These volumes of Religion and Normativity present the latest research in three central fields. Volume II deals with Reception and Transformation of the Bible as it occurs in modern literature (in both Danish and English), philosophy (including Kierkegaard), and Jewish and Christian religious practice. The researchers base their work on the theories and methods of the study of religion, philosophy, theology and literature.

The Bible has been called the 'Book of Books'. In Western culture it is considered a literary work and it has a central role in both the Jewish and Christian religions. The Bible has inspired writing and has also provoked contradiction. It has not only had a normative function for future poets, but philosophers and scien-tists have also applied biblical motives and have struggled with biblical ideas to formulate new thoughts. Drawing on examples from the works of Torgny Lindgren, Philip Pullman, Milan Kundera and Martin A Hansen, the first part of this volume begins be examining the reception and transforma-tion of the Bible in literature. Then, using examples from Søren Kierkegaard, K E Løgstrup and Paul Ricoeur, the second part goes on to explore the reception and transformation of the Bible in philosophy, considering also its reception within evolutionary theory. The third and last part, deals with the Bible's reception and transformation in religious communities, and considers, inter alia: the role of the Torah in Judaism -- both as text and as arte-fact; and, the Bible, as a model for Christian ideas, as a challenge to scriptural performance and as a norm for the images of God in modern hymns. All three sections of the book are introduced by some general reflections offering a framework for the individual articles. The Book of Books is still a work that inspires new thoughts. The aim of this book is thus to challenge and provoke readers to further discussion on the authority of the Bible.

This study seeks to make a contribution to current debates about the nature of Wirkungsgeschichte or reception history and its place in contemporary Biblical Studies. The author addresses three crucial questions: the relationship between reception history and historical-critical exegesis; the form of reception history itself, with a focus on the issue of which acts of reception are selected and valorized; and the role of tradition, pre-judgements and theology in relation to reception history. Disagreements about these matters contribute to what many characterise as the fragmentation of the discipline of biblical studies. The study champions the hermeneutics of Hans-Georg Gadamer as a theoretical resource for understanding biblical interpretation, and a way of holding together with integrity the varied activities undertaken within the discipline. Each aspect of the argument is illustrated, tested and further explored with reference to the post-history of exhortations in the New Testament to 'be subject'. These have been widely cited and applied for 2,000 years – in literature, law and politics as well as in theological traditions. In this way the study makes a contribution not just to the theory but also the practice of reception history.

The volume is a Festschrift offered to Charles Kannengiesser on the occasion of his 80th birthday and honours him for his numerous scholarly accomplishments. Its twenty-five contributions discuss some of the major issues pertaining to the reception and interpretation of the Bible in late antique Christianity and Judaism. They focus on the ways in which communities and individuals understood the Bible and interpreted its traditions to address their historical, social, and theological requirements. Since the Bible was by far the most important book during these centuries, a discussion of its influence in such contexts will illuminate significant aspects of the formation of western civilisation.

In Religious Stories in Transformation: Conflict, Revision and Reception, the editors present a collection of essays that reveal both the many similarities and the poignant differences between ancient myths in Judaism, Christianity, Islam, and modern secular culture and how these stories were incorporated and adapted over time. This rich multidisciplinary research demonstrates not only how stories in different religions and cultures are interesting in their own right, but also that the process of transformation in particular deserves scholarly interest. It is through the changes in the stories that the particular identity of each religion comes to the fore most strikingly.

In recent decades, reception history has become an increasingly important and controversial topic of discussion in biblical studies. Rather than attempting to recover the original meaning of biblical texts, reception history focuses on exploring the history of interpretation. In doing so it locates the dominant historical-critical scholarly paradigm within the history of interpretation, rather than over and above it. At the same time, the breadth of material and hermeneutical issues that reception history engages with questions any narrow understanding of the history of the Bible and its effects on faith communities. The challenge that reception history faces is to explore tradition without either reducing its meaning to what faith communities think is important, or merely offering anthologies of interesting historical interpretations. This major new handbook addresses these matters by presenting reception history as an enterprise (not a method) that questions and understands tradition afresh. The Oxford Handbook of the Reception History of the Bible consciously allows for the interplay of the traditional and the new through a two-part structure. Part I comprises a set of essays surveying the outline, form, and content of twelve key biblical books that have been influential in the history of interpretation. Part II offers a series of in-depth case studies of the interpretation of particular key biblical passages or books with due regard for the specificity of their social, cultural or aesthetic context. These case studies span two millennia of interpretation by readers with widely differing perspectives. Some are at the level of a group response (from Gnostic readings of Genesis, to Post-Holocaust Jewish interpretations of Job); others examine individual approaches to texts (such as Augustine and Pelagius on Romans, or Gandhi on the Sermon on the Mount). Several chapters examine historical moments, such as the 1860 debate over Genesis and evolution, while others look to wider themes such as non-violence or millenarianism. Further chapters study in detail the works of popular figures who have used the Bible to provide inspiration for their creativity, from Dante and Handel, to Bob Dylan and Dan Brown.

In this guest-edited issue of Biblical Reception, edited by Diane Apostolos-Cappadona, contributors examine the reception of the bible in art. Most of the contributions focus on biblical women, or on encounters with women in the bible. The volume is roughly chronological in structure, beginning with two pieces on Eve, one of which compares representations of Eve with those of the Virgin Mary, the other which considers how Eve is presented in Islamic texts and images. Following a contribution on Esther and Sarah the volume moves on to consider New Testament texts, with notable focus on women at the peripheries of society (the woman with the hemorrhage in Mark's gospel and the woman of Samaria). Attention is also paid to representations of Mary Magdalene and of Judith and Salome. The volume concludes with a piece on apocalyptic imagery and the woman clothed with the sun of Revelation 12. Featuring over 50 high quality color images, this volume provides scholarship of the highest level on biblical art.

Traditional methods employed in biblical interpretation involve a two-way dialogue between the text and the reader. Reception theory expands this into a three-way dialogue, with the third partner being the history of the text's interpretation and application. Most contemporary biblical interpreters have ignored this third partner, although recently the need to include the history of interpretation has gained some attention. This book explores the hermeneutical resources that reception theory provides for engaging the history of biblical interpretation as a third dialogue partner in biblical hermeneutics. The first third of this work explores the philosophical background and hermeneutical framework that Hans-Georg Gadamer provides for reception theory. The center of this study examines how this hermeneutical approach is fleshed out by Hans Robert Jauss. Jauss not only builds upon Gadamer's work, but his literary hermeneutic provides a model applicable to the biblical text and its tradition of interpretation. The focus for the final third of the book shifts toward three studies that seek to demonstrate the applicability of various aspects of reception theory to biblical interpretation.

Drawing on the work of leading figures in biblical, religious, historical, and cultural studies in Ireland and beyond, this volume explores the reception of the Bible in Ireland, focusing on the social and cultural dimensions of such use of the Bible. This includes the transmission of the Bible, the Bible and identity formation, engagement beyond Ireland, and cultural and artistic appropriation of the Bible. The chapters collected here are particularly useful and insightful for those researching the use and reception of the Bible, as well as those with broader interests in social and cultural dimensions of Irish history and Irish studies. The chapters challenge the perception in the minds of many that the Bible is a static book with a fixed place in the world that can be relegated to ecclesial contexts and perhaps academic study. Rather, as this book shows, the role of the Bible in the world is much more complex. Nowhere is this clearer than in Ireland, with its rich and complex religious, cultural, and social history. This volume examines these very issues, highlighting the varied ways in which the Bible has impacted Irish life and society, as well as the ways in which the cultural specificity of Ireland has impacted the use and development of the Bible both in Ireland and further afield.

How do we begin to carry out such a vast task-the examination of three millennia of diverse uses and influences of the biblical texts? Where can the interested scholar find information on methods and techniques applicable to the many and varied ways in which these have happened? Through a series of examples of reception history practitioners at work and of their reflections this volume sets the agenda for biblical reception, as it begins to chart the near-infinite series of complex interpretive 'events' that have been generated by the journey of the biblical texts down through the centuries. The chapters consider aspects as diverse as political and economic factors, cultural location, the discipline of Biblical Studies, and the impact of scholarly preconceptions, upon reception history. Topics covered include biblical figures and concepts, contemporary music, paintings, children's Bibles, and interpreters as diverse as Calvin, Lenin, and Nick Cave.