The way people think and act politically is not set in stone. People can and do change the fundamental cultural contours of their political situation. Their political culture does not only restrict imagination and action - it is also a resource for political creativity and invention. In Reinventing Political Culture, this resource is uncovered and explored. Analyzed as a tension between the power of culture and the culture of power, the concept of political culture is reinvented and applied to understanding the practice of people transforming their own political culture in very different circumstances. Three instances of such reinvention are closely examined: one historic, during the twilight of the Soviet empire; one actively in process and actively opposed, ‘the Obama revolution'; and one an apparent distant dream, the power of culture and the culture of power that would avoid ‘the clash of civilizations' in the Middle East. In accessible and engaging prose, Goldfarb clearly and forcefully presents students and scholars of sociology, comparative politics, and cultural studies with an original position on political culture, showing how the political cultures of our times pose not only grave dangers, but also opportunities for creative alternatives.

From the senior counsel to the 9/11 Commission, a mesmerizing real-time portrayal of that day, why we weren?t told the truth, and why our nation is still at risk. As one of the primary authors of the 9/11 Commission Report, John Farmer is proud of his and his colleagues? work. Yet he came away from the experience convinced that there was a further story to be told, one he was uniquely qualified to write. Now that story can be told. Tape recordings, transcripts, and contemporaneous records that had been classified have since been declassified, and the inspector general?s investigations of government conduct have been completed. Drawing on his knowledge of those sources, as well as his years as an attorney in public and private practice, Farmer reconstructs the truth of what happened on that fateful day and the disastrous circumstances that allowed it: the institutionalized disconnect between what those on the ground knew and what those in power did. He details ?terrifyingly and illuminatingly?the key moments in the years, months, weeks, and days that preceded the attacks, then descends almost in real time through the attacks themselves, portraying them as they have never before been seen. Ultimately, Farmer builds the inescapably convincing case that the official version not only is almost entirely untrue but serves to create a false impression of order and security. The ground truth that Farmer captures suggests a very different scenario?one that is doomed to be repeated unless the systemic failures he reveals are confronted and remedied.

A groundbreaking appreciation of Dylan as a literary practitioner WINNER OF THE ELIZABETH AGEE PRIZE IN AMERICAN LITERATURE The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tradition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition. In lucid prose, Raphael Falco demonstrates the similarity between what Renaissance writers called imitatio and the way Dylan borrows, digests, and transforms traditional songs. Although Dylan’s lyrical postures might suggest a post-Romantic, “avant-garde” consciousness, No One to Meet shows that Dylan’s creative process borrows from and creatively expands the methods used by classical and Renaissance authors. Drawing on numerous examples, including Dylan’s previously unseen manuscript excerpts and archival materials, Raphael Falco illuminates how the ancient process of poetic imitation, handed down from Greco-Roman antiquity, allows us to make sense of Dylan’s musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylan’s songs and allows us to celebrate him as what he truly is: a great writer.

Embarking on an ethnographic journey to the inner barrios of Havana among practitioners of Ifá, a prestigious Afro-Cuban tradition of divination, Truth in Motion reevaluates Western ideas about truth in light of the practices and ideas of a wildly different, and highly respected, model. Acutely focusing on Ifá, Martin Holbraad takes the reader inside consultations, initiations, and lively public debates to show how Ifá practitioners see truth as something to be not so much represented, as transformed. Bringing his findings to bear on the discipline of anthropology itself, he recasts the very idea of truth as a matter not only of epistemological divergence but also of ontological difference—the question of truth, he argues, is not simply about how things may appear differently to people, but also about the different ways of imagining what those things are. By delving so deeply into Ifá practices, Truth in Motion offers cogent new ways of thinking about otherness and how anthropology can navigate it.

Right now, truth is under attack, and much is at stake. Perhaps no one in America is more passionate than John MacArthur about exposing those who are mounting this attack--especially those bringing the assault right into the church. There is no middle ground--no safe zone for the uncommitted in this war. The battle for truth is raging, and this book reveals: The pitfalls of postmodern thinking Why the Emerging Church Movement is inherently flawed Past skirmishes in the Truth War and their effect on the Church The importance of truth and certainty in a postmodern society How to identify and address the errors and false teachings smuggled into churches "[The postmodern age] is the age of no truth, an age that has reached a point of deadly fatigue when it comes to facing the truth?a generation that no longer believes truth can be known. Dr. John MacArthur knows better, and he is armed with the courage to confront this age with a bold defense of truth. . . . His argument is compelling, his defense of truth is brilliant, and his concern for the church is evident on every page. The evangelical church desperately needs this book, and it arrives just in time." --R. Albert Mohler Jr., President, The Southern Baptist Theological Seminary

The Truth About Innovation transforms today's most important innovation research into 50 proven ""truths"". Max Mckeown delivers plain, powerful advice on how to:increase creativity encourage collaboration co-create with customers overcome indifference make ideas into money thrive on change ... and much more. This is the definitive, evidence-based guide to innovations - a set of bedrock principles you can rely on, regardless of your organization, role or title. Drawing on over 15 years of the author's research, consulting, training and writing experience, it can transform the way you manage inno

Organized into seven power principles such as "The Power of Confidence," "The Power of Integrity," and "The Power of Responsibility," readers gain the individual perspectives of the three coauthors as well as their combined wisdom. Throughout their discussion, scripture is the guiding force in helping teens live more positively though the shared views of a mom and her teenaged daughters. Imagine getting the shared views of a mom and her teenaged daughters as they all grow together. That's the unique vantage point the Ladds bring as they explore ways for adolescents to truly add something positive to their spheres of influence. Organized into seven power principles such as "The Power of Confidence," "The Power of Integrity," and "The Power of Responsibility," readers gain the individual perspectives of the three coauthors as well as their combined wisdom. Throughout their discussion, scripture is the guiding force in helping teens live more positively. Parents and teenagers alike will appreciate the real-world discussion of topics such as money and time management, handling peer pressure, survival tips for dating and creating harmony on the home front.

He held no degree and could not claim any special lineage. Modern day sage and teacher Bill Lindley encouraged everyone to go ahead and look for themselves, reinvent the spiritual wheel, and then integrate one's spiritual life into his or her everyday life. Known as Ahimsananda, Bill wrote Truth on the Run the last year of his life after being diagnosed with cancer. When writing these essays Bill demonstrated an urgency and single mindedness never seen in all the forty years he and his life partner were together. A fierce earnestness became his compass on a daily basis, as exemplified by his guru Nisargadatta Maharaj. A rich account of his life experiences as a former Christian monk gone "too independent" easily guides the reader through religious tradition and difficult concepts such as non-duality. This is the enlarged 2nd edition.

In Truth in Public Life, three public servants—a theologian, an economist, and an ethicist—contend for both the existence and moral imperatives of absolute truth. Each argues that society, built on ethical leadership and communal accountability, cannot be sustained without a widespread commitment to objectivity. This commitment begins at the top: policymakers must resist political expediency, judges must believe victims, journalists must embrace complexity, and the public must hold its leaders accountable to consistent, ethical standards. This short book offers a potent reminder that in a world of fake news, state lies, and echo chambers, the truth matters more than ever. For our public institutions to survive, we must define and protect the truth against all comers

What can fiction tell us about the world that journalism and science cannot? This simple yet vast question is the starting-point for an interrogation of the relationship between literary fiction and society's dramatic transformation in South Africa and Argentina over the past several decades. The resulting discursive text borders on both journalism and literature, incorporating reportage, essay, and memoir. (Series: Freiburg Studies in Social Anthropology - Vol. 34)