In this book, Daniel Ritchie offers a 'biblical poetics' as an alternative approach to ideological criticism, exploring how the Bible's own negotiations with language affect our view of literature, specifically with respect to older texts, gender issues, ethnic diversity, and the apparent arbitrariness of language itself.

Dissects the aftermath of the war in Southeast Asia, the refugee problem, the Vietnam/Cambodia conflict, and the Pol Pot regime.

In this multi-faceted volume, Christian and other religiously committed theorists find themselves at an uneasy point in history -- between premodernity, modernity, and postmodernity -- where disciplines and methods, cultural and linguistic traditions, and religious commitments tangle and cross. Here, leading theorists explore the state of the art of the contemporary hermeneutical terrain. As they address the work of Gadamer, Ricoeur, and Derrida, the essays collected in this wide-ranging work engage key themes in philosophical hermeneutics, hermeneutics and religion, hermeneutics and the other arts, hermeneutics and literature, and hermeneutics and ethics. Readers will find lively exchanges and reflections that meet the intellectual and philosophical challenges posed by hermeneutics at the crossroads. Contributors are Bruce Ellis Benson, Christina Bieber Lake, John D. Caputo, Eduardo J. Echeverria, Benne Faber, Norman Lillegard, Roger Lundin, Brian McCrea, James K. A. Smith, Michael VanderWeele, Kevin Vanhoozer, and Nicholas Wolterstorff.

"What has Jesus Christ to do with English literature?" ask David Lyle Jeffrey and Gregory Maillet in this insightful survey. First and foremost, they reply, many of the world's best authors of literature in English were formed--for better or worse--by the Christian tradition. Then too, many of the most recognized aesthetic literary forms derive from biblical exemplars. And finally, many great works of literature demand of readers evaluative judgments of the good, the true and the beautiful that can only rightly be understood within a Christian worldview. In this book Jeffrey and Maillet offer a feast of theoretical and practical discernment. After an examination of literature and truth, theological aesthetics, and the literary character of the Bible, they turn to a brief survey of literature from medieval times to the present, highlighting distinctively Christian themes and judgments. In a concluding chapter they suggest a path for budding literary critics through the current state of literary studies. Here is a must-read for all who are interested in a Christian perspective on literary studies.

At the height of his career he identified himself to a passing stranger as "Burke of Beaconsfield," and at the end of his life, he chose to be buried in the small church of St. Mary's All Saints Beaconsfield rather than in Westminster Abbey. In many and complex ways Beaconsfield is an essential key to the Edmund Burke who defined himself as the embodiment of Cicero's "new man" and whose marital relationship with Jane Nugent Burke sustained, nurtured, and drove him throughout his political career.".

This book reconsiders the fate of the doctrine of mimesis in the eighteenth century. Standard accounts of the aesthetic theories of this era hold that the idea of mimesis was supplanted by the far more robust and compelling doctrines of taste and aesthetic judgment. Since the idea of mimesis was taken to apply only in the relation of art to nature, it was judged to be too limited when the focus of aesthetics changed to questions about the constitution of individual subjects in regard to taste. Tom Huhn argues that mimesis, rather than disappearing, instead became a far more pervasive idea in the eighteenth century by becoming submerged within the dynamics of the emerging accounts of judgment and taste. Mimesis also thereby became enmeshed in the ideas of sociality contained, often only implicitly, within the new accounts of aesthetic judgment. The book proceeds by reading three of the foundational treatises in aesthetics—Burke’s Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, Hogarth’s Analysis of Beauty, and Kant’s Critique of Judgment—with an eye for discerning where arguments and analyses betray mimetic structures. Huhn attempts to explicate these books anew by arguing that they are pervaded by a mimetic dynamic. Overall, he seeks to provoke a reconsideration of eighteenth-century aesthetics that centers on its continuity with traditional notions of mimesis.

Williams delves into the writings of G. K. Chesterton, C. S. Lewis, and J. R. R. Tolkien for answers about the purpose of man and his life on earth.

The statesman and political philosopher Edmund Burke (1729–1797) is a touchstone for modern conservatism in the United States, and his name and his writings have been invoked by figures ranging from the arch Federalist George Cabot to the twentieth-century political philosopher Leo Strauss. But Burke's legacy has neither been consistently associated with conservative thought nor has the richness and subtlety of his political vision been fully appreciated by either his American admirers or detractors. In Edmund Burke in America, Drew Maciag traces Burke's reception and reputation in the United States, from the contest of ideas between Burke and Thomas Paine in the Revolutionary period, to the Progressive Era (when Republicans and Democrats alike invoked Burke’s wisdom), to his apotheosis within the modern conservative movement.Throughout, Maciag is sensitive to the relationship between American opinions about Burke and the changing circumstances of American life. The dynamic tension between conservative and liberal attitudes in American society surfaced in debates over the French Revolution, Jacksonian democracy, Gilded Age values, Progressive reform, Cold War anticommunism, and post-1960s liberalism. The post–World War II rediscovery of Burke by New Conservatives and their adoption of him as the "father of conservatism" provided an intellectual foundation for the conservative ascendancy of the late twentieth century. Highlighting the Burkean influence on such influential writers as George Bancroft, E. L. Godkin, and Russell Kirk, Maciag also explores the underappreciated impact of Burke’s thought on four U.S. presidents: John Adams and John Quincy Adams, Theodore Roosevelt, and Woodrow Wilson. Through close and keen readings of political speeches, public lectures, and works of history and political theory and commentary, Maciag offers a sweeping account of the American political scene over two centuries.

Insisting on the vital, productive relationship between ethics and the study of literature, Love and Good Reasons demonstrates ways of reading novels and stories from a Christian perspective. Fritz Oehlschlaeger argues for the study of literature as a training ground for the kinds of thinking on which moral reasoning depends. He challenges methods of doing ethics that attempt to specify universally binding principles or rules and argues for the need to bring literature back into conversation with the most basic questions about how we should live. Love and Good Reasons combines postliberal narrative theology—especially Stanley Hauerwas’s Christian ethics and Alasdair MacIntyre’s idea of traditional inquiry—with recent scholarship in literature and ethics including the work of Martha Nussbaum, J. Hillis Miller, Wayne Booth, Jeffrey Stout, and Richard Rorty. Oehlschlaeger offers detailed readings of literature by five major authors—Herman Melville, Jane Austen, Anthony Trollope, Henry James, and Stephen Crane. He examines their works in light of biblical scripture and the grand narratives of Israel, Jesus, and the Church. Discussing the role of religion in contemporary higher education, Oehlschlaeger shares his own experiences of teaching literature from a religious perspective at a state university.

A critique of the conventional wisdom.