Celebrating the diverse contributions of Catholic lay women in 20th century America Recovering Their Stories focuses on the many contributions made by Catholic lay women in the 20th century in their faith communities across different regions of the United States. Each essay explores the lives and contributions of Catholic lay women across diverse racial, ethnic, and socio-economic backgrounds, addressing themes related to these women’s creative agency in their spirituality and devotional practices, their commitment to racial and economic justice, and their leadership and authority in sacred and public spaces Taken together, this volume brings together scholars working in what otherwise may be discreet areas of academic study to look for patterns, areas of convergence and areas of divergence, in order to present in one place the depth and breadth of Catholic lay women’s experience and contributions to church, culture, and society in the United States. Telling these stories together provides a valuable resource for scholars in a number of disciplines, including American Catholic Studies, American Studies, Women and Gender Studies, Feminist Studies, and US History. Additionally, scholars in the areas of Latinx studies, Black Studies, Liturgical Studies, and application of Catholic social teaching will find the book to be a valuable resource with respect to articles on specific topics.

Recovery Stories is a collection of first-hand accounts by people in recovery from or affected by drugs or alcohol. Invaluable for those looking to find new, addiction-free ways to live. It contains insights into the lives of real people who hit ‘rock bottom’ but came back again. Of interest across a wide-range of disciplines, including health, education and social services. Addiction is an illness that kills. Accused of lacking a moral compass and blamed for their own self-destruction, addicts are often forced to live on the margins of society. Afforded little sympathy or support, they may end-up involved in criminality, violence, dishonesty and face despair. They may hit rock bottom when day-to-day survival can become a delicate balance between life and death. But addiction—which occurs in every walk of life—need not be a ‘life sentence’. As this book shows, no-one is beyond turning such dire situations around. Recovery Stories is a collection of true stories of triumph over adversity. It tells how the horror of addiction can be overcome, how people can free themselves of their dependency. It is a book of hope and inspiration which will encourage all those seeking ‘new ways to live’ a full, addiction-free and successful life. ‘This book tells the stories that need to be told... Addiction is an illness and has to be seen and tackled as such’: Alastair Campbell, Ambassador for Time to Change and Alcohol Concern. From the Foreword ‘People who are struggling with addiction have got to know that recovery is out there and it is possible... I hope that the stories in this book will help people understand that recovery is a possibility and, if you are struggling with addiction, that it is a possibility for you’: Mitch Winehouse, Founder of the Amy Winehouse Foundation. In association with Addaction.

Stories of Addiction Recovery explores first-hand structured accounts of addiction recovery through the G-CHIME model, bringing together shared experiences, lessons learnt, and describing the growth achieved to highlight to others what is possible in their own recovery.

“Great art discovers for us who we are,” writes eminent literature professor and critic Arnold Weinstein in this magisterial new book about how we can better uncover and understand our own stories by reading five major modern writers. Professor Weinstein, author of the highly acclaimed A Scream Goes Through the House, has spent a lifetime guiding students through the work of great writers, and in a volume that crowns his career, Weinstein invites us to discover ourselves–our perceptions, our dreams, our own elusive, deepest stories–in the masterpieces of modernist fiction. Marcel Proust, James Joyce, Virginia Woolf, William Faulkner: the very names sound intimidating. Yet as Weinstein argues with wit and passion, the works of these authors, and of their contemporary heir Toni Morrison, are in fact shimmering mirrors of our own inner world and most intimate thoughts. Novels such as Remembrance of Things Past, Ulysses, Mrs. Dalloway, To the Lighthouse, The Sound and the Fury, Absalom, Absalom!, and Beloved allow us to explore the inner worlds of human feeling and bring us face-to-face with our own deepest selves and desires. Weinstein decodes these great novels, and he shows how to read them to understand human beings–the way our minds and hearts actually work. This is what Weinstein means by “recovering your story.” Weinstein illuminates the complex pleasures woven into these peerless narratives. Beneath the slow, sensual cadences of Proust he finds an edgy erotic tension as well as a remarkably crisp depiction of the timeless world inside the self. Joyce’s Ulysses, in Weinstein’s brilliantly original reading, is a protean linguistic experiment that forces us to view both our bodies and our minds in a radically new–and hilariously funny–light. His analysis of Virginia Woolf’s Mrs. Dalloway and To the Lighthouse circles back again and again on Woolf’s depiction of the importance of relationships in knowing the self. Faulkner, argues Weinstein, is at once our greatest tragedian and our darkest comedian, a novelist who captures both the agony and absurdity of consciousness in a time of social and moral disintegration. Finally, in Toni Morrison’s Beloved, Weinstein explores the legacy of modernism in a contemporary novel, as Morrison brings the body into the literary picture, confronting how the body affects not only our fundamental concept of self, but also consciousness itself. In this magnificent work of literary appreciation and exploration, Weinstein makes the astonishing discovery of the self as a part of the joy of reading great modernist fiction, even as he makes these powerful works understandable, accessible, indeed imperative for all adventurous readers.

