The creativity of the human mind was brilliantly displayed during the Florentine Renaissance when artists, mathematicians, astronomers, apothecaries, architects, and others embraced the interconnectedness of their disciplines. Artists used mathematical perspective in painting and scientific techniques to create new materials; hospitals used art to invigorate the soul; apothecaries prepared and dispensed, often from the same plants, both medicinals for patients and pigments for painters; utilitarian glassware and maps became objects to be admired for their beauty; art enhanced depictions of scientific observations; and innovations in construction made buildings canvases for artistic grandeur. An exploration of these and other intersections of art and science deepens our appreciation of the magnificent contributions of the extraordinary Florentines.

Introducing the 'Crunch Time Review' for Art History I– your ultimate guide to acing your course and exams! Imagine having the notes of the top-performing student in the class at your fingertips. Our books are precisely that - a treasure trove of class notes and a handy glossary to simplify your last-minute prep. Say goodbye to stress and hello to success with the condensed wisdom of the best in the class. Elevate your exam game with 'Crunch Time Review' – your key to confident, last-minute mastery. Embarking on the final stretch before your exam can be daunting. The overwhelming wealth of information, the ticking clock, and the pressure to perform can turn preparation into a nerve-wracking experience. That’s where "Crunch Time Review for the Art History I" steps in – your ultimate companion in transforming pre-exam panic into confidence, one page at a time. Crafted with the understanding that time is of the essence, this series is meticulously designed to streamline your review process. Each book in the series distills the essence of its subject into ten big ideas, presenting complex concepts in bite-sized, digestible pieces. Whether it’s a cornerstone theory, a pivotal experiment, or a crucial equation, "Crunch Time Review" ensures that the fundamentals are at your fingertips. Accessibility is at the heart of the "Crunch Time Review" series. We know that the clock is ticking, and the last thing you need is a text that's dense and impenetrable. Our books are written in clear, straightforward language, making them perfect for swift comprehension and retention. The layout is intuitive, guiding you through each concept with ease and efficiency. But we don’t stop at just the big ideas. Each book also includes a comprehensive glossary of key terms. This handy reference tool helps reinforce your understanding and ensures that the vital vocabulary of your subject is always within reach. It's an invaluable asset for brushing up on terminology and for making sure that no term is left unfamiliar as exam day approaches. Procrastination is the enemy of preparation. Recognizing this, the "Crunch Time Review" series is designed to be immensely approachable, encouraging you to pick it up, dive in, and start reviewing without dread. The engaging format and the focused presentation of information make it easier to get started and keep going, turning what could be a source of stress into a manageable and even enjoyable task. What sets the "Crunch Time Review" series apart is its commitment to providing a stress-free way to engage in just-in-time learning. It acknowledges the pressures of exam preparation and offers a solution that not only educates but also empowers. With this series, you gain a tool that not only aids in review but also boosts confidence, cuts through procrastination, and enhances your readiness for the exam. Each book is tailored to its specific exam, making it a versatile resource for a wide range of subjects. Whether you're facing the rigors of a science exam, the breadth of a history test, or the intricacies of a language assessment, there's a "Crunch Time Review" book designed for you. In the critical moments before your exam, "Crunch Time Review for Art History I" is more than just a study aid; it's a lifeline. It’s for the student who wants to make every minute count, for the learner who believes in efficiency, and for the examinee who seeks clarity amidst chaos. Join the countless students who have turned their last-minute preparations into success stories. Make "Crunch Time Review for Art History I" your go-to resource for conquering exam stress and achieving your best score. The clock may be ticking, but with this series in hand, you’re more than ready to face the challenge. Welcome to crunch time – you’ve got this.

Use the Internet to teach visual arts and refine students' critical thinking skills! This book is based on the Discipline-Based Art Education program, a proven art instruction program that teaches everything from the creative process and art history to criticism and aesthetics. An abundance of primary source Web sites and background information is offered. The main focus of the book is western art history and painting, but examples of sculpture, drawings, prints, and architecture are included, along with a chapter on diversity. Part I provides background material. A brief history of art education is presented, followed by a review of the components of design elements and principles. The book describes using the Internet as a primary source by identifying and evaluating websites. Part II follows the program through the main historical periods, from prehistoric and ancient Middle Eastern art, through the Renaissance, through the 20th century. A bibliography and index are included.

In this fascinating study, John Stephens inteprets the significance of the immense cultural change which took place in Italy from the time of Petrarch to the Reformation, and considers its wider contribution to Europe beyond the Alps. His important analysis (which is designed for students and serious general readers of history as well as the specialist) is not a straight narrative history; rather, it is an examination of the humanists, artists and patrons who were the instruments of this change; the contemporary factors that favoured it; and the elements of ancient thought they revived.

