Reclaiming Chinese Society analyses the mechanisms, processes and actors producing a wide spectrum of social and cultural changes in reform China. Contrary to most literature that emphasizes economic and political processes at the expense of Chinese society, this volume argues for the centrality of the social in understanding Chinese development. Each of the eleven chapters addresses one type of grassroots activism, covering feminist activism, civic environmentalism, religious revival, violence, film, media, intellectuals, housing, citizenship and deprivation. The wide-range of research styles used in this collection, including ethnography, regional comparison, quantitative and statistical analysis, interviews, textual and content analysis, offers students a methodologically rich vista to China Studies. Written by subject experts and covering all aspects of Chinese Society, this book offers an authoritative overview of Chinese society. It is an invaluable resource for courses on Chinese Society and culture and will be of interest to students and scholars in Chinese and Asian studies.

This bestselling introduction to Chinese society uses the themes of resistance and protest to explore the complexity of life in contemporary China. An interdisciplinary and international team of China scholars draw on perspectives from sociology, anthropology, psychology, history and political science and covers a broad range of issues. Topics covered include: labour and environmental disputes rural and ethnic conflict migration legal challenges intellectual and religious dissidence opposition to family planning. The newly revised, third edition adds two new chapters on gender and the family, and the reform of the Hukou system thus providing a comprehensive text for both undergraduates and specialists in the field, encouraging the reader to challenge conventional images of contemporary Chinese society.

This book brings together a selection of essays by Richard J. Smith, one of the foremost scholars of Chinese intellectual and cultural history. Mapping China and Managing the World focuses on Chinese constructions of order and examines the most important ways in which elites in late imperial China sought to order their vast and variegated world, and will be welcomed by Chinese and East Asian historians, as well as those interested more broadly in the culture of China and East Asia.

Introduces readers to key sociological perspectives about modern Chinese society and social change.

This edited volume examines mobile phone use in China. Unlike most studies on ICT development in China this book argues for the importance of the cultural realm as captured in mobile phone usage in reflecting the normative basis and struggle of the people. It stresses how the mobile phone is in fact an important means by which one can understand a rapidly changing China. A key concern of the book is to assert the uniqueness of China’s experience in mobile phone usage. This uniqueness is encapsulated by the phrase ‘riding the double juggernaut’, in that Chinese society is exposed to a rapid process of industrialization and cyberization in a short period of time. The contributors maintain that such density of experience under a compressed period when the society has a thick cultural heritage of its own and yet is still under a dictating rule all come together to provide a unique situation in China. .

Lively debates around property, access to resources, legal rights, and the protection of livelihoods have unfolded in Vietnam since the economic reforms of 1986. Known as Doi Moi (changing to the new), these have gradually transformed the country from a socialist state to a society in which a communist party presides over a neoliberal economy. By exploring the complex relationship between property, the state, society, and the market, this book demonstrates how both developmental issues and state-society relations in Vietnam can be explored through the prism of property relations and property rights. The essays in this collection demonstrate how negotiations over property are deeply enmeshed with dynamics of state formation, and covers debates over the role of the state and its relationship to various levels of society, the intrusion of global forces into the lives of marginalized communities and individuals, and how community norms and standards shape and reshape national policy and laws. With contributors from around the world, this book will be of great interest to students and scholars of East and Southeast Asian studies, including politics, culture, society, and law, as well as those interested in the role of the state and property relations more generally.

