Reimagining Dinosaurs argues that transatlantic popular literature was critical for transforming the dinosaur into a cultural icon between 1880 and 1920

“Vivid with a Mesozoic bestiary” (Tom Holland), this on-the-ground, page-turning narrative weaves together the chance discovery of dinosaurs and the rise of the secular age. When the twelve-year-old daughter of a British carpenter pulled some strange-looking bones from the country’s southern shoreline in 1811, few people dared to question that the Bible told the accurate history of the world. But Mary Anning had in fact discovered the “first” ichthyosaur, and over the next seventy-five years—as the science of paleontology developed, as Charles Darwin posited radical new theories of evolutionary biology, and as scholars began to identify the internal inconsistencies of the Scriptures—everything changed. Beginning with the archbishop who dated the creation of the world to 6 p.m. on October 22, 4004 BC, and told through the lives of the nineteenth-century men and women who found and argued about these seemingly impossible, history-rewriting fossils, Impossible Monsters reveals the central role of dinosaurs and their discovery in toppling traditional religious authority, and in changing perceptions about the Bible, history, and mankind’s place in the world.

Sarah Green shows how late Victorian Decadent literature paradoxically treats sexual restraint as healthy and aesthetically productive.

Decadent Ecology illuminates the networks of nature, paganism, and desire in 19th- and early 20th-century decadent literature and art. Combining the environmental humanities with aesthetic, queer and literary theory, this study reveals the interplay of art, eco-paganism and science during the formation of modern ecological and evolutionary thought.

Centring on Darwin and on literature throughout the nineteenth century, this book documents a general crisis in the species concept.

A vivid account of the alternative, emancipatory Germany that progressive British women writers discovered and wrote about, 1833-1910.

In the long nineteenth century, scientists discovered striking similarities between how birds learn to sing and how children learn to speak. Tracing the 'science of birdsong' as it developed from the 'ingenious' experiments of Daines Barrington to the evolutionary arguments of Charles Darwin, Francesca Mackenney reveals a legacy of thought which informs, and consequently affords fresh insights into, a canonical group of poems about birdsong in the Romantic and Victorian periods. With a particular focus on the writings of Samuel Taylor Coleridge, the Wordsworth siblings, John Clare and Thomas Hardy, her book explores how poets responded to an analogy which challenged definitions of language and therefore of what it means to be human. Drawing together responses to birdsong in science, music and poetry, her distinctive interdisciplinary approach challenges many of the long-standing cultural assumptions which have shaped (and continue to shape) how we respond to other creatures in the Anthropocene.

Lauren Gillingham reveals how a modern notion of fashion helped to transform the novel in nineteenth-century Britain.

Uncovering a wealth of archival information, Eavan O'Dochartaigh gives fresh and surprising insight into the Victorian image of the Arctic.

A rich history of the nineteenth-century novel as it was re-imagined for everyday readers by extraordinary twentieth-century illustrators.