On October 15, 1983, a young mother of six was murdered while walking across her village of Huitzilan de Serdán, Mexico, with her infant son and one of her daughters. This woman, Victoria Bonilla, was among more than one hundred villagers who perished in violence that broke out soon after the Mexican army chopped down a cornfield that had been planted on an unused cattle pasture by forty Nahuat villagers. In this anthropological account, based on years of fieldwork in Huitzilan, James M. Taggart turns to Victoria's husband, Nacho Angel Hernández, to try to understand how a community based on respect and cooperation descended into horrific violence and fratricide. When the army chopped down the cornfield at Talcuaco, the war that broke out resulted in the complete breakdown of the social and moral order of the community. At its heart, this is a tragic love story, chronicling Nacho's feelings for Victoria spanning their courtship, marriage, family life, and her death. Nacho delivered his testimonio to the author in Nahuat, making it one of the few autobiographical love stories told in an Amerindian language, and a very rare account of love among the indigenous people of Mesoamerica. There is almost nothing in the literature on how a man develops and changes his feelings for his wife over his lifetime. This study contributes to the anthropology of emotion by focusing on how the Nahuat attempt to express love through language and ritual.

In award-winning author Elizabeth J. Duncan's tenth Penny Brannigan mystery set in North Wales, Canadian amateur sleuth Penny Brannigan attends a dinner party at a posh country house--where a historic chair disappears and a waiter is murdered. Artist and spa owner Penny Brannigan has been asked to organize a formal dinner to mark the centenary of the armistice that ended World War One. After dinner, the guests adjourn to the library for a private exhibition of the Black Chair, a precious piece of Welsh literary history awarded in 1917 to poet Hedd Wyn. But to the guests' shock, the newly restored bardic chair is missing. And then Penny discovers the rain-soaked body of a waiter. When Penny learns that the victim was the nephew of one of her employees, she is determined to find the killer. Meanwhile, the local police search for the Black Chair. The Prince of Wales is due to open an exhibit featuring the chair in three weeks, so time is not on their side. A visit to a nursing home to consult an ex-thief convinces Penny that the theft of the Black Chair and the waiter's murder are connected. She rushes to Dublin to consult a disagreeable antiquarian, who might know more than he lets on, and during the course of her investigation confronts a gaggle of suspicious travelers and an eccentric herbalist who seems to have something to hide. Can Penny find the chair and the culprit before she is laid to rest in the green grass of Wales?

How one of the greatest miscarriages of justice in the United States continues to haunt the nation's racial psyche In 1931, nine black youths were charged with raping two white women in Scottsboro, Alabama. Despite meager and contradictory evidence, all nine were found guilty and eight of the defendants were sentenced to death--making Scottsboro one of the worst travesties of justice to take place in the post-Reconstruction South. Remembering Scottsboro explores how this case has embedded itself into the fabric of American memory and become a lens for perceptions of race, class, sexual politics, and justice. James Miller draws upon the archives of the Communist International and NAACP, contemporary journalistic accounts, as well as poetry, drama, fiction, and film, to document the impact of Scottsboro on American culture. The book reveals how the Communist Party, NAACP, and media shaped early images of Scottsboro; looks at how the case influenced authors including Langston Hughes, Richard Wright, and Harper Lee; shows how politicians and Hollywood filmmakers invoked the case in the ensuing decades; and examines the defiant, sensitive, and savvy correspondence of Haywood Patterson--one of the accused, who fled the Alabama justice system. Miller considers how Scottsboro persists as a point of reference in contemporary American life and suggests that the Civil Rights movement begins much earlier than the Montgomery Bus Boycott of 1955. Remembering Scottsboro demonstrates how one compelling, provocative, and tragic case still haunts the American racial imagination.

This biography evokes the pervasive importance of religion to Queen Victoria's life but also that life's centrality to the religion of Victorians around the globe. The first comprehensive exploration of Victoria's religiosity, it shows how moments in her life—from her accession to her marriage and her successive bereavements—enlarged how she defined and lived her faith. It portrays a woman who had simple convictions but a complex identity that suited her multinational Kingdom: a determined Anglican who preferred Presbyterian Scotland; an ardent Protestant who revered her husband's Lutheran homeland but became sympathetic towards Roman Catholicism and Islam; a moralizing believer in the religion of the home who scorned Sabbatarianism. Drawing on a systematic reading of her journals and a rich selection of manuscripts from British and German archives, Michael Ledger-Lomas sheds new light not just on Victoria's private beliefs but also on her activity as a monarch, who wielded her powers energetically in questions of church and state. Unlike a conventional biography, this book interweaves its account of Victoria's life with a panoramic survey of what religious communities made of it. It shows how different churches and world religions expressed an emotional identification with their Queen and Empress, turning her into an embodiment of their different and often rival conceptions of what her Empire ought to be. The result is a fresh vision of a familiar life, which also explains why monarchy and religion remained close allies in the nineteenth-century British world.

