Reconsidering Elizabeth Bowen’s Shorter Fiction: Dead Reckoning focuses on Elizabeth Bowen's representations of violence against the self and others. Heather Levy examines the complicity of landscape and the implications of mayhem, murder, and suicide in The Collected Stories of Elizabeth Bowen (2006) edited by Angus Wilson and The Bazaar and Other Stories (2008) edited by Alan Hepburn. It introduces five previously unpublished short story fragments and two nearly complete stories from The Elizabeth Bowen Collection at The Harry Ransom Research Center. Levy argues that Bowen's shorter fiction is a quixotic celebration of moral transgression, crime without punishment, and suicide without mourners. Bowen's compassionate response to offenders and violence anticipated the Perpetrator Trauma movement in the United States. Her innovations with the freedom of the short story produced an uncanny narration of violence. This book integrates the entirety of the scholarship on Bowen's short stories in a clear and original manner and offers a synthetic and compelling excavation of Bowen's unpublished short stories.

Elizabeth Bowen was a prolific writer; her publishing career spanned five decades and during this time she wrote ten novels, over one hundred short stories and countless reviews and journal articles. While earlier novels are now acknowledged as Modernist texts, her later novels can be read through the lens of postmodernism; they can be considered variously as romantic fiction, marriage novels, war time spy thrillers and psychological drama but, throughout her novels, she consistently questioned notions of identity, sexuality and the loss of innocence. A World of Lost Innocence: The Fiction of Elizabeth Bowen offers a reading of Elizabeth Bowen’s fiction which focuses specifically on this loss, foregrounding the psychological conflicts experienced by her protagonists. It examines the subject not only across the range of her fiction, but also in relation to her unfolding narrative structures through a chronologically based discussion of her novels and selected short stories, interwoven with biographical information and drawing on unpublished letters. This book investigates the dominant kinds of innocence that Bowen represents throughout her fiction: the innocence attributed to childhood, sexual innocence and sexual morality, and political innocence, and argues that the transition from innocence to experience plays an important role in the epistemological journey faced both by Bowen’s characters and her readers.

Vol. for Oct. 1977 contains Index to reviews of bibliographical publications, 1976.

A Danish scholar of English and Irish literature, Christensen focuses on the four novels and handful of short stories that Anglo-Irish writer Bowen (1899-1973) published after World War II, which critics have tended to neglect until very recently. Distributed in the US by ISBS. Annotation copyrighted by Book News, Inc., Portland, OR