It's 1888, and seventeen-year-old Verity Newton lands a job in New York as a governess to a wealthy leading family—but she quickly learns that the family has big secrets. Magisters have always ruled the colonies, but now an underground society of mechanics and engineers are developing non-magical sources of power via steam engines that they hope will help them gain freedom from British rule. The family Verity works for is magister—but it seems like the children's young guardian uncle is sympathetic to the rebel cause. As Verity falls for a charming rebel inventor and agrees to become a spy, she also becomes more and more enmeshed in the magister family's life. She soon realizes she's uniquely positioned to advance the cause—but to do so, she'll have to reveal her own dangerous secret.

Foreword authors: John Knoll, Visual Effects Supervisor at Lucasfilm's Industrial Light & Magic. For any fan who wants to explore the inner workings of the spaceships and vehicles of all six Star WarsTM movies comes this fascinating expanded edition of a fan favorite, now with new cross-section artworks and a wealth of new photos. Star Wars: Complete Vehicles is packed with visual explorations of more than fifty essential Star Wars spacecraft and landcraft, including the TIE bomber, Imperial shuttle, A-wing, B-wing, and more. Full-color cross-section artwork presents in-depth examinations of each craft's weapon systems, engines, hyperdrives, cockpits, and construction secrets, providing a never-before-seen glimpse at the vehicles that drive the Star Wars universe. Star Wars: Complete Vehicles now features new and never-before-seen cross-sections!

Explore the epic Star Wars saga through incredible cross-sections More than 100 magnificent artworks bring the vehicles of Star Wars to life. New cross-sections, amazing detail, and comprehensive text make this the ultimate reference to the craft of a galaxy far, far away.... SEE - Poe Dameron's X-wing in action - The terrifying power of Darth Vader's TIE Advanced x1 - Obi-Wan Kenobi's fast and agile Jedi starfighter DISCOVER - The inner workings of Rey's speeder - The advanced technology of the Rebel Alliance's U-wing - The devastating weaponry of the Death Star EXPLORE - The famous corridors of the Millennium Falcon - The brutal design of the Knights of Ren's Night Buzzard - The mighty and fearsome Final Order Star Destroyer © & TM 2020 Lucasfilm Ltd

A leading expert on counterinsurgency and counterterrorism offers a comprehensive theory of "competitive control" that will apply to the future of conflict in a world of explosive population growth, increased urbanization, the movement of population centers to the coasts, and global connective networks.

Our Own Time retells the story of American labor by focusing on the politics of time and the movements for a shorter working day. It argues that the length of the working day has been the central issue for the American labor movement during its most vigorous periods of activity, uniting workers along lines of craft, gender and ethnicity. The authors hold that the workweek is likely again to take on increased significance as workers face the choice between a society based on free time and one based on alienated work and unemployment.

Learn all about over 200 of your favourite Star Wars vehicles, from the A-wing to the Y-wing. Want to know how the Millennium Falcon made the Kessel Run in such a short distance? Don't know your X-wing from your Y-wing? Not sure what type of craft Slave I is? Look no further than the Star Wars Encyclopedia of Starfighters and Other Vehicles. From the swamps of Kashyyyk to the deserts of Jakku, from inner-city Coruscant to the vastness of hyperspace, Star Wars Encyclopedia of Starfighters and Other Vehicles will show you the right craft for the job. Covering vehicles from across every Star Wars movie, as well as Star Wars: The Clone Wars and Star Wars: Rebels. This handy guide is full of fun facts and intriguing information, guaranteed to enthral fans for hours on end. © & TM 2018 LUCASFILM LTD. Used Under Authorization.

It’s the event someone’s dying to attend . . . The grand-opening party at a new bed-and-breakfast in a vintage farmhouse that’s supposedly haunted poses quite the dilemma for Lexie Lincoln. Most of the other guests are noted ghost hunters, and since Lexie actually can see ghosts, she’ll know whether they’re frauds and whether the inn really is haunted. But showing what she knows or honestly reporting on what she sees and hears would make her sound like a tabloid reporter rather than a serious journalist. Ghosts become the least of Lexie’s concerns when a flash flood blocks the road out and then one of the guests is found dead. Someone in the inn has to be a killer. If they don’t figure out who, there could be more victims. It’s up to Lexie to enlist the aid of the resident ghosts to break the case and save them all, but that may mean revealing her secret talent to the rest of the world. Or is an angry ghost the real threat?

Is she missing, or was she ever there? As a newspaper reporter, Lexie Lincoln knows a good story when she sees one, and when a source doesn’t show up for an interview and doesn’t answer her phone, Lexie feels certain there’s something wrong. This woman is a visitor to town, on her own and vulnerable, and Lexie may be the only person to realize she’s gone missing. The weird thing is that nobody else remembers seeing this woman, even though Lexie met her during a busy night in her friend Margarita’s restaurant. That makes it hard for her to convince anyone that there’s a problem. After all, Lexie can see ghosts most other people don’t. The woman Lexie talked to might not even have been alive. Sure of her instincts, Lexie sets out to learn more about the woman and what might have happened to her. The plot thickens when the woman’s car is found abandoned. Now Lexie knows she didn’t imagine the visitor, but where is she, and what happened to her? As the clues line up, Lexie starts to worry that they’re just a bit too neat, too much like a good story. Now that the police are seriously investigating the woman’s disappearance, Lexie’s credibility may be in danger if she got the story all wrong in the first place. She has to find the truth before the police do—and before her next issue goes to press—if she doesn’t want to be the editor who cried wolf.

Was It an Accident—or Vengeance? When a fisherman spots a car in the river, it’s the most exciting news during a slow week in Stirling Mills, and newspaper editor Lexie Lincoln is there to cover it. The cops think it was an accident, but a ghost on the scene tells Lexie the drowned driver got what he deserved for cheating her out of her land. Lexie figures the ghost got vengeance. There are just two problems: A ghost can’t be prosecuted for murder, and the person the ghost named isn’t one of the people found in the car. Still, Lexie thinks it’s worth digging into, and she discovers that someone has been taking advantage of elderly landowners. She’d have thought the town would rally behind her investigation of a real estate scam, but she finds herself standing alone. Her suspect has an eerie hold over everyone he encounters. If she doesn’t find concrete proof that he committed a crime, she may get run out of town. That’s a real challenge when no one still alive will talk to her. And then there’s still the case of the drowned driver and his passenger—was it an accident, or did the scheme lead to murder?