The Renaissance is one of the most celebrated periods in European history. But when did it begin? When did it end? And what did it include? Traditionally regarded as a revival of classical art and learning, centred upon fifteenth-century Italy, views of the Renaissance have changed considerably in recent decades. The glories of Florence and the art of Raphael and Michelangelo remain an important element of the Renaissance story, but they are now only a part of a much wider story which looks beyond an exclusive focus on high culture, beyond the Italian peninsula, and beyond the fifteenth century. The Oxford Illustrated History of the Renaissance tells the cultural history of this broader and longer Renaissance: from seminal figures such as Dante and Giotto in thirteenth-century Italy, to the waning of Spain's 'golden age' in the 1630s, and the closure of the English theatres in 1642, the date generally taken to mark the end of the English literary Renaissance. Geographically, the story ranges from Spanish America to Renaissance Europe's encounter with the Ottomans—and far beyond, to the more distant cultures of China and Japan. And thematically, under Gordon Campbell's expert editorial guidance, the volume covers the whole gamut of Renaissance civilization, with chapters on humanism and the classical tradition; war and the state; religion; art and architecture; the performing arts; literature; craft and technology; science and medicine; and travel and cultural exchange.

Based on previously unpublished documents, Frank D'Accone sets the background for the musical efflorescence that occurred in Florence in the later 15th century and the emergence in the early 16th century of a new Florentine school of composers. Tracing the origins and development of musical chapels at the Cathedral and Baptistery, and the growth of musical establishments at several other churches such as the Santissima Annunziata, Santa Trinita and San Lorenzo, D'Accone examines the effect of Medici patronage, on the one hand, and the impact of Savonarola, on the other, and at the careers of individual composers such as Heinrich Isaac.

Taking the Noli me tangere and Doubting Thomas episodes as a focal point, this study examines how visual representations of two of the most compelling and related Christian stories engaged with changing devotional and cultural ideals in Renaissance and Baroque Italy. This book reconsiders depictions of the ambiguous encounter of Mary Magdalene and Christ in the garden (John 20:11-19, known as the Noli me tangere) and that of Christ?s post-Resurrection appearance to Thomas (John 20:24-29, the Doubting Thomas) as manifestations of complex theological and art theoretical milieus. By focusing on key artistic monuments of the Italian Renaissance and Baroque periods, the authors demonstrate a relationship between the rise of skeptical philosophy and empirical science, and the efficacy of the senses in the construction of belief. Further, the authors elucidate the differing representational strategies employed by artists to depict touch, and the ways in which these strategies were shaped by gender, social class, and educational level. Indeed, over time St. Thomas became an increasingly public--and therefore masculine--symbol of devotional verification, juridical inquiry, and empirical investigation, while St. Mary Magdalene provided a more private model for pious women, celebrating, mostly behind closed doors, the privileged and active participation of women in the faith. The authors rely on primary source material--paintings, sculptures, religious tracts, hagiography, popular sermons, and new documentary evidence. By reuniting their visual examples with important, often little-known textual sources, the authors reveal a complex relationship between visual imagery, the senses, contemporary attitudes toward gender, and the shaping of belief. Further, they add greater nuance to our understanding of the relationship between popular piety and the visual culture of the period.

Lonely Planet’s Florence & Tuscany is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Travel the roads of Val d’Orcia, sample Chianti and explore the Uffizi’s collections; all with your trusted travel companion. Get to the heart of Florence & Tuscany and begin your journey now! Inside Lonely Planet’s Florence & Tuscany Travel Guide: Up-to-date information - all businesses were rechecked before publication to ensure they are still open after 2020’s COVID-19 outbreak NEW top experiences feature - a visually inspiring collection of Florence & Tuscany’s best experiences and where to have them What's NEW feature taps into cultural trends and helps you find fresh ideas and cool new areas NEW pull-out, passport-size 'Just Landed' card with wi-fi, ATM and transport info - all you need for a smooth journey from airport to hotel NEW Accommodation feature gathers all the information you need to plan your accommodation Improved planning tools for family travellers - where to go, how to save money, plus fun stuff just for kids Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sightseeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, people, music, landscapes, wildlife, cuisine, politics Over 51 maps Covers Florence, Siena & Central Tuscany, Southern Tuscany, Central Coast & Elba, Northwestern Tuscany, Eastern Tuscany and more The Perfect Choice: Lonely Planet’s Florence & Tuscany, our most comprehensive guide to Florence & Tuscany, is perfect for both exploring top sights and taking roads less travelled. Looking for just the highlights? Check out Pocket Florence & Tuscany, a handy-sized guide focused on the can't-miss sights for a quick trip. Looking for more extensive coverage? Check out Lonely Planet’s Italy for a comprehensive look at all the country has to offer. About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day. 'Lonely Planet guides are, quite simply, like no other.' – New York Times 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' – Fairfax Media (Australia)

Katharine Park has written a social, intellectual, and institutional history of medicine in Florence during the century after the Black Death of 1348. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Painters, draftsmen, goldsmiths, sculptors, and designers, the Pollaiuolo brothers of fifteenth-century Florence produced some of the most beautiful works of the Italian Renaissance.