"Is it really possible to recover from an eating disorder? I need to talk to someone who has beaten this and is happy. I want to know what someone else did to recover." If your life has been touched by an eating disorder and you have ever asked these questions, then My Recovery is for you. Clinical counsellor Julie Parker shares the inspirational and courageous stories of eighteen women and men who have survived anorexia, bulimia, binge eating disorder or an eating disorder not otherwise specified. Each survivor shares not only their eating disorder journey, but the tips, strategies and tools that helped them regain their life and true sense of self. Each holds the unwavering hope and belief that recovery was not only possible for them, but is for others too. Stories of the importance of professional help, self-care, doing loved activities, creativity, and separation of the eating disorder from the self are all shared. If you are considering buying this book and wondering if you will ever recover from an eating disorder, My Recovery will leave you with the resounding belief that you can, direct from the hearts, minds and experiences of those who once wondered the same thing. An inspirational and hopeful book, My Recovery is also relevant for carers, loved ones and eating disorder professionals. Proceeds of this book are being donated to The Butterfly Foundation to support those whose lives have been touched by eating disorders.

Addiction is seemingly inexplicable. From the outside, it can look like wilful, arrogant self-destruction; from the inside, it can feel as inevitable and insistent as a heartbeat. It is possible to describe, but hard to explore. Yet in The Recovering, Leslie Jamison draws on her own life and the lives of addicts of extraordinary talent - John Cheever, John Berryman, Jean Rhys and Amy Winehouse among them - to take us inside the experience of addiction, exposing the contours, edges and wholes of an intoxicated life. Part memoir, part group biography, part literary history and part definitive analysis of cultural and social considerations of addiction, The Recovering is a significant moment in the history of post-war narrative non-fiction.

Modernity has radically challenged the assumptions that guide our ordinary lives as persons, in ways we are not normally aware. We live our concrete lives taking for granted that personal decisions, desires, relationships, actions, aspirations, values, and knowledge are central to our existence. But in modernity, we think of these matters as private, idiosyncratic, and subjective, even irrational. This modern conception of ourselves and the associated way of reflection known as modern critical thinking came to dominate our thinking is culminates in the dualistic philosophy of René Descartes. This dualism has spawned a reductionist view of persons and tainted “the personal” with connotations of bias, partiality, and privacy, leaving us with the presumption that if we seek to be objective and intellectually respectable, we must expunge the personal. William H. Poteat’s work in philosophical anthropology has confronted this concern head on. He undertakes a radical critique of the various forms of mind-body dualism and materialist monism that have dominated Western intellectual concepts of the person. In a unique style that Poteat calls post-critical, he uncovers the staggering incoherencies of these dualisms and shows how they have resulted in a loss of the personal in the modern age. He also formulates a way out of this modern cultural insanity. This constructive dimension of his thought is centered on his signature concept of the mindbody, the pre-reflective ground of personal existence. The twelve contributors in this collection explore outgrowths and implications of Poteat’s thought. Recovering the Personal will be of interest to a broad range of intellectual readers with interests in philosophy, psychology, theology, and the humanities.

