Much current theorizing about literature involves efforts to renew our sense of aesthetic values in reading. Such is the case with new formalism as well as recent appeals to the notion of "surface reading." While sympathetic to these efforts, Charles Altieri believes they ultimately fall short because too often they fail to account for the values that engage literary texts in the social world. In Reckoning with the Imagination, Altieri argues for a reconsideration of the Kantian tradition of Idealist ethics, which he believes can restore much of the power of the arguments for the role of aesthetics in art. Altieri finds a perspective for that restoration in a reading of Wittgenstein’s later work that stresses Wittgenstein’s parallel criticisms of the spirit of empiricism. Altieri begins by offering a phenomenology of imagination, because we cannot fully honor art if we do not link it to a distinctive, socially productive force. That force emerges in two quite different but equally powerful realizations in his reading of John Ashbery’s "Instruction Manual," which explicitly establishes a model for a postromantic view of imagination, and William Butler Yeats’s "Leda and the Swan." He then turns to Wittgenstein with chapters on the role of display as critique of Enlightenment thinking, the honoring of qualities like sensitivity and the ability to attune to the actions of others, the role of expression in the building of models, and the contrast between ethical and confessional modes of judgment. Finally, Altieri produces his own model of aesthetic experience as participatory valuation and makes an extended argument for the social significance of appreciation as a way to escape the patterns of resentment fundamental to our current mode of politics. A masterful work by one of our foremost literary and philosophical theorists, Reckoning with the Imagination will breathe new life into ongoing debates over the value of aesthetic experience.

First published in 1966. Professor Dryer has furnished a highly illuminating account of Kant’s Critique of Pure Reason by unfolding its central argument. Kant’s Solution for Verification in Metaphysics brings out the light which Kant has to throw on central topics of philosophy. It takes its place as an indispensable guide to every student of the Critique of Pure Reason.

Explores the powerful ways in which visual art has long provided its own rich outlet for protest, commentary, escape, and perspective for African Americans. This important book showcases the potent role of visual art in African American history and culture. Featuring Black artists working in a range of media, from photography to sculpture to painting—including Amy Sherald, Benny Andrews, Sheila Pree Bright, Bisa Butler, Charles Alston, Elizabeth Catlett, Shaun Leonardo, and David Hammons, to name just a few—the book considers art that exemplifies resilience in times of conflict, as well as the ritual of creation, and the defiant pleasure of healing. Reckoning, based on the exhibition of the same name at the National Museum of African American History and Culture (NMAAHC), explores the ongoing struggles Black Americans have faced in their pursuit to enjoy the fundamental rights and freedoms promised in the Constitution to citizens of the United States. Drawn from the museum’s permanent collection, the featured works respond to the dual crises of Covid-19 and systemic racism that shaped 2020, a period that has been called one of reckoning, as the world witnessed the killing of George Floyd, Breonna Taylor, and other African Americans, leading to some of the largest protests in US history.

One girl. One chance. One destiny. In the village of Martindale, hundreds of miles north of the new English capital of Windsor, sixteen-year-old Silver Blackthorne takes the Reckoning. This coming-of- age test not only decides her place in society – Elite, Member, Inter or Trog – but also determines that Silver is to become an Offering for King Victor. But these are uncertain times and no one really knows what happens to the teenagers who disappear into Windsor Castle. Is being an Offering the privilege everyone assumes it to be, or do the walls of the castle have something to hide? Trapped in a maze of ancient corridors, Silver finds herself in a warped world of suspicion where it is difficult to know who to trust and who to fear. The one thing Silver does know is that she must find a way out . . . The heart-stopping first book in a new trilogy by UK author Kerry Wilkinson, Reckoning is the story of one girl's determination to escape the whims of a cruel king, and what she must do to survive against all odds.

In this thrilling addition to the Whispering Pines middle grade series that’s “a cosmic blend of magical monsters and scary science as frightening as it is fun” (Kirkus Reviews), Rae and Caden venture into the monstrous Other Place to rescue their captured friends and save their town. Eyeless horrors. Giant, flesh-eating bugs. Despite everything Whispering Pines has thrown at her, Rae has never given up searching for her missing father. But when she discovers a surprising connection between his disappearance and Green On!, the shady alternative energy company that runs her town, she’ll be forced to confront a monster more dangerous than anything she’s ever faced before. Meanwhile, now that Caden’s vindictive older brother is gone, it’s up to him to uphold the family business and ensure that the evil in the Other Place never breaks free. But when a mangled body is discovered in his backyard, he realizes that he can’t protect Whispering Pines from the monstrous creatures of the Other Place—because they’re already here. The only way for both Caden and Rae to save the people of Whispering Pines is to embark on a mission deep into the heart of the Other Place. There, Caden will have to come to terms with the truth of his family’s legacy and learn how to harness his full power. If he fails, all the horrors of the Other Place will descend on Whispering Pines, and that’s a threat that the town—and the world—cannot survive.

