This volume focuses on the intersection of religion and media in China, bringing interdisciplinary approaches to bear on the role of religion in the lives of individuals and greater shifts within Chinese society in an increasingly media-saturated environment. With case studies focusing on Mainland China (including Tibet), Hong Kong and Taiwan, as well as diasporic Chinese communities outside Asia, contributors consider topics including the historical and ideological roots of media representations of religion, expressions of religious faith online and in social media, state intervention (through both censorship and propaganda), religious institutions’ and communities’ use of various forms of media, and the role of the media in relations between online/offline and local/diaspora communities. Chapters engage with the major religious traditions practiced in contemporary China, namely Buddhism, Daoism, Confucianism, Christianity, Islam, and new religious movements. Religion and the Media in China serves as a critical survey of case studies and suggests theoretical and methodological tools for a thorough and systematic study of religion in modern China. Contributors to the volume include historians of religion, sinologists, sociologists, political scientists, anthropologists, and media and communication scholars. The critical theories that contributors develop around key concepts in religion—such as authority, community, church, ethics, pilgrimage, ritual, text, and practice—contribute to advancing the emerging field of religion and media studies.

How does Christianity continue to experience growth in an increasingly authoritarian political system that enforces strict regulations on religion? How are ordinary Christians affected by social and political changes in the country, and how do they make their influence felt in wider society? Taking Chinese Christians’ experience as a case study, Lim and Sng examine the possibilities and limitations of Christian engagement in society under an authoritarian regime. They look especially at efforts by religious individuals and groups who are seeking to address social issues by engaging in unobtrusive and non-antagonistic activities that interact with controlling state institutions. Their emphasis is on everyday lived religion, analysing how Christians express their faith in their everyday activity and not only in spaces demarcated as falling within the religious domain. This book is a valuable reference for scholars and students looking to understand religion in relation to politics, culture and everyday life in rapidly modernising East Asian societies and particularly in China.

Digital Religion: The Basics explores how digital media and internet platforms are transforming religious practice in a digital age and the impact this has had on religious culture in contemporary society. Through exploring six defining characteristics of how religion is acted out online, including multisite reality, convergence practice, networked community, storied identity, shifting authority, and experiential authenticity, the book considers how digital religion both shapes, and is influenced by, religion offline. Questions asked include: How is religion being performed and reimagined through digital media and cultures? In what ways do the practices of religion online merge or correspond with shifts in perspective taking place in offline religious practice? How do the key findings of religion online reflect broader social, cultural, and structural practices observed within mobile, networked society? With case studies and further readings, Digital Religion: The Basics is a must-read for students wanting to come to grips with how religion is changing and experienced through digital media.

Derived from the renowned multi-volume International Encyclopaedia of Laws, this convenient resource provides systematic information on how China deals with the role religion plays or can play in society, the legal status of religious communities and institutions, and the legal interaction among religion, culture, education, and media. After a general introduction describing the social and historical background, the book goes on to explain the legal framework in which religion is approached. Coverage proceeds from the principle of religious freedom through the rights and contractual obligations of religious communities; international, transnational, and regional law effects; and the legal parameters affecting the influence of religion in politics and public life. Also covered are legal positions on religion in such specific fields as church financing, labour and employment, and matrimonial and family law. A clear and comprehensive overview of relevant legislation and legal doctrine make the book an invaluable reference source and very useful guide. Succinct and practical, this book will prove to be of great value to practitioners in the myriad instances where a law-related religious interest arises in China. Academics and researchers will appreciate its value as a thorough but concise treatment of the legal aspects of diversity and multiculturalism in which religion plays such an important part.