Scholars across the humanities and social sciences who study public memory study the ways that groups of people collectively remember the past. One motivation for such study is to understand how collective identities at the local, regional, and national level emerge, and why those collective identities often lead to conflict. Public Memory, Race, and Ethnicity contributes to this rapidly evolving scholarly conversation by taking into consideration the influence of race and ethnicity on our collective practices of remembrance. How do the ways we remember the past influence racial and ethnic identities? How do racial and ethnic identities shape our practices of remembrance? Public Memory, Race, and Ethnicity brings together nine provocative critical investigations that address these questions and others regarding the role of public memory in the formation of racial and ethnic identities in the United States. The book is organized chronologically. Part I addresses the politics of public memory in the late nineteenth and early twentieth centuries, focusing on how immigrants who found themselves in a strange new world used memory to assimilate, on the interplay of ethnicity and patriarchy in early monumental representations of Sacagawea, and on the use of memory and forgetting to negotiate labor and racial tensions in an industrial steel town. Part II attends to the dynamics of memory and forgetting during and after World War II, examining the problems of remembrance as they are related to Japanese internment, the strategies of remembrance surrounding important events of the Civil Rights Movement, and the institutional use of memory and tradition to normalize whiteness and control human behavior. Part III focuses on race and remembrance in the late twentieth and early twenty-first centuries, analyzing Walter Mosley’s use of memory in his literary work to challenge racial norms, President George W. Bush’s strategies of remembrance in his 2006 address to the NAACP, and the problems of memory and racial representation in the aftermath of the Katrina disaster. Taken together, the essays in this volume often speak to each other in remarkable ways, and one can begin to see in their progression the transformation of race relations in America since the nineteenth century.

Natalie had to live most of her life under her mothers controlling and influence, except for a brief term at the University which was full of new experiences. She now lives through a tepid marriage with her husband Pet in an upscale suburban neighborhood on a round, boring street. All that comes to an end when Victoria moves in to the neighborhood. Victoria is a beautiful, sophisticated and a wealthy mother of two who is now in a relationship with a jealous and protective man, once her best friend. Victoria’s presence starts shaking up Natalie’s suburban flat-linings and really stirs up foreign feelings in side her. Gradually her fleeting crush develops into something much deeper and more profound, which leads the two women to abandon everything they have come to know and accept for a love and passion so strong that it will change them both to the core.

Fed up with habitual criminals using prison as a temporary hotel? Directus Iurisdictio has an ancient alternative. Sean Fagan of SOCA is sent undercover to investigate the dark structure of a secret network that executes habitual criminals, dishonest MPs, greedy bankers and spying policeman.Fagan is drawn into a web of deceit as he goes undercover to investigate the dark and secret structures of Directus Iurisdictio, Direct Justice. Dismissing the criminal judicial system as not fit for purpose, a system which repeatedly allows prisoners free to re-offend, Directus Iurisdictio evokes its own ancient system of social retribution. The crime rate plummets as habitual rapists, burglars, paedophiles and other career criminals die or vanish without trace.Enticed by two beautiful sisters who he suspects are members of DI, Fagan gets close enough to discover involvement of senior Whitehall officials using Directus Iurisdictio to save the judicial system billions. When Fagan does not join them as expected they order his immediate execution. Knowing Directus Iurisdictio has infiltrated the police, SIS and Government he is trapped in a world of sinister forces. Only his own determination and skill can extract him.

In the late nineteenth century one man changed Oxford forever. T. G. Jackson built the Examination Schools, the Bridge of Sighs, worked at a dozen colleges, and restored a score of other Oxford icons. He also built for many of the major public schools, for the University of Cambridge, and at the Inns of Court. A friend of William Morris, he was a pioneering member of the arts and crafts moment. A distinguished historian, he also restored dozens of houses and churches - and ensured the survival of Winchester Cathedral. As an architectural theorist he was a leader of the generation that rejected the Gothic Revival and sought to develop a new and modern style of building. Drawing on extensive archival work, and illustrated with a hundred images, this is the first in-depth analysis of Jackson's career ever written. It sheds light on a little-known architect and reveals that his buildings, his books, and his work as an arts and craftsman were not just important in their own right, they were also part of a wider social change. Jackson was the architect of choice for a particular group of people, for the 'intellectual aristocracy' of late Victorian England. His buildings were a means by which they could articulate their identity and demonstrate their distinctiveness. They reformed the universities and the schools whilst he refashioned their image. Essential reading for anyone interested in Victorian architecture and nineteenth-century society, this book will also be of interest to all those who know and love Oxford or Cambridge.

Remembering Histories of Trauma compares and links Native American, First Nation and Jewish histories of traumatic memory. Using source material from both sides of the Atlantic, it examines the differences between ancestral experiences of genocide and the representation of those histories in public sites in the United States, Canada and Europe. Challenging the ways public bodies have used those histories to frame the cultural and political identity of regions, states, and nations, it considers the effects of those representations on internal group memory, external public memory and cultural assimilation. Offering new ways to understand the Native-Jewish encounter by highlighting shared critiques of public historical representation, Mailer seeks to transcend historical tensions between Native American studies and Holocaust studies. In linking and comparing European and American contexts of historical trauma and their representation in public memory, this book brings Native American studies, Jewish studies, early American history, Holocaust studies, and museum studies into conversation with each other. In revealing similarities in the public representation of Indigenous genocide and the Holocaust it offers common ground for Jewish and Indigenous histories, and provides a new framework to better understand the divergence between traumatic histories and the ways they are memorialized.