The plays of Shakespeare and his contemporaries has inspired interpretations in every genre and medium. This book offers perspectives on the ways in which practitioners have used Renaissance drama to address contemporary concerns and reach new audiences. It provides a resource for those interested in the creative reception of Renaissance drama.

The fourteen essays presented in this volume contribute substantially to the study of the reinvention of the Middle Ages and the Renaissance. They take an historicized approach to constructions of the past, and most address the relatively new field of Medievalism. All of them focus on how and why the present of any period uses the past to promote its own opinions, beliefs, doctrines or views. In particular, the volume demonstrates that reinventions of past eras or figures can be motivated by a nationalistic desire to create cultural 'roots', to discover origins that justify a regime or group's self-identity, to appropriate a cultural icon or neglected author for a particular political agenda, or to reflect on contemporary social issues via a remote time and place. Reworkings or adaptations of earlier culture often tell us more about the age in which they were produced than the one revived or revisited. This volume features five essays that treat medieval subjects; four focus on Tudor and Stuart figures, religion or politics; and five concentrate on nineteenth-century uses of medieval or early modern events, literary conventions, settings and themes.

This revised edition of Carolyn Merchant’s classic Reinventing Eden has been updated with a new foreword and afterword. Visionary quests to return to the Garden of Eden have shaped Western Culture. This book traces the idea of rebuilding the primeval garden from its origins to its latest incarnations and offers a bold new way to think about the earth.

The name of Hippocrates has been invoked as an inspiration of medicine since antiquity, and medical practitioners have turned to Hippocrates for ethical and social standards. While most modern commentators accept that medicine has sometimes fallen short of Hippocratic ideals, these ideals are usually portrayed as having a timeless appeal, departure from which is viewed as an aberration that only a return to Hippocratic values will correct. Recent historical work has begun to question such an image of Hippocrates and his medicine. Instead of examining Hippocratic ideals and values as an unchanging legacy passed to us from antiquity, historians have increasingly come to explore the many different ways in which Hippocrates and his medicine have been constructed and reconstructed over time. Thus scholars have tended to abandon attempts to extract a real Hippocrates from the mass of conflicting opinions about him. Rather, they tend to ask why he was portrayed in particular ways, by particular groups, at particular times. This volume explores the multiple uses, constructions, and meanings of Hippocrates and Hippocratic medicine since the Renaissance, and elucidates the cultural and social circumstances that shaped their development. Recent research has suggested that whilst the process of constructing and reconstructing Hippocrates began during antiquity, it was during the sixteenth century that the modern picture emerged. Many scholastic endeavours today, it is claimed, are attempts to answer Hippocratic questions first posed in the sixteenth century. This book provides an opportunity to begin to evaluate such claims, and to explore their relevance in areas beyond those of classical scholarship.

A re-evaluation of Marxism as an alternative to pro-capitalist perspectives.

Pascale Aebischer provides the only comprehensive analysis of early modern drama on screen, expanding the scope of Shakespearean performance studies.

Towards a Digital Renaissance traces the excitement and optimism of the early internet, the outsider cyberpunk ethic and open access. But it also monitors the more complex but ultimately more commercialised online world of today, a world dominated by corporate business in which many feel that surveillance has become overwhelming. Jeremy Silver's involvement in various start-ups, both as CEO and investor, led to his leadership of Digital Catapult. Towards a Digital Renaissance examines the interplay between state and private financing in the digital sector. It also argues for the internet's potential to transition from a 'medieval' world of the GAFA big four (Google, Amazon, Facebook and Apple), closed and walled up like medieval city states, to a 'digital renaissance' based on the free exchange of ideas and an enabling metaverse made up of virtual reality and artificial intelligence that deepens our experience of reality rather than restricting or monitoring it.

Focusing on Cardiff, the capital city of Wales in the UK, this book reflects on a contemporary small European city – its development, characteristics, and present struggles. Following a century in which it was dubbed the world’s ‘coaltropolis’, the decline in demand for coal meant that Cardiff endured an acute process of de-industrialisation. In seeking to address this and the related high levels of unemployment, it has experienced a process of cultural and social reinvention since the 1980s, and more significantly after Wales turned into a devolved nation in the late 1990s. Cardiff’s development from a small port into a capital city is examined and special attention is paid to the city’s cultural and social transformation in recent decades that has relied on the expansion of specific cultural clusters and tourism, which have been decisive for the transformation of its cultural identity and in shaping the city’s individual and collective memories and identities. Cardiff epitomises a quintessential case of urban reinvention, cultural regeneration, and social transformation, lying between two apparently contradictory paradigms: the need to respond to global demands and the effort to maintain its cultural distinctiveness and Welsh roots. Therefore, it sets the scene for a wider reflection on small cities, especially in the European setting, and what generally characterises these cities: their liveability, cultural creativity and community empowerment, as well as the fact that they facilitate mobility and social interaction. These worldly cities, the book contends, present interesting opportunities and challenges at the urban, economic, social and cultural levels that rely on more human-scale, people-based approaches to cities, thus defying existing urban hierarchies and categorisations.

"Examining Nixon's autobiographies and political memorabilia, Frick offers far-reaching perceptions not only of the man but of Nixon's version of himself - contrasted with those who would interpret him differently. He cites reinventions of Nixon from the late 1980s, particularly the museum at the Richard Nixon Library and Birthplace, to demonstrate the resilience of certain national mythic narratives in the face of liberal critiques. And he recounts how celebrants at Nixon's state funeral, at which Bob Dole's eulogy depicted a God-fearing American hero, attempted to bury the sources of our divisions over him, rendering in some minds the judgment of "redeemed statesman" to erase his status as "disgraced president."" "With dozens of illustrations - Nixon posing with Elvis (the National Archives' most requested photo), Nixonian cultural artifacts, classic editorial cartoons - no other book collects in one place such varied images of Nixon from so many diverse media. These reinforce Frick's probing analysis to help us understand why we disagree about Nixon - and why it matters how we resolve our disagreements."--BOOK JACKET.

First published in 1997, Reinventing Allegory asks how and why allegory has survived as a literary mode from the late Renaissance to the postmodern present. Three chapters on Romanticism, including one on the painter J. M. W. Turner, present this era as the pivotal moment in allegory's modern survival. Other chapters describe larger historical and philosophical contexts, including classical rhetoric and Spenser, Milton and seventeenth-century rhetoric, Neoclassical distrust of allegory, and recent theory and metafiction. By using a series of key historical moments to define the special character of modern allegory, this study offers an important framework for assessing allegory's role in contemporary literary culture.