Offering a wide range of scholarly perspectives, Religions in Shakespeare’s Writings explores Shakespeare’s depictions, throughout his canon, of various religions and matters related to them. This collection’s fifteen essays explore matters pertaining to Catholic, Anglican, and Puritan Christianity, the Albigensian heresy of the high middle ages, Islam, Judaism, Roman religion, different manifestations of religious paganism, and even the “religion of Shakespeare” practiced by Shakespeare’s nineteenth-century admirers. These essays analyze how Shakespeare depicts both tensions between religions and the syntheses of different religious expressions on topics as diverse as Shakespeare’s varied portrayals of the afterlife, religious experience in Measure for Measure, and Black natural law and The Tempest. This collection also explores the political ramifications of religion within Shakespeare’s works, as well as Shakespeare’s multifaceted uses of the Bible. Additionally, while this collection does not present a Shakespeare whose particular religious beliefs can definitely be known or are displayed uniformly throughout his canon, various essays consider to what extent Shakespeare’s individual works demonstrate a Christian foundation. Contributors include John D. Cox, Cyndia Susan Clegg, Grace Tiffany, Matthew J. Smith, Bethany C. Besteman, Sarah Skwire, Feisal Mohamed, Benedict J. Whalen, Benjamin Lockerd, Bryan Adams Hampton, Debra Johanyak, John E. Curran, Emily E. Stelzer, David V. Urban, and Julia Reinhard Lupton.

Offering a wide range of scholarly perspectives, Religions in Shakespeare's Writings explores Shakespeare's depictions, throughout his canon, of various religions and matters related to them. This collection's fifteen essays explore matters pertaining to Catholic, Anglican, and Puritan Christianity, the Albigensian heresy of the high middle ages, Islam, Judaism, Roman religion, different manifestations of religious paganism, and even the “religion of Shakespeare” practiced by Shakespeare's nineteenth-century admirers. These essays analyze how Shakespeare depicts both tensions between religions and the syntheses of different religious expressions on topics as diverse as Shakespeare's varied portrayals of the afterlife, religious experience in Measure for Measure, and Black natural law and The Tempest. This collection also explores the political ramifications of religion within Shakespeare's works, as well as Shakespeare's multifaceted uses of the Bible. Additionally, while this collection does not present a Shakespeare whose particular religious beliefs can definitely be known or are displayed uniformly throughout his canon, various essays consider to what extent Shakespeare's individual works demonstrate a Christian foundation. Contributors include John D. Cox, Cyndia Susan Clegg, Grace Tiffany, Matthew J. Smith, Bethany C. Besteman, Sarah Skwire, Feisal Mohamed, Benedict J. Whalen, Benjamin Lockerd, Bryan Adams Hampton, Debra Johanyak, John E. Curran, Emily E. Stelzer, David V. Urban, and Julia Reinhard Lupton.

"What Was the Religion of Shakespeare?" by M. M. Mangasarian. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

This volume freshly illuminates the diversity of early modern religious beliefs, practices and issues, and their representation in Shakespeare's plays.

A Will to Believe is a revised version of Kastan's 2008 Oxford Wells Shakespeare Lectures, providing a provocative account of the ways in which religion animates Shakespeare's plays.

This balanced and innovative collection explores the relationship of Shakespeare's plays to the changing face of early modern religion, considering the connections between Shakespeare's theatre and the religious past, the religious identities of the present and the deep cultural changes that would shape the future of religion in the modern world.

Shakespeare's plays were the product of his culture and reflect the daily life of Elizabethans. This book examines the religious background of his works and helps students use his plays to understand religion in Elizabethan England. The initial chapters survey the role of religion in Shakespeare's world. The volume then looks at religion in his plays and how productions from different periods have addressed the religious issues of his drama. A chapter then overviews criticism on Shakespeare and religion, while a selection of primary documents illuminates his religious milieu. Students often find the Elizabethan world fascinating yet challenging. The same can be said of Shakespeare's plays, which reflect the daily life and concerns of Elizabethan England and grew out of his milieu. Written for students, this book illuminates the religious life of Elizabethan England, promotes a greater understanding of Shakespeare's plays, and uses Shakespeare's works to examine Early Modern religious culture. The volume begins with a quick overview of the origins of Elizabethan religious traditions, followed by a more detailed consideration of the chief religious beliefs and concerns of Shakespeare's world. It then discusses the role of religion in Shakespeare's plays. This is followed by a look at how various productions have interpreted his religious concerns. A review of criticism on Shakespeare and religion follows, along with a selection of primary documents related to religion in his world. A glossary defines key terms and concepts, and a bibliography cites print and electronic resources for further study. Literature students will welcome this book as a guide to Shakespeare's plays, while history students will value it for using his plays to examine religion in the Early Modern era.

Explores Shakespeare's engagement with the religious culture of his time. Through readings of a number of plays - "Romeo and Juliet", "King John", "1 Henry IV", "Henry V", and "Measure for Measure", this work explains allusions to the Bible, the Church's liturgy, and to the mystery plays performed in England in Shakespeare's boyhood.