"Ying Zhu and Stanley Rosen have brought together some of the leading scholars and critics of Chinese cinema to rethink the political mutations, market manifestations, and artistic innovations that have punctuated a century of Chinese screen memories. From animation to documentary, history of the industry to cinematic attempts to recreate history, propaganda to piracy, the influx of Hollywood imports to Chinese-style blockbusters, Art, Politics, and Commerce in Chinese Cinema presents a fresh set of critical approaches to the field that should be required reading for scholars, students, and anyone interested in the past, present, and future of one of the most vibrant and dynamic film industries in the world."-Michael Berry, author, Jia Zhangke's "Hometown Trilogy" and A History of Pain "An excellent collection of articles that together offer a superb introduction to contemporary Chinese film studies."-Richard Pena, Program Director, Film Society of Lincoln Center "This is one of the most important, comprehensive, and profoundly important books about Chinese cinema. As correctly pointed out by the editors of the volume, understanding of the emerging film industry in China requires a systematic examination of arts, politics, and commerce of Chinese cinema. By organizing the inquiry of the Chinese film industry around its local and global market, politics, and film art, the authors place the current transformation of Chinese cinema within a large framework. The book has set a new standard for research on Chinese cinema. It is a must-read for students of arts, culture, and politics in China."-Tianjian Shi, Duke University Art politics, and commerce are intertwined everywhere, but in China the interplay is explicit, intimate, and elemental, and nowhere more so than in the film industry. Understanding this interplay in the era of market reform and globalization is essential to understanding mainland Chinese cinema. This interdisciplinary book provides a comprehensive reappraisal of Chinese cinema, surveying the evolution of film production and consumption in mainland China as a product of shifting relations between art, politics, and commerce. Within these arenas, each of the twelve chapters treats a particular history, development, genre, filmmaker or generation of filmmakers, adding up to a distinctively comprehensive rendering of Chinese cinema. The book illuminates China's changing stat-society relations, the trajectory of marketization and globalization, the effects of China's start historical shifts, Hollywood's role, the role of nationalism, and related themes of interest to scholars of Asian studies, cinema and media studies, political science, sociology comparative literature and Chinese language. Ying Zhu is professor of cinema studies in the Department of Media Culture and co-coordinator of the Modern China Studies Program at the City University of New York, College of Staten Island. Stanley Rosen is director of the East Asian Studies Center and a professor of political science at the University of Southern California.

The Qing dynasty was China’s last, and it created an empire of unprecedented size and prosperity. However in 1911 the empire collapsed within a few short months, and China embarked on a revolutionary course that lasted through most of the twentieth century. The 1911 Revolution ended two millennia of imperial rule and established the Republic of China, but dissatisfaction with the early republic fuelled further revolutionary movements, each intended to be more thoroughgoing than the last, from the National Revolution of the 1920s, to the Communist Revolution, and finally the Cultural Revolution. On the centenary of the 1911 Revolution, Chinese scholars debated the causes and significance of the empire’s collapse, and this book presents twelve of the most important contributions. Rather than focusing on Sun Yat-sen’s relatively weak and divided revolutionary movement, as much previous scholarship has, these studies examine the internal dynamics of political and socio-economic change in China. The chapters reveal how reforms in education, army organization, and constitutional rule created new social forces and political movements that undermined dynastic legitimacy within China and on its frontiers. Through detailed analyses, using new archival, memoir, diary, and newspaper sources, the authors cast new light on the sudden collapse of an empire that many thought was at last embarked on a road to reform and national rejuvenation. China: How the Empire Fell will be of huge interest to students and scholars of modern Chinese history as well as those of contemporary China.

The Internet and digital media have become conduits and locales where millions of Chinese share information and engage in creative expression and social participation. This book takes a cutting-edge look at the impacts and implications of an increasingly networked China. Eleven chapters cover the terrain of a complex social and political environment, revealing how modern China deals with digital media and issues of censorship, online activism, civic life, and global networks. The authors in this collection come from diverse geographical backgrounds and employ methods including ethnography, interview, survey, and digital trace data to reveal the networks that provide the critical components for civic engagement in Chinese society. The Chinese state is a changing, multi-faceted entity, as is the Chinese public that interacts with the new landscape of digital media in adaptive and novel ways. Networked China: Global Dynamics of Digital Media and Civic Engagement situates Chinese internet in its complex, generational context to provide a full and dynamic understanding of contemporary digital media use in China. This volume gives readers new agendas for this study and creates vital new signposts on the way for future research. .

China’s rapid urbanization has restructured the great socialist cities Beijing, Shanghai, and Guangzhou into mega cities that embrace global capitalism. This book focuses on the urban transformations of these three cities: Beijing is the nation’s political and cultural capital; Shanghai is the economic and financial powerhouse; and Guangzhou is the capital of Guangdong Province and the regional center of south China. All are historical cities with rich imperial, colonial, and regional heritages, and all have been drastically transformed in the last six decades. This book examines the cities’ continuous urban legacies since 1949 in relation to state governance, economic reforms, and cultural production. By adopting local historical perspectives, it offers more nuanced accounts of the current urban change than the modernization/globalization paradigm and conceptualizes the change in the context of the cities’ socialist, colonial, and imperial legacies. Specifically, Samuel Y. Liang offers an overview of the urban planning and territorial expansion of the great cities since 1949; explores the production and consumption of urban housing, its spatial forms, media representations, and socio-political implications; and examines the state-led redevelopment of old urban cores and residential neighborhoods, and the urban conservation movement. Remaking China’s Great Cities will be of great interest to students and scholars working across a range of fields including Chinese studies, Chinese culture and society, urban studies and architecture.