"Illuminates how voice, faith, and hearing become intertwined with technologies of sound reproduction and mobility amid the rapidly transforming religious landscape of China's ethnic borderland. The twentieth-century expansion of Protestantism among the upland peoples in the China-Southeast Asia borderlands has catalyzed a profound sociocultural change in the region. In Faith by Aurality in China's Ethnic Borderland, Ying Diao finds important sonic evidence for this religious revolution in a rapidly transforming northwest Yunnan, presenting a compelling account of China's minority-Christian landscape and highlighting the importance of aurality in the peripheral peoples' response to Christianity and other modernizing projects. Diao documents a range of sounded religious practices by the Lisu, an indigenous yet historically migratory people, to examine how participatory music production, circulation, and consumption become integral to indigenous perception and experience of faith. Weaving together evidence from multisite fieldwork, archival records, and audiovisual media, Diao demonstrates nuanced understanding of people of faith at the margin, one centered on the sensual and material dimensions of religion and on the intertwining of local agency and external hegemonic forces. As the first full-length ethnographic account of China's Christian minorities on a transnational scale to be published in English, this book provides historical and contextual information that enriches anthropological, ethnomusicological, and historical scholarship on global Christianity, ethnicity, media, and mobility while showing how sound can be an ambivalent but fruitful avenue through which ways of faith are constructed and remain fluid in a context where discussions and practices of religion are constrained"--

Scholarly interest in print culture and in the study of religion in modern China has increased in recent years, propelled by maturing approaches to the study of cultural history and by a growing recognition that both were important elements of China's recent past. The influence of China in the contemporary world continues to expand, and with it has come an urgent need to understand the processes by which its modern history was made. Issues of religious freedom and of religion's influence on the public sphere continue to be contentious but important subjects of scholarly work, and the role of print and textual media has not dimmed with the advent of electronic communication. This book, Religious Publishing and Print Culture in Modern China 1800-2012, speaks to these contemporary and historical issues by bringing to light the important and abiding connections between religious development and modern print culture in China. Bringing together these two subjects has a great deal of potential for producing insights that will appeal to scholars working in a range of fields, from media studies to social historians. Each chapter demonstrates how focusing on the role of publishing among religious groups in modern China generates new insights and raises new questions. They examine how religious actors understood the role of printed texts in religion, dealt with issues of translation and exegesis, produced print media that heralded social and ideological changes, and expressed new self-understandings in their published works. They also address the impact of new technologies, such as mechanized movable type and lithographic presses, in the production and meaning of religious texts. Finally, the chapters identify where religious print culture crossed confessional lines, connecting religious traditions through links of shared textual genres, commercial publishing companies, and the contributions of individual editors and authors. This book thus demonstrates how, in embracing modern print media and building upon their longstanding traditional print cultures, Christian, Buddhist, Daoist, and popular religious groups were developed and defined in modern China. While the chapter authors are specialists in religious traditions, they have made use of recent studies into publishing and print culture, and like many of the subjects of their research, are able to make connections across religious boundaries and link together seemingly discrete traditions.

This book provides a sampling of recent field studies of religions in China, along with theoretical reflections by sociologists, anthropologists and religious studies scholars, both inside and outside China, on the revival of the social scientific study of religion in Chinese societies.

This book provides a wide-ranging and in-depth survey of contemporary religious practices in China. It explains how recent economic reforms and concurrent relaxation of religious polices have created fertile ground for the revitalization of a wide range of religious practices and relates this to larger issues of social and cultural continuity and change.

As China strengthens its links with its neighbours through its Belt and Road initiative, there is growing interest in the indigenous peoples of China’s western and southwestern borderlands. This book, based on extensive original research, considers the indigenous peoples of Yunnan province, which is a major gateway between China and the countries of south and south-east Asia. Unlike many books on China’s indigenous peoples which are written by foreigners who have lived for a while in China, this book is comprised of the work of Chinese scholars, many of them members of ethnic minorities themselves, and considers the issues from a Chinese perspective.

Paul R. Katz has composed a fascinating account of the fate of Chinese religions during the modern era by assessing mutations of communal religious life, innovative forms of religious publishing, and the religious practices of modern Chinese elites traditionally considered models of secular modernity. The author offers a rare look at the monumental changes that have affected modern Chinese religions, from the first all-out assault on them during the 1898 reforms to the eve of the Communist takeover of the mainland. Tracing the ways in which the vast religious resources (texts, expertise, symbolic capital, material wealth, etc.) that circulated throughout Chinese society during the late imperial period were reconfigured during this later era, Katz sheds new light on modern Chinese religious life and the understudied nexus between religion and modern political culture. Religion in China and Its Modern Fate will appeal to a broad audience of religionists and historians of modern China.