Jeanette Garland, missing Castleford, July 1969. Susan Ridyard, missing Rochdale, March 1972. Claire Kemplay, missing Morley, since yesterday. Christmas bombs and Lord Lucan on the run, Leeds United and the Bay City Rollers, The Exorcist and It Ain't Half Hot Mum. It's winter, 1974, Yorkshire, and Eddie Dunford's got the job he wanted - crime correspondent for the Yorkshire Evening Post. He didn't know it was going to be a season in hell. A dead little girl with a swan's wings stitched into her back. In Nineteen Seventy Four, David Peace brings the passion and stylistic bravado of an Ellroy novel to this terrifyingly intense journey into a secret history of sexual obsession and greed, and starts a highly acclaimed crime series that has redefined how the genre is approached.

If you thought fiction couldn't get darker than David Peace's extraordinary debut, Nineteen Seventy Four, then think again. Nineteen Seventy Seven, the second instalment of the Red Riding Quartet, is one long nightmare. Its heroes - the half decent copper Bob Fraser and the burnt-out hack Jack Whitehead - would be considered villains in most people's books. Fraser and Whitehead have one thing in common though, they're both desperate men dangerously in love with Chapeltown prostitutes. And as the summer moves remorselessly towards the bonfires of Jubilee Night, the killings accelerate and it seems as if Fraser and Whitehead are the only men who suspect or care that there may be more than one killer at large. Out of the horror of true crime, David Peace has fashioned a work of terrible beauty. Like James Ellroy before him, David Peace tells us the true and fearsome secret history of our times.

Nineteen Eighty Three's three intertwining storylines see the Quartet's central themes of corruption and the perversion of justice come to a head as BJ, the rent boy from Nineteen Seventy Four, the lawyer Big John Piggott - who's as near as you get to a hero in Peace's world - and Maurice Jobson, the senior cop whose career of corruption and brutality has set all this in motion, find themselves on a collision course that can only end in a terrible vengeance. Nineteen Eighty Three is an epic tale which concluded an extraordinary body of work confirming Peace as the most innovative and remarkable new British crime writer to have emerged for years.

Red Riding Nineteen Eighty is set against an evolving backdrop of power, corruption and lies. The nightmare continues during the winter of 1980 when the Ripper murders his thirteenth victim and the whole of Yorkshire is terrorised. Assistant Chief Constable Hunter struggles to solve the hellish crimes and bring an end to the horror, but is drawn ever deeper into a world of bent coppers and sleaze. After his house is burned down, his wife is threatened and his colleagues turn against him, Hunter's quest becomes personal as he has nothing left to lose. Nineteen Eighty is a compelling battle between two desperate men, each determined to destroy the other. This third volume of the Red Riding Quartet displays Peace's unique voice which places him as one of the UK's finest crime writers.

The first installment of David Peace's electrifying Red Riding Quartet vividly brings to life a gritty, dangerous working class city tormented by a series of brutal murders. Nineteen Seventy-Four follows Eddie Dunford, the newly minted crime correspondent for the Yorkshire Post. His first story is about Clare Kemplay, a young girl recently found brutally murdered. While the police department and other crime reporters at the newspaper believe it's an isolated incident, Eddie finds a pattern between Clare's disappearance and those of other girls from a few years earlier. Despite his better judgment, and against the advice of others, he starts to dig deep. What he finds is a nightmare of corruption, violence, blackmail, and obsession that ultimately leads to a shocking, explosive conclusion.

Analysing David Peace provides an exciting, challenging and accessible critical introduction to the work of contemporary British novelist David Peace. Through a detailed analysis of his writings, as well as the socio-cultural contexts of their production and dissemination, the collection explores Peace’s attempts to capture the sensibilities of late twentieth century society and contributes to an ongoing debate in the media about his representations. Peace is an emerging author who is widely read and taught and whose novels are increasingly celebrated. In the past decade Peace has won the James Tait Black Memorial Award and was named as one of Granta’s Best of Young British Novelists. The four novels of his Red Riding Quartet interrogate British society of the 1970s/80s through the prism of the hunt for the serial killer dubbed the Yorkshire Ripper. GB84 examines the machinations of the 1984–5 UK miners’ strike, while The Damned United explores relationships between masculinity and football through the doomed reign of manager Brian Clough at British football club Leeds United in 1974. In the Tokyo Trilogy, Peace develops an interest in occupation and the occult, interrogating Japan’s post-war legacy of defeat and its resonance to our contemporary world. This collection offers an essential guide to the work of David Peace, as well as a unique insight into his canon to date.

From climate change, debt, and refugee crises to energy security, environmental disasters, and terrorism, the events that lead nightly newscasts and drive public policy demand a global perspective. In the twentieth century the world sought solutions through formal institutions of international governance such as the United Nations, the International Criminal Court, and the World Bank, but present-day responses to global realities are often more provisional, improvisational, and contingent. Tracing this uneven history in order to identify principal actors, contesting ideologies, and competing rhetoric, Negative Cosmopolitanism challenges the Kantian ideal of cosmopolitanism as the precondition for a perpetual global peace. Uniting literary scholars with researchers working on contemporary problems and those studying related issues of the past – including slavery, industrial capitalism, and corporate imperialism – essays in this volume scrutinize the entanglement of cosmopolitanism within expanding networks of trade and global capital from the eighteenth century to the present. By doing so, the contributors pinpoint the ways in which whole populations have been unwillingly caught up in a capitalist reality that has little in common with the earlier ideals of cosmopolitanism. A model for provoking new and necessary questions about neoliberalism, biopolitics, colonialism, citizenship, and xenophobia, Negative Cosmopolitanism establishes a fresh take on the representation of globalization and modern life in history and literature. Contributors Include Timothy Brennan (University of Minnesota), Juliane Collard (University of British Columbia), Mike Dillon (California State University, Fullerton), Sneja Gunew (University of British Columbia), Dina Gusejnova (University of Sheffield), Heather Latimer (University of British Columbia), Pamela McCallum (University of Calgary), Geordie Miller (Dalhousie University), Dennis Mischke (Universität Stuttgart), Peter Nyers (McMaster University), Liam O’Loughlin (Pacific Lutheran University), Crystal Parikh (New York University), Mark Simpson (University of Alberta), Melissa Stephens (Vancouver Island University), and Paul Ugor (Illinois State University).

Fear: Aspects of an emotion examines the effect of fear on the human experience and the ways in which its manifestation has shaped the creative and social imagination. Contents include: Frank Furedi (U Kent), Our culture of fear --- Ian Haywood (Roehampton University), The Irish rebellion of 1798 and tropes of violence --- E. McCarthy (TCD), AmericanÃ?Â?Ã?Â?ad culture and war propaganda --- John-Paul Colgan (TCD), The politics of fear and ethics of representing 9/11 --- Bill DurodiÃ?Â?Ã?Â] (Cranfield U), Lessons from the Blitz and other disasters --- Darryl Jones (TCD), The fiction of the American neo-Nazi movement --- Amanda Piesse (TCD), Childhood fears and children's literature --- Gary O'Reilly (UCD), Anxiety disorders in childhood and the therapeutic use of stories --- Sir Christoper Frayling (Royal College of Art), 'TheÃ?Â?Ã?Â?Nightmare': Fuseli to Frankenstein and beyond --- K. Hebblethwaite (TCD), Debunking the legend of Leap --- Bernice Murphy (TCD), Why horror films aren't scary anymore