Recovering the Self: A Journal of Hope and Healing (Vol. II, No. 3) July 2010 This issue explores the themes of recovery and healingthrough poetry, memoir, opinion, essays, fiction, humor, art, media reviews and education. Contributorsto RTS Journal come from around theglobe to deliver unique perspectives you won'tfind anywhere else!The theme of Volume II, Number 3 is Addictionand Recovery. Inside, we explore this and severalother area of concern including: DietHealthFitnessDisaster RecoveryAbuse SurvivorsRelationshipsGrievingJournaling ...and much more! This issue's contributors include: Morgan Phillips, Barbara Sinor, Christy Lowry, Margaret Placentra Johnston, Telaina Eriksen, David J. Roberts, Karen Sherman, Robin Lathangue, Patricia Wellingham-Jones, Sherry Jones Mayo, Alana Richardson, Sweta Srivastava Vikram, Jim Kelly, Tyler R. Tichelaar, Jo Ann Magill, Holli Kenley, Sam Vaknin, Robert Rugel, and George W. Doherty. Acclaim for "Recovering The Self" "Editor Ernest Dempsey does an admirable job of pulling this material together in a pleasing shape. Each piece offers a revelation, insight, or lesson for the reader to take away. The writing throughout is excellent." --Janet Riehl, author "Sightlines: A Poet's Diary" "I highly recommend a subscription to this journal, "Recovering the Self, " for professionals who are in the counseling profession or who deal with crisis situations. Readers involved with the healing process will also really enjoy this journal and feel inspired to continue on. The topics covered in the first journal alone, will motivate you to continue reading books on the subject matter presented. Guaranteed." --Paige Lovitt for Reader Views Visit us online at www.RecoveringSelf.com Published by Loving Healing Press www.LovingHealing.com Periodicals: Literary - Journal Self-Help: Personal Growth - Happiness

Depression steals joy and brings pain. After serving for more than thirty years as a parish minister, the author was hospitalized for major depression and experienced the powers of this disease to destroy all that makes life good. In the years since, he has learned it is possible to recover the joy that depression had stolen. Always with honesty, often with humor, he shares the lessons he learned on his recovery journey back from being hospitalized to practicing his profession. He offers these lessons as "Forty-Nine Helps," each a short chapter focused on a specific aid to recovery, each speaking the truth to depression's lies.

This research-based book foregrounds Black narrative traditions and honors alternative methods of data collection, analysis, and representation. Toliver presents a semi-fictionalized narrative in an alternative science fiction setting, refusing white-centric qualitative methods and honoring the ways of the griots who were the scholars of their African nations. By utilizing Black storytelling, Afrofuturism, and womanism as an onto-epistemological tool, this book asks readers to elevate Black imaginations, uplift Black dreams, and consider how Afrofuturity is qualitative futurity. By centering Black girls, the book considers the ethical responsibility of researchers to focus upon the words of our participants, not only as a means to better understand our historic and current world, but to better situate inquiry for what the future world and future research could look like. Ultimately, this book decenters traditional, white-centered qualitative methods and utilizes Afrofuturism as an onto-epistemological tool and ethical premise. It asks researchers to consider how we move forward in data collection, data analysis, and data representation by centering how Black girls reclaim and recover the past, counter negative and elevate positive realities that exist in the present, and create new possibilities for the future. The semi-fictionalized narrative of the book highlights the intricate methodological and theoretical work that undergirds the story. It will be an important text for both new and seasoned researchers interested in social justice. Informed and anti-racist researchers will find Endarkened storywork a useful tool for educational, cultural, and social critiques now and in the future.