Mainz and his “beloved,”abbess Leoba of Tauberbischofsheim. This is the first study of these “Anglo-Saxon missionaries to Germany” to delve into the details of their lives by studying the manuscripts that were produced in their scriptoria and used in their communities. The author explores how one group of religious women helped to shape the culture of medieval Europe through the texts they wrote and copied, as well as through their editorial interventions. Using compelling manuscript evidence, she argues that the content of the women’s books was overwhelmingly gender-egalitarian and frequently feminist (i.e., resistant to patriarchal ideas). This intriguing book provides unprecedented glimpses into the “feminist consciousness” of the women’s and mixed-sex communities that flourished in the early Middle Ages.

Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection.

Contemporary Latin American fiction establishes a unique connection between masquerade, frequently motivated by stigma or trauma, and social justice. Using an interdisciplinary approach that combines philosophy, history, psychology, literature, and social justice theory, this study delineates the synergistic connection between these two themes. Weldt-Basson examines fourteen novels by twelve different Latin American authors: Mario Vargas Llosa, Sergio Galindo, Augusto Roa Bastos, Fernando del Paso, Mayra Santos-Febres, Isabel Allende, Carmen Boullosa, Antonio Benítez-Rojo, Marcela Serrano, Sara Sefchovich, Luisa Valenzuela, and Ariel Dorfman. She elucidates the varieties of social justice operating in the plots of contemporary Latin American novels: distributive, postmodern/feminist, postcolonial, transitional, and historical justices. The author further examines how masquerade and disguise aid in articulating the theme of social justice, why this is important, and how it relates to Latin American history and the historical novel.

A revelatory portrait of Britain through its islands, The Britannias weaves history, myth, and travelogue to rewrite the story of this “island nation.” From Neolithic Orkney, Viking Shetland, and Druidical Anglesey to the joys and strangeness of modern Thanet, The Britannias explores the farthest reaches of Britain’s island topography, once known by the collective term “Britanniae” (the Britains). This expansive journey demonstrates how the smaller islands have wielded disproportionate influence on the mainland, becoming the fertile ground of political, cultural, and technological innovations that shaped history throughout the archipelago. In an act of feminist inquiry, personal adventure, and literary quest, Alice Albinia embarks on a series of journeys that traverse Britain and reach beyond its contemporary borders—from Europe to the Caribbean, Ireland to Scandinavia. She walks the coastlines of Lindisfarne, sails through the Hebrides archipelago, and bikes into Westminster at dawn. As she takes us across extravagantly varied island topographies and surveys centuries of history, Albinia ranges between languages and genres, and through disparate island cultures. She talks to stubbornly independent islanders and searches for archaeological and linguistic traces of island identities, discovering distinct traditions and resistance to mainland control. Trespassing into the past to understand the present, The Britannias uncovers an enduring and subversive mythology of islands ruled by women. Albinia finds female independence woven through Roman colonial reports and Welsh medieval poetry, Restoration utopias and island folk songs. These neglected epics offer fierce feminist countercurrents to mainstream narratives of British identity and shed new light on women’s status in the body politic today. Vivid, perceptive, and disruptive, The Britannias boldly upturns established truths about Britain while revealing its suppressed and forgotten beauty.

This fun and helpful book is one's girl's autobiography. She grew with many of life's experiences meeting all kinds of people from all walks of life. Learn how to keep the love of friendship strong and well in spite of the odds. Learn how to experience nature and reap its benfits. Learn the nature of true love. The main reason we lose love is because it was not true love to begin with. Then there are people who come into our lives to give us temporary help. They serve a good pupose, but these relationships usually fade when the help is no longer needed. Her first husband claimed to love her, but he did not show it. He was seldom home. The heroine shows how to get what you want when you want something so badly. She reaches her goals against all odds. Nothing stops her from getting an education. Her love for the French language came to her quite by chance. She seized the opportunity to learn French and fell in love with it. The heroine's son also learned how to cope with life's problems. Like his mother, he beat the bullies without lifting a finger. He has the gift of gab. His mother has the gift of writing. He can talk to anyone anytime about anything. His mother will write down every happening. She is also his confindant and ally against a sometimes cruel world. He is an only child, but he is not spoiled. As you will see, he is quite an actor. You will laugh through the book. At times, you may cry, but not for long. The book is up beat with a little drama as lfe unfolds. So hold onto your seat for the ride of your life.

In this work, Jansen explores a recurring theme in writing by women: the dream of finding or creating a private and secluded retreat from the world of men. These imagined "women's worlds" may be very small, a single room, for example, but many women writers are much more ambitious, fantasizing about cities, even entire countries, created for and inhabited exclusively by women.

SHORTLISTED FOR THE EDWARD STANFORD TRAVEL BOOK OF THE YEAR 'A dazzlingly brilliant book' Hannah Dawson 'Fascinating, often exhilarating ... Albinia is an intrepid, imaginative guide' TLS The Britannias tells the story of Britain's islands and how they are woven into its collective cultural psyche. From Neolithic Orkney to modern-day Thanet, Alice Albinia explores the furthest reaches of Britain's island topography, once known (wrote Pliny) by the collective term, Britanniae. Sailing over borders, between languages and genres, trespassing through the past to understand the present, this book knocks the centre out to foreground neglected epics and subversive voices. The ancient mythology of islands ruled by women winds through the literature of the British Isles - from Roman colonial-era reports, to early Irish poetry, Renaissance drama to Restoration utopias - transcending and subverting the most male-fixated of ages. The Britannias looks far back into the past for direction and solace, while searching for new meaning about women's status in the body politic. Boldly upturning established truths about Britain, it pays homage to the islands' beauty, independence and their suppressed or forgotten histories.