Makers of the Modern World is the third volume of William Gurstelle's unique, hands-on journey through history. Each chapter examines a remarkable character from the past, one of the people whose insights and inventions helped create our modern world. What sets this series apart from other history books - including other histories of technology - is that each chapter also includes step-by-step instructions for making your own version of the historical invention. History comes to life in a way you have never experienced before when you follow the inventors' steps and recreate the groundbreaking devices of the past with your own hands. This volume brings you to the early modern era and the invention of the electric light, the movie projector, and the automobile. Inside, you will discover: Alessandro Volta and Electroplating Humphrey Davy and the First Electric light George Cayley and the Aeronautical Glider The Lumiere Brothers and the Movie Projector Rudolf Diesel and the Automobile Engine Hans Goldschmidt and the Thermite Reaction August Mobius and the Mobius Strip Louis Poinsot's Loads, Moments, and Torques Be sure to also check out ReMaking History, Volume 1: Early Makers and ReMaking History Volume 2 :Industrial Revolutionaries.

Industrial Revolutionaries is the second volume in William Gurstelle's unique exploration of history's great inventors. Each chapter revisits the life and times of one of the forward-thinking revolutionaries who helped create the world we live in. You will not only learn about their great inventions, you'll also get step-by-step instructions for recreating them yourself. History will come to life as you have never experienced it before when you build it with your own hands. Inside this volume, you will discover: Joseph McKibben and the Air Muscle Squire Whipple and the Iron Bridge Abe Lincoln and the Campaign Torch Samuel Morse and the Telegraph J.F. Daniell and the Storage Battery Ben Franklin and the Leyden Jar Charles Goodyear and the Vulcanization of Rubber Be sure to also check out ReMaking History, Volume 1: Early Makers and ReMaking History, Volume 3: Makers of the Modern World.

William Gurstelle begins his remarkable journey through history with this volume, Early Makers. Each chapter examines a remarkable individual or group of people from the past whose insights and inventions helped create the world we live in. What sets this series apart from other history books - including other histories of technology - is that each chapter also includes step-by-step instructions for making your own version of the historical invention. History comes to life in a way you have never experienced before when you follow the inventors' steps and recreate the groundbreaking devices of the past with your own hands. In this volume you will discover: The Cave Dwellers of Lascaux and the Oil Lamp Pythagoras and the Tantalus Cup Heron and the Gin Pole Egypt's Bag Press Otto von Guerke and the Magdeburg Hemispheres Levi ben Gershon and the Jacob's Staff Juliana Berners and the Fishing Lure Archimedes and the Water Screw China's Differential Windlass Be sure to also check out ReMaking History, Volume 2: Industrial Revolutionaries and ReMaking History Volume 3:Makers of the Modern World.

People have been playing music on homemade instruments for thousands of years. But creating new instruments is much more than an art form. When you want to make a note sound higher or lower, you have to change the sound waves coming out of the instrument. That's science! When you explore the way different materials produce different sounds, that's engineering. When you speed up or slow down a song, you're counting beats -- using math. And technology makes electronic instruments and devices to record and play back music possible.

An exploration across thirteen essays by critics, translators and creative writers on the modern-day afterlives of Old English, delving into how it has been transplanted and recreated in the twentieth and twenty-first centuries.

China’s rapid urbanization has restructured the great socialist cities Beijing, Shanghai, and Guangzhou into mega cities that embrace global capitalism. This book focuses on the urban transformations of these three cities: Beijing is the nation’s political and cultural capital; Shanghai is the economic and financial powerhouse; and Guangzhou is the capital of Guangdong Province and the regional center of south China. All are historical cities with rich imperial, colonial, and regional heritages, and all have been drastically transformed in the last six decades. This book examines the cities’ continuous urban legacies since 1949 in relation to state governance, economic reforms, and cultural production. By adopting local historical perspectives, it offers more nuanced accounts of the current urban change than the modernization/globalization paradigm and conceptualizes the change in the context of the cities’ socialist, colonial, and imperial legacies. Specifically, Samuel Y. Liang offers an overview of the urban planning and territorial expansion of the great cities since 1949; explores the production and consumption of urban housing, its spatial forms, media representations, and socio-political implications; and examines the state-led redevelopment of old urban cores and residential neighborhoods, and the urban conservation movement. Remaking China’s Great Cities will be of great interest to students and scholars working across a range of fields including Chinese studies, Chinese culture and society, urban studies and architecture.

With evidence from a wide variety of sources, this book explores the development of modernity in Hyderabad after 1947.

Remaking History considers the ways that historical fictions of all kinds enable a complex engagement with the past. Popular historical texts including films, television and novels, along with cultural phenomena such as superheroes and vampires, broker relationships to ‘history’, while also enabling audiences to understand the ways in which the past is written, structured and ordered. Jerome de Groot uses examples from contemporary popular culture to show the relationship between fiction and history in two key ways. Firstly, the texts pedagogically contribute to the historical imaginary and secondly they allow reflection upon how the past is constructed as ‘history’. In doing so, they provide an accessible and engaging means to critique, conceptualize and reject the processes of historical representation. The book looks at the use of the past in fiction from sources including Mad Men, Downton Abbey and Howard Brenton’s Anne Boleyn, along with the work of directors such as Terence Malick, Quentin Tarantino and Martin Scorsese, to show that fictional representations enable a comprehension of the fundamental strangeness of the past and the ways in which this foreign, exotic other is constructed. Drawing from popular films, novels and TV series of recent years, and engaging with key thinkers from Marx to Derrida, Remaking History is a must for all students interested in the meaning that history has for fiction, and vice versa.

Eminent Italian historian Giovanni Levi once notably remarked that “no one is a Marxist anymore,” pointing to a paradox in Italian cultural history. While what is called "Marxism" was supposedly hegemonic over Italian culture, and especially history writing, for decades in the postwar period, it then seems to have suddenly disappeared. This study questions such a vision of a monolithic and hegemonic Marxism. It starts from the most effective anecdote to all ideologising narratives—that is, research into the texts themselves. It sees the Marxist historiography of the post-1945 period as a "history in the making," in which references to Marxian theory were a fundamental factor driving historiographical innovation. This allows the book to bring to light a highly original experience in the development of historiography, based on the long Italian tradition of reflection on historical knowledge.

Traditional methods of making archaeological data available are becoming increasingly inadequate. Thanks to improved techniques for examining data from multiple viewpoints, archaeologists are now in a position to record different kinds of data, and to explore that data more fully than ever before. The growing availablility of computer networks and other technologies means that communication should become increasingly available to international archaeologists. Will this result in the democratisation of archaeological knowledge on a global basis? Contributors from Western and Eastern Europe, the Far East, Africa and the Americas seek to answer this and other questions about the way in which modern technology is revolutionising archaeological knowledge.