Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Regensburg (Institut für Anglistik und Amerikanistik ), course: Hauptseminar: James Joyce, 4 entries in the bibliography, language: English, abstract: The concept of transcendence is generally defined as the antonym of the notion of immanence. The material entities that are tangible and perceivable by the human senses are considered to form part of immanence, whereas transcendence is attributed to the divine and celestial spheres that elude the possibility to be grasped and handled in a way material objects can be dealt with. Owing to the fact that the two concepts of immanence and transcendence are considered to be poles apart, it is uncertain whether they are compatible with each other despite their antonymity. If the yawing gap between them should be reconcilable, this act of linking can only take place by means of a bridging relation of the complementary. An analogy to this would be the complementary relationship between allopathic and homeopathic remedies: allopathic pills are composed of chemical substances whose existence can easily be verified in a laboratory, whereas homeopathic tablets do not contain the physical substance of the respective herbs, metals or even venoms, but on the contrary the respective energetic correlate of them that eludes scientific methods of verification. Accepting the possibility of being cured by homeopathy is tantamount to embracing the existence of transcendence. By means of this comparison I seek to highlight that there must be mutual intermingling between the seemingly disparate antonyms of immanence and transcendence, owing to the fact that transcendence needs a material vehicle as a solid fundament in order to function and in order to be perceived by human beings.

Organized by heretical movements and texts from the Gnostic Gospels to The Book of Mormon, this book uses the work of James Joyce – particularly Ulysses and Finnegan's Wake – as a prism to explore how the history of Christian heresy remains part of how we read, write, and think about books today. Erickson argues that the study of classical, medieval, and modern debates over heresy and orthodoxy provide new ways of understanding modernist literature and literary theory. Using Joyce's works as a springboard to explore different perspectives and intersections of 20th century literature and the modern literary and religious imagination, this book gives us new insights into how our modern and “secular” reading practices unintentionally reflect how we understand our religious histories.

The Collected Critical Heritage II comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995. The Critical Heritage series gathers together a large body of critical figures in literature. These carefully selected sources include: * comtemporary reviews from both popular and literary media. In these students can read about how Lady Chatterly's Lover shocked contemporary reviewers or what Ibsen's Doll's House meant to the early women's movement. * little-known documentary material, such as diaries and correspondence - often between authors and their publishers and critics. * landmark essays in the history of criticism. * significant pieces of criticism from later periods to demonstrate how an author's reputation changed over time.

Presenting new opportunities in the dialogue between philosophy and theology, this interdisciplinary text addresses the contemporary reshaping of intellectual boundaries. Exploring human experience in a ’post-Christian’ era, the distinguished contributors bring to bear what have been traditionally seen as theological resources while drawing on contemporary developments in philosophy, both ’continental’ and ’analytic’. Set in the context of two complementary narratives - one philosophical concerning secularity, the other theological about the question of God - the authors point to ways of reconfiguring both traditional reason / faith oppositions and those between interpretation / text and language / experience. Contributors: David Brown, Philip Clayton, Chris Firestone, Grace Jantzen, Nicholas Lash, George Pattison, Dan Stiver, Charles Taylor, Kevin Vanhoozer, Graham Ward, Martin Warner.

Using John Bowlby's Attachment Theory as a frame of reference, Attachment and Loss in the Works of James Joyce critically analyzes James Joyce's representation of grief. Based on cognitive, emotional and behavioral elements, Attachment Theory allows for new and innovative readings to emerge which differ from those offered by Freudian, Lacanian, and Jungian paradigms. Acknowledging the importance of the Theory of Mind and Reader Response, this book uses the concept of internal working models to elucidate how the childhood experiences with which Joyce has endowed his protagonists ultimately leads to how they respond to loss. The texts of Dubliners, Portrait of the Artist and Ulysses, show how central separation and loss were to Joyce’s work. It provides examples of such experiences in different age groups, under differing circumstances and at different stages in the grief process. Attachment Theory highlights the complexity of human relationships throughout the life cycle, not only how they can affect the grief process but how grief affects them.

This set comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

New Perspectives on James Joyce Ignatius Loyola, make haste to help me! gathers a selection of papers delivered at the 20th Conference of the James Joyce Spanish Society. The book includes studies on relevant issues still raised by Joyce’s work, such as Joyce’s handling of time and memory, Joyce and the Jesuits, Joyce and literary connections, Joyce in translation, new eco-critical readings of Joyce’s work, Joyce in the light of textual linguistics or how to render Joyce more accessible.

"History is a nightmare from which I am trying to awake." Stephen Dedalus's famous complaint articulates a characteristic modern attitude toward the perceived burden of the past. As Robert Spoo shows in this study, Joyce's creative achievement, from the time of his sojourn in Rome in 1906-07 to the completion of Ulysses in 1922, cannot be understood apart from the ferment of historical thought that dominated the nineteenth and early twentieth centuries. Tracing James Joyce's historiographic art to its formative contexts, Spoo reveals a modernist author passionately engaged with the problem of history, forging a new language that both dramatizes and redefines that problem.

This set comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

Wittgenstein and Modernism is the first collection to address the rich, vexed, and often contradictory relationship between modernism, the 20th century s predominant cultural and artistic movement, and Wittgenstein, the most preeminent and enduring philosopher of the period. Although Wittgenstein famously declared that philosophy ought really to be written only as a form of poetry, we have yet to fully consider how Wittgenstein s philosophy relates to the poetic, literary, and artistic production that exemplifies the modernist era in which he lived and worked. Featuring contributions from scholars of philosophy and literature, the contributors put Wittgenstein s writing in dialogue with work by poets and novelists (James, Woolf, Kafka, Musil, Rilke, Hofmannsthal, Beckett, Bellow and Robinson) as well as philosophers and theorists (Karl Kraus, John Stuart Mill, Walter Benjamin, Michael Fried, Stanley Cavell). The volume illuminates two important aspects of Wittgenstein s work related to modernism and postmodernism: form and medium. Each of Wittgenstein s two major works not only advanced a revolutionary conception of philosophy, but also developed a revolutionary philosophical form to engage his readers in a mode of philosophical practice. As a whole this volume comprises an overarching argument about the importance of Wittgenstein for understanding modernism, and the importance of modernism for understanding Wittgenstein."