This collection of essays by the author of Lady Chatterley’s Loverpresents his musings on literature, politics and philosophy in a newly restored text. Though D. H. Lawrence was one of the great writers of the twentieth century, his works were severely corrupted by the stringent house-styling of printers and the intrusive editing of timid publishers. A team of scholars at Cambridge University Press has worked for more than thirty years to restore the definitive texts of D. H. Lawrence in The Cambridge Editions. Between 1915–1925, D. H. Lawrence wrote a series of “philosophicalish” essays covering topics ranging from politics to nature, and from religion to education. Varying in tone from lighthearted humor to spiritual meditation, they all share the underlying themes of Lawrence’s mature work: “Be thyself.” As far as possible, the editors of the Cambridge Editions series have restored these essays to their original form as Lawrence wrote them. A discussion of the history of each essay is provided, and several incomplete and unpublished essays are reproduced in an appendix.

Christians are often tempted to encapsulate God in their own little boxes, as if God could be tied down to our finite way of thinking. But we can neither domesticate nor fully understand God, for theology has a lot to do with coming to terms with the mystery of God. This revised edition of Dancing in the Dark--shaped, as in the first edition, by the two overarching themes of God as Trinity and a theology of participation--embraces the notion of mystery in presenting a compelling vision of seeing all things finally united within the inner life of God. As we engage in Christian ministry, we are summoned to participate as grace-filled faith communities in the triune God's immeasurably loving and healing work in the world, leading those who are in darkness into an awareness of the God who imparts life in all its glorious abundance, that which is so . . . and a journey into the mystery of that which is to come. The liberating ministry of the gospel is both a declaration and an invitation--an invitation to the dance!

Many people in Christian ministry are tired of simplistic certainties; what they need is permission to live with uncertainty, with mystery, ambiguity, and paradox. Because we live in a world that is far removed from the modernist version of reality,with its rational, clinical, and superficial presentation of life, we need the courage and wisdom to embrace the presence of uncertainties in the midst of certainty. In this book, the author offers snapshots of a number of central Christian topics-God, the gospel, the church, salvation, ministry-inviting us to treat them as features of a landscape to explore rather than a set of propositional statements to sign up to. Each chapter-short enough to provoke interest and curiosity-will be a catalyst for deeper reflection and enquiry, inviting us to discover a new freedom in ministry as we embrace a more generous both-and perspective in place of a more narrow either-or interpretation of the Christian faith. In the process, we may find ourselves rediscovering the Life we have lost in living as we imaginatively participate in the life, ministry, and mystery of the triune God of grace in our midst.

Modernist Mythopoeia argues that the experimental modernist form of mythopoeia was directed towards expressing a range of metaphysical perspectives that fall between material secularism and dogmatic religion. The book is a timely addition to the 'post-secular' debate as well as to the 'return of religion' in modernist studies.

This volume offers a comprehensive account of modern literary criticism, presenting the field as part of an ongoing historical and intellectual tradition. Featuring thirty-nine specially commissioned chapters from an international team of esteemed contributors, it fills a large gap in the market by combining the accessibility of single-authored selections with a wide range of critical perspectives. The volume is divided into four parts. Part One covers the key philosophical and aesthetic origins of literary theory, while Part Two discusses the foundational movements and thinkers in the first half of the twentieth century. Part Three offers introductory overviews of the most important movements and thinkers in modern literary theory, and Part Four looks at emergent trends and future directions.