How do journalists know what they know? Who gets to decide what good journalism is and when it's done right? What sort of expertise do journalists have, and what role should and do they play in society? Until a couple of decades ago, journalists rarely asked these questions, largely because the answers were generally undisputed. Now, the stakes are rising for journalists as they face real-time critique and audience pushback for their ethics, news reporting, and relevance. Yet the crises facing journalism have been narrowly defined as the result of disruption by new technologies and economic decline. This book argues that the concerns are in fact much more profound. Drawing on their five years of research with journalists in the U.S. and Canada, in a variety of news organizations from startups and freelancers to mainstream media, the authors find a digital reckoning taking place regarding journalism's founding ideals and methods. The book explores journalism's long-standing representational harms, arguing that despite thoughtful explorations of the role of publics in journalism, the profession hasn't adequately addressed matters of gender, race, intersectionality, and settler colonialism. In doing so, the authors rethink the basis for what journalism says it could and should do, suggesting that a turn to strong objectivity and systems journalism provides a path forward. They offer insights from journalists' own experiences and efforts at repair, reform, and transformation to consider how journalism can address its limits and possibilities along with widening media publics.

"Reckoning with Matter" tells the story of early modern European calculating machines, from the early attempts of Blaise Pascal in the 1640s through Charles Babbage s efforts of the 1820s to 40s. All failed spectacularly. By exploring these failed technologies, Matthew L. Jones tracks diverse forms of technical life different social arrangements of practitioners, different legal conceptions of the ownership of work and ideas, and different philosophical conceptions of knowledge and skill. Philosophers, engineers, and craftspeople wrote about their distinctive competencies, about technical novelty, and about the best way to coordinate their efforts, and drawing on these remarkably well-preserved records, Jones reveals the concrete processes of imagining, elaborating, testing, and building key components for calculating machines. By highlighting the makers and their conceptions of invention right up to the instauration of modern patent regimes and the solidification of the concept of Romantic genius, Jones argues that these conceptions of creativity and of making are often more incisive and more honest than those still dominating our own legal, political, and aesthetic culture. Ultimately, "Reckoning with Matter "uses the fascinating history of calculating machines to explore major contingencies of European early modernity, from its economic history to its vision of creative activity itself."

Desperate times— Brilliant chemist Tamara Chen can't believe the wild desire she feels for ex-Delta Force operative Nate Pratchett, especially with their lives on the line. But his strong body offers her the comfort she needs during this insane period—when she, Nate and his team are wanted, dead or alive. Desperate pleasures— Nate knows he's stealing pleasure with sweet Tam on borrowed time. They're just a step ahead of their enemies, and as commander it's Nate's job to keep them all safe—not spend every spare moment making love with Tam. But when you're this close to death it's the only way to feel alive.

Instant New York Times bestseller: #1 in Hardcover Fiction #1 in E-book Fiction #1 in Combined Print and E-book Fiction "Deep and grand and altogether extraordinary....Miraculous." —The Washington Post "Artful...Powerful...Magical." - The New York Times Book Review "Superb" - People “A Great Reckoning succeeds on every level." —St. Louis Post-Dispatch #1 New York Times bestselling author Louise Penny pulls back the layers to reveal a brilliant and emotionally powerful truth in her latest spellbinding novel. When an intricate old map is found stuffed into the walls of the bistro in Three Pines, it at first seems no more than a curiosity. But the closer the villagers look, the stranger it becomes. Given to Armand Gamache as a gift the first day of his new job, the map eventually leads him to shattering secrets. To an old friend and older adversary. It leads the former Chief of Homicide for the Sûreté du Québec to places even he is afraid to go. But must. And there he finds four young cadets in the Sûreté academy, and a dead professor. And, with the body, a copy of the old, odd map. Everywhere Gamache turns, he sees Amelia Choquet, one of the cadets. Tattooed and pierced. Guarded and angry. Amelia is more likely to be found on the other side of a police line-up. And yet she is in the academy. A protégée of the murdered professor. The focus of the investigation soon turns to Gamache himself and his mysterious relationship with Amelia, and his possible involvement in the crime. The frantic search for answers takes the investigators back to Three Pines and a stained glass window with its own horrific secrets. For both Amelia Choquet and Armand Gamache, the time has come for a